Tag: writing tips (Page 1 of 2)

Cover Reveal and Q&A for THE NECROMANCER’S RETURN by Beverly Twomey

October 14, 2026 / Katie L. Carroll / 0 Comments

Let’s give a big welcome to author Beverly Twomey as she reveals the cover of her upcoming middle grade fantasy THE NECROMANCER’S RETURN. This is the sequel to THE NECROMANCER’S APPRENTICE, which is only $.99 in the month of October. Be sure to check out the cover’s artist and designer Luisa Galstyan.

What was your main inspiration for the Necromancer books?

It started with a pun, “The dying art of necromancy,” followed by a tweet regarding what it might look like to explore a Necromancer who is great at his job but not people skills. I wanted to write something fun and a little spooky with lots of action, adventure, and skeletons. I’ve grown ever so fond of this little world and am delighted to be able to return to it.

Without spoilers, what’s one thing you think fans of The Necromancer’s Apprentice will be particularly pleased to see in The Necromancer’s Return?

I think they’ll really enjoy the new dynamics between my two main characters and the Necromancer. Noah and Tamsyn are very different from Georgie. They’re confident, less afraid of confrontation and really throw the Necromancer for a loop by calling out his faults to his face.

What were some of you favorite books when you were a teen?

My top 4 series were Redwall, The Lost Years of Merlin, Inkheart and The Squire’s Tales. All of these have an aspect of whimsy with a lot of heart which is something I strive to have in my own work.

At what moment did you truly begin to feel like an author?

When I held my first printed book in my hands. It was such a rough time in my life but to be able to tangibly hold The Necromancer’s Apprentice, see the size and shape of it in actual book form, was and remains incredible.

What is your favorite part of the writing process? What is your least favorite part?

I love to brainstorm and world build. I love to ask myself the Why of it all, such as “why does a small mountain village need a Necromancer?” Finding all the connecting threads and pulling them together is immensely satisfying to me.

Ironically, my least favorite part is often drafting. I know this is often many writers favorite part and I’ve gotten better at this through multiple books but those first words on the page are hard. It takes me easily 3-4 drafts so I know that those early words will be very far from where they ultimately end up. At the end of the day, I simply have to buckle down and write my way out.

What is the single best piece of advice you have for young writers?

Read! Read books, graphic novels, manga, articles, anything and everything you can get your hands on. Through reading, you can learn your own likes, dislikes, what works and what doesn’t, tropes, pacing, genre expectations and more. If you want to write a book, you simply must read them.

What is next for you in your writing career?

I have a couple projects in mind. I have the outline of the next Necromancer book, a project that I’d like to query to traditional publishing, and another possible sequel. At the moment, I’m throwing myself fully into Marketing Mode and after about a month of that, we’ll see what words arrive. Books are like wizards, they arrive precisely when they mean too.

THE NECROMANCER’S RETURN blurb:

In an actual circus, twelve-year-old Noah is the oddball.

While the rest of the Florian family paints, tumbles, and carves their mark into every performance of Waldo’s Wandering Wonders, Noah struggles to be seen—especially with his Unfortunate Habit of accidental invisibility. When a new puppet master arrives, taking over the circus with his eerily lifelike marionettes, Noah and his family are quickly entangled in the magician’s villainous schemes.

After a harrowing escape, Noah and his teen sister, Tamsyn, are desperate to find help. Yet the reclusive wizard known as ‘the Necromancer,’ along with his haunted companion are far from the heroes they had in mind. Together, this strange traveling troupe must face grave robbers, reanimated skeletons and travel to a long-lost mining town whose buried secrets rumble underground. The strings of fate are tightening fast, but which of our wizards will find the courage to face their fears before they are torn apart?

THE NECROMANCER’S RETURN promises familiar faces, new friends and foes, and the courageous strength of wonder.

THE NECROMANCER’S APRRENTICE blurb:

Georgie would do anything to help his father – even learn the dying art of necromancy.

Twelve-year-old Georgie works hard to care for his grieving father while keeping his nosy younger cousin out of trouble. But when his father begins to decline even further, Georgie decides to bring back the one person who could do it all, his deceased mother.

