Books for kids, teens, & those who are young at heart

Category: Confessions of an Author (Page 1 of 2)

When a Writer Doesn’t Have Time for Writing and New Books from Katie L. Carroll

I have been longing to get back into creative mode. I’ve got a revision of my YA psychological thriller Hamlet retelling that has been inching along so very slowly. NaNoWriMo (National Novel Writing Month) starts in a few weeks, and I really want to draft my next YA during November.

However, with two book releases this fall (and approximately a thousand soccer games for my kids), there’s been little time for the actual book writing and revising. It’s a case of the writer not getting to actually write. The fact is being an author means marketing our books, and being an indie author means producing our books as well. I’ll get back into the fun stuff eventually.

The good news is that WITCH TEST is out in the world and spreading all kinds witchy, crow, Halloween vibes. It recently hit #1 in all its categories on Kobo, so that was super exciting! Thank you so much to all who have read, reviewed it, or shared it. Posting reviews on Amazon, Goodreads, and other book retailers is so helpful to authors because it increases the chance of new readers finding it.

MOMMY’S NIGHT BEFORE CHRISTMAS comes out in 12 days! It’s available for pre-order at all the usual places, like Bookshop, Amazon, Barnes & Noble, IndieBound, and Kobo. I’ll soon be getting the listing up on my Purchase Books page for those of you who are interested in signed copies. I’ve probably mentioned this before, but MOMMY’S NIGHT BEFORE CHRISTMAS makes for a great Christmas gift for any moms you know. I still can’t get over the beautiful illustrations by Phoebe Cho.

Here’s a little video I created for it. How’s your fall going?

@katielcarrollauthor

Mommy’s Night Before Christmas by Katie L. Carrol with illustrations by Phoebe Cho is the perfect gift for all the moms (and the kids). #mommysnightbeforechristmas #picturebook #christmasbooks #giftsforher #booktok

♬ We Wish You a Merry Christmas (music box) – yostimar

Confessions of an Author: Creative Gap

I’ve had some wonderful event and workshop opportunities come up for this year (more details to come on those!). With preparations for those in full swing, plus a couple of sick kiddos, a crazy blizzard on the way, and my regular writing and editing duties (Does anyone else snicker when they see the word “duty”? …No, just my infantile mind.), I’m dipping into the archives for today’s post. Stay safe all of you who are in the path of the storm!

Confession #7: The creative gap that exists between what an author imagines in her head and what ends up on the paper inevitably leads to a certain level of failure.

As a writer, I have certain images, ideas, nuances, themes, characters (and any number of other things) in my head when I create a piece of writing. It’s not that I necessarily have a set agenda–this is especially true when drafting and the story and characters are still taking shape–it’s more that I have a clear vision for a piece. I wouldn’t call it a message (because who wants to read a message-heavy piece of writing)…for a lack of a better way to describe it, let’s call it a creative vision.

Inevitably, the words I use to try and achieve my creative vision never quite live up to what I see in my imagination. This has nothing to with my ability as a writer; it’s more a failure of the medium of the written word. Writers have to rely on words to paint a physical and emotional landscape for a reader. We create not only worlds and characters, but ideas and feelings that need to come alive through words because a reader can’t see into a writer’s head.

Even now, trying to explain this creative gap is a frustratingly futile attempt. The words you read here are not exactly what is going on in my head. There is a creative gap between my brain and what you’re reading.

English users even try to steal words from other languages to help overcome the creative gap. A word like “umami”, taken from the Japanese, is roughly a pleasant savory taste (tomatoes are said to possess this quality), but really it’s a taste or sensation that can’t really be expressed in our language.

Then there are words that are so complex and subject to a person’s individual experiences and emotions. Success. Peace. Love. A writer can use these words, but has no control over how a reader will interpret it. Words are simply an inadequate form of communication sometimes.

And this creative gap isn’t unique to writers; it crosses all types of creative media. Films, though more visual, lack in different areas than books. When watching a film, a viewer can’t be in a character’s head and hear his/her direct thoughts (except for the occasional voice over). Artists can paint or draw what they see in their head, but there is no commentary to go with it. A person looking at a painting has to draw his/her own emotional context out of it.

So what’s a writer or creative person to do? Give up because our creative vision will never be fulfilled. Create a failure and despair over it. Nope! We accept that the creative gap exists and use all the tools we possess to convey our creative vision to the best of our ability.

Because something magical happens when our (inadequate) words are read. The creative gap works in reverse. Readers brings their own creative visions to the writer’s words. And they fill the gap, not as the writer would have filled it, but with their own imaginations.

In the end, the creative gap does not create a failure, but a piece of work that is unique to each individual who consumes it. A work that is full of images, ideas, nuances, themes, characters (and any number of things) the creator never could have imagined. And that is certainly a wonderful exchange.

Confession of an Author: Prolific Writers

Confession #9: I hate prolific writers.

Yes, I’m using the word “hate,” a word–you guessed it–I hate (it’s so unimaginative and really when you think about it, rather vague). It seems every other author I’ve ever heard of is a faster writer. Yeah, I know, it’s not a good idea to compare yourself to other writers and their processes or successes because to each his own and everything, but, man, I wish I could just write faster…and that I hadn’t heard of all these other writers who have a million books coming out all the time.

Seriously, my writer friends seem to have books releasing every day. I know about all their new books because I’m constantly hosting them here on this blog and reading their amazing stories. They post about their huge word counts (I’m happy to get a couple hundred words in a day, and I don’t even write every day…not even close to every day) and they do NaNoWriMo and write, write, write. And I love these writer friends of mine, but I hate them too. Why? Because they are so prolific and I am, well, not.

And I know what you’d say to me (because you, my dear blog readers, are a wonderful, supportive group of people). “Katie,” you’d say. “You have a preschooler and a baby, you have your editing, a husband who does housework, and a wonderful, full life.” And I’d say, “Yes, that is all true, and thank you for saying so.”

I do have all these wonderful things in my life, but I only have two published books and one collaborative work on the way, and I want more published books. I want more work to put out there. I want more time to write and when I do have time to write, I want to write more. Bottom line, I want more! “Wah, wah, wah,” right?

Then I feel guilty because there are other writers who are struggling to have anything published, writers who deserve to be published. Because I remember having that kind of wanting before ELIXIR BOUND came out, and that is a whole other kind of longing.

Back on topic, even this blog post feels like it’s taking forever to write. Why can’t my brain just get the words out of my head and onto the page in a manner that doesn’t feel like losing a 100-meter race to a slug? I’m a fast typist, so that’s not the problem. I’m a fast thinker, too. I think part of the problem is how much I have to think about things before I write them down. My process is part of who I am, not just as a writer but as a person. That’s hard to change.

I have to have a really good sense of what I’m writing before I even begin to put it down on the page. And then when I do start to get it down on the page, it spawns all these other thoughts and ideas that I have to rein my brain in. Wait, I think that means I think too fast, so it’s hard to focus on the writing and just get it on the paper. My brain moves too fast for my fingers. Plus, I’m a deliberate person. I don’t just do things nilly-willy (not saying prolific writers do things this way…only a comment on myself); I need to be ready to do things before I do them. I’m not sure there’s a way to circumnavigate that.

Okay, now I’m thinking out loud on the page, and boy, that’s a scary thought because who knows what will come out next. Let me gather my focus again. I am not a prolific writer and I may never be one because it’s just not the way I work. So all you prolific writers out there, just cut it out already! 😉

Confessions of an Author: Dress Code

Life is proving to be busy (hubby and I are celebrating our 9-year anniversary today…yikes, makes me feel old!), so this week I’m digging into the archives for this post. Enjoy!

Confession #3: I sometimes wear my pajamas to work.

You know that advice that you should dress for the job you want, not the job you have. Well, if you want to be an author, dress in your pajamas. Seriously, fess up you pajama-wearing writers…I know I’m not the only one out there.

So my typical outfit this time of year (winter in New England) is a t-shirt with a sweatshirt or sweater over it (sometimes both); pajama pants or sweatpants; thick, fuzzy socks; and slippers. I get cold pretty easily!

Now, when I’m out in public as a writer—say at a conference or school visit or accepting a prestigious award (okay, maybe this last one is only in a fictional world)—I dress professionally. I would call it business casual.

And I have a sort of personal rule about not wearing sweatpants in public. The only exceptions this are when if I’m working out or have just come from working out and make a stop on the way. I don’t even like to go grocery shopping in sweatpants…kind of makes me feel like I’ve given up on life.

But when I tapping away at my laptop keyboard…comfy clothes all the way! Okay, what’s the most embarrassing thing you’ve worn out in public?

Confessions of an Author: Writing Process

Confession #8: No matter how long I write and how many stories I complete, I have yet to master my own writing process.

Ask a dozen authors about how they write their books and you’ll probably get twelve different processes. You might hear some similar terms (plotter vs. pantser) and techniques (setting certain daily word goals, for example), but ultimately how an author writes (and by writes, I’m mostly talking about writing first drafts here) is a highly personal endeavor.

Me, well, I’m never quite sure how to answer that question. Because every manuscript I have written has ended up entailing a different process. For some reason, the projects I have tackled have each required their own approach to drafting.

Elixir Bound, my published YA fantasy, started with journal entries of character sketches and world building. I drafted this novel over a period of several years, writing in spurts and putting it away for months at a time. It was my first attempt at writing a full-length novel and it was somewhat blissful being so ignorant about the writing process and the business of publishing. I wrote this with high expectations but without any real pressure. It presented itself in very chronological order, I think because it’s essentially a quest novel, and I just wrote it with little outside forces involved.

The second manuscript I completed is a middle grade mystery with a first-person male point of view. I wanted to write something very different from Elixir Bound. I did a lot of research before and during the drafting process. I read entire non-fiction books; attended a lecture on local history; and created maps, calendars, charts, and pages and pages of supplemental materials.

And the process for my current WIP (currently titled Black Butterfly) is, well, a hot mess. I’m writing it in scenes, but not necessarily in any kind of chronological order. And there’s an element to the story in which the main character can only know certain information at certain points in the story, and I haven’t quite nailed down the timeline for that (or for the main plot in general). So, yeah, this one is going to require a lot of rewriting and editing.

But writing this way has been incredibly freeing. I normally (for the most part) write a story from beginning to end in order. To be able to jump around in the story and to not have to worry about transitioning from scene to scene means I can just write the good stuff, the stuff that’s being persistent about being written. It means I’m writing this story faster than I’ve ever done before. I look forward to my writing sessions, even as I approach the dreaded middle of drafting (which is usually the point where I start to burn out and need a break).

I think it’s important to be flexible as a writer. Set goals but realize that it may take some experimentation to get there, and the way you envision achieving those goals may have to change over time. Have a commitment to writing, but realize that the creative process is not a set step-by-step process. No one can tell you how to best write the book you are writing (maybe you can’t even tell yourself that). Like in life, in writing be open to new ways of discovering things (like your own drafting process), and you may find the perfect fit for your manuscript.

Writers and non-writers, what kinds of projects are you currently working on? Is your process working for you?

« Older posts

© 2024 Katie L. Carroll

Theme by Anders NorenUp ↑