The local Necromancer is an awkward and solitary man with an ancient black cat and a literal skeleton in his closet. With a few words, he can cause a dead sparrow to fly, stop an animated skeleton in its place, and even speak to the dead themselves. Georgie is quickly swept away into a world of skeletal horrors, abandoned graves, and wizard duels where woodland creatures arm themselves against the undead. But can he convince the Necromancer to resurrect his mother in time?

THE NECROMANCER’S APPRENTICE is a whimsical take on the process of grieving and learning to live again.

The Necromancer’s Apprentice is on SALE during the month of October! Digital eBooks are available in US and Canada for 0.99 cents all month long!

About the Author:

Beverly Twomey was born and raised in Cincinnati, Ohio. For over ten years, she has worked as a used bookseller, which has greatly expanded her personal Tolkien collection. When she is not lost in the stacks, she can be found drinking vast amounts of tea, snuggling with her two cats, reading fantasy novels, writing in the wee hours of the morning, and plotting ways to play more Dungeons & Dragons.

Website | Newsletter | Instagram | Facebook | Bluesky

White Noise Recommendations to Write Faster When You’re Feeling Unproductive

April 6, 2021 / Katie L. Carroll

Writing during the pandemic has been really different. I know some writers who have felt productive because they’ve had more time to focus on writing (lucky them!), but many others, like parents, who haven’t been able to fit in writing time. Then there are the writers who may have the time but can’t find the focus.

This was from the days when I used to write at the cafe…the good old days!

I totally get it! At the beginning of the pandemic when the of five us were home all the time, I thought it would be a long time before I figured out a way to fit in writing.

But then I talked to a friend who had been getting up early to write and I (virtually) joined in on her sessions. Naturally, I blogged about this in “WIP Update: Witchy Middle Grade & a Fear of Asking for Help”.

This was back in June 2020, and since then I’ve basically written and revised an entire 59,000-word middle grade novel and worked on a few smaller pieces as well. It’s a level of productivity I couldn’t have imagined achieving this time last year, but I’m not here to brag about this (even if I am proud of it!).

I’m here to say that it’s okay to be unproductive, especially when facing a global pandemic. I basically did a whole webinar with tips on how to be more productive as a parent writer (which is good for any busy writer) where I also tried to help listeners feel okay about not writing. You can watch it for free or check out any of the other Indie Author Project Expert Sessions if you have the time. 😉

One thing that has really helped me to focus has been listening to some kind of white noise. I find music with lyrics can be distracting while I’m writing. But instrumental music that has the right mood to fit what I’m working on or white noise is perfect for keeping my internal editor in check and my mind on task.

So let’s get to those white noise recommendations already!

Spotify is my go-to app when I want thematic instrumental music. There are a ton of pre-made playlists that you can use search for. For my witchy middle grade, my favorite was “spooky instrumental”. When I write fantasy, I’m partial to this “Fantasy Board Gaming” one.

For something more like white noise, I turn to YouTube. For spring, I’ve been listening to this “Spring Rain Sounds” one. When I want to feel cozy, I enjoy fireplaces and thunderstorms, like this Royal Library one.

My most recent discovery is a site called I Miss My Cafe where I can channel those cafe writing sessions I used to have. You can choose which sounds to listen to, from the barista calling out orders to other customers chatting in the background to street ambiance, and pick your volume. There is also Coffitivity, which isn’t as customizable but good nonetheless.

What do you like to listen to while writing or working?

September #InkRipples: Building a Fictional World

September 8, 2017 / Katie L. Carroll

What exactly is world building (or worldbuilding if your prefer is as one word)? Basically, it’s the creation of a fictional world. More than that, though, it’s how that world is explained within the confines of a story. The imagining and creating is the easy part (in my opinion). It’s choosing which pieces to include in the story and how to include those pieces with out a big info-dump that is the tricky part.

The reader must be grounded in the world and be able to feel like they are immersed in it, but you don’t want to bore them with too many details and world-building elements that aren’t essential to the plot and character development. It’s highly subjective, too. One reader may love lavish descriptions and explanations of how one aspect of your fictional world works, while another may skim through all that to get to the action.

And world building isn’t just for fantasy or sci-fi writers. Even if a story takes place in a high school and most of your readers are in high school or have been to one, you still need to establish the world of your high school. There’s a lot already written on ways to execute world building, so instead of me blathering on with tips, I’ll leave some links at the end of the post for you to peruse at your leisure.

Some of my favorite world building exercises have been making a map for the ELIXIR BOUND (see the picture at the beginning of the post and the entry “Exploring the world of Elixir Bound”). For PIRATE ISLAND, part of my world building included creating a chart with realistic tides and moon cycles. So much of my world building goes on behind the scenes, but having all that information in my head makes for a rich world on the page, even if the reader only sees a small portion of what the world entails. Plus, those elements that don’t make it directly into the story are great for things like blog posts and bonuses for readers.

Okay, before we get to the links, I’d love to hear some of your world-building techniques in the comments!

“Tips on World Building for Writers — How to Make Your Imaginary World Real” by Chuck Sambuchino

“The Ultimate Guide to World-Building: How To Write Fantasy, Sci-Fi, And Real-Life Worlds” by Claire Bradshaw

“25 Things You Should Know About Worldbuilding” by Chuck Wendig

(Apparently people named Chuck have a lot to say about world building!)

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (September is all about world building), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

April #InkRipples: 5 Tips for Revising that Manuscript

April 12, 2017 / Katie L. Carroll

Now that you all know from my earlier April #InkRipples post that revision isn’t my favorite part of the writing process, I’ll share some tips on how I try to make it easier on myself. Some of these work for my particular process and some are more general, but I hope you find them helpful. And as with so many things in writing, if they don’t resonate with you, then feel free to ignore them!

Take Time Away (But Not Too Long)

So you’ve finished that first draft and celebrated (and, yes, you should always celebrate such a milestone). Now what? File said manuscript away and take a break from it. Get outside and enjoy some fresh air, take a shower, go on vacation, start a new project…do something other than think about that newly finished draft.

I’m not going to give a set timeline for how long to stay away, but I’d say at least two weeks. Do set a deadline, though, for coming back to it; otherwise you might just find yourself in a perpetual state of procrastination (this from the girl who procrastinates so well on revision that she procrastinated on writing her blog posts about revisions!). The key is to come back to it with fresh eyes so you can have some semblance of objectivity but not wait so long that it feels like old news.

Have a Plan (But Be Flexible)

I find starting revisions to be incredibly overwhelming and having a plan is one way to make it feel more manageable. It breaks down the process of revision into measurable tasks that can be checked off, so you can see you’re actually making progress.

I have actually started creating my revision plan while I’m drafting. I keep a document in my project folder (or take notes in my notebook and transfer them to the document) with a list of things to tackle in revisions. This helps keep me from going back and revising while I’m still drafting (more on this in the next tip). Some notes are as simple as filling in a detail I didn’t want to stop and research in the moment. Others are big, like fix that giant plot hole you’ve written yourself into. One task that inevitably shows up is to do a search for that manuscripts crutch words and eliminate as many as possible (for one recent manuscript “just” and “even” were among the offenders).

Also, recognize that your plan may change as you go along and may even expand at times as you notice new things that need to be addressed during revision. Things on your list may need to be thrown out all together. (Yup, I’m talking about revising your revision plan!) That’s where the flexibility part comes in.

Start Big (Then Move to Small)

Once I have a good working plan, I like to break it down into big revisions and small revisions. Big revisions are things like fixing plot holes, adding or getting rid of scenes, fleshing out characters, changing point of views. Basically getting the story in shape and not necessarily about the words used to tell it.

Small revisions are when you start to look at the language, grammar, and the nitpicky parts of writing. Does the writing have good flow, interesting language, strong verbs, sparse adverbs, action tags instead of a ton of dialogue tags, varied sentence structure? These are a few examples, but basically small revisions are more about the words you are using and the way they are put together and less about the story.

I recommend starting with big revisions and then moving to the small ones because it’ll probably end up saving you time in the long run. Why bother making the language of a scene shine only to later end up deleting it all because of a plot change? I used to spend so much effort going back to older pages and revising while I was in the process of drafting a novel. I know some writers who do this and do it with success, but I don’t revise while drafting anymore. It’s helped me to be a faster drafter, even if it feels like the drafts are messier. In the long run I save a lot of time and hassle by moving forward while drafting (and jotting down those revision notes as I go along) and saving the revisions for later.

Know Your Strengths (and Weaknesses)

This bit of advice applies both to your strengths and weaknesses as a writer and the strengths and weaknesses of the particular manuscript you’re working on. I know I’m a very plot driven writer, so I’m always pushing myself to be better when it comes to character and voice. But I try not to worry about those things too much while drafting. I let the plot drive my first drafts and then tackle my weaker areas in revision. It gives me a certain confidence to know at least that one area will be strong as I go into revisions.

Aside from my strengths and weaknesses as a writer in general, I find each manuscript has its own set of them as well, somewhat independent of mine as a writer. The first novel I ever wrote (ELIXIR BOUND) was full of repetitive over-written descriptions. I often said the same thing in three different ways, so one major part of my revisions for it was to pick the best description and delete the others (or rework them into a single, stronger one). It also was a hot mess when it came to point of view. Another manuscript (BLACK BUTTERFLY) was drafted one scene at a time and they weren’t written in any particular order. This story has flashbacks that could have been worked into the story in a lot of different ways and other scenes that could have been moved around chronologically. A big revision point was not only figuring out the best sequence of events but also how the flashbacks would fit in.

Ask for Help (If You Get Stuck)

Despite you’re best efforts at having a plan and executing it to better your manuscript, there may come a time in the revision process where you simply get stuck. You’re not sure what you’re doing anymore or if what you’re doing is making the manuscript better or worse. Or maybe everything just feels like it belongs on a heaping pile of dung. Like when you first finish that draft, it’s a good time to take a break. It’s probably more a matter that you’ve lost all objectivity on your own work and not so much that it sucks!

This is a good time to have one or two trusted beta readers. It can be incredibly scary share your work with others when you’re feeling bad about it, but it can also be incredibly rewarding. In a moment of insecurity, it’s best not to share work with people you haven’t worked with before, but it can be a lifesaver to share it with someone who you trust to put you back on track.

If you don’t have someone like this in your writing life yet, try reaching out to different writing communities and connecting with a new critique partner. Offer to do a few chapter swap and share with them something more polished than the work that’s giving you trouble. If it feels like a good match, go ahead and send them the hot mess and see what they make of it (and if it doesn’t feel like a good match, try again with someone new). Hopefully you’ll get some great feedback (and then you’ll have to start the whole revision process all over again!).

Okay, that’s all I’ve got for now! What are your best revision tips?

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (April is about revision), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

April #InkRipples: Revision is Hard

April 3, 2017 / Katie L. Carroll

Join Kai Strand, Mary Waibel, and Katie L. Carroll (that’s me!) for April #InkRipples, which is all about revision.

There is more to writing a novel than simply putting words on a page and calling it a book. It’s a process. A major part of that process is revision. And it’s not my favorite part. I much prefer the excitement of drafting when I’m adding words and feeling the story come together. Once the first draft is done, it’s always such a letdown to think about the story I conceptualized and realize the rudimentary version I have is nothing close to that.

Not all writers feel this way. I’ve known some who go as far as to say they love revising! Sadly that is just not the case for me. Revision often feels overwhelming to the point that I am inclined to avoid it. Of course I want my work to be the best it can be, but I find it’s hard to know how to specifically make it better and to be objective about my work (one day I can love what I’ve written, and the next hate that very same piece of writing). I actually think I’m much better at having insights into other people’s work and helping them on a path to revision.

Another obstacle is that I’ve found each manuscript ends up having different needs in revision. It’s hard to come up with a foolproof method of revising when the same thing never works on two different stories. But through trial-and-error and becoming more knowledgeable about the process (from writing workshops and reading about what other writers do) I have managed to come up with some techniques to help with the daunting process of revision. Stay tuned next week for when I share some of those tips!