Tag: writing inspiration (Page 2 of 3)

The Historical and Personal Inspiration Behind WITCH TEST

August 23, 2022 / Katie L. Carroll

My upper middle grade WITCH TEST comes out on September 13! Notice the “upper” as there are some heavy topics of bullying, depression, and dealing with the loss of a parent (though the actual passing of the parent occurs many years before the book takes place).

Liza, the main character, is 13 and in eighth grade. I’ve been recommending WITCH TEST as best for the 10-14 age range, rather than the more typical MG one of 8-12. This has made the marketing of the book less straightforward than my other middle grade PIRATE ISLAND. Billy, the main character of PIRATE ISLAND, is also 13, but the topics of the book stay more firmly in the core middle grade range.

Despite the marketing challenges, I think being in that upper age range was the best thing for the story. The upper MG/lower YA category tends to be underrepresented in books, and those readers deserve stories. Plus, the bullying and what I refer to as “long grief” draw on my own teen/preteen experiences and beyond.

My bullying experience took place at the start of middle school in sixth grade and the rumors my ex-friends spread weren’t calling me a witch, rather a lesbian (keep in mind I was in middle school in the early 90s). It was intense to go through that as an 11-year-old, and I decided to age Liza up to 13 to show readers a character who was slightly more mature and introspective than I was when I went through it.

As for the topic of the bullying in Liza’s world, I didn’t want to completely mirror my own. I really loved how PIRATE ISLAND blended local history (in this case Captain Kidd’s pirate history) into a contemporary story, so I wanted an historical tie-in for WITCH TEST as well. When I was brainstorming topics of local history, one of those I came across was the witch trials that occurred in Connecticut, which predate the Salem witch trials. It felt like the perfect metaphor for bullying in modern times.

As my long-time readers might have guessed, the long grief inspiration stems from the death of my sister, Kylene, when she was 16 and I was 19. I’ve often written about how her death has made me the writer I am today and how it has continued to influence my work (see “Why Is It Taking Me So Long To Write the Second Elixir Book?”).

The process of mourning someone is not linear. It never stops. While it does get “better” as time goes on and you find what I call a “new normal,” your feelings can also loop back and it’s awful all over again. I wanted to explore this long mourning in WITCH TEST, so that meant giving Liza even more tough topics to deal with. Her feelings of grief over her mom’s death are largely brought up in response to the bullying, and she wonders how she might be better coping with life if her mother were still alive. As she was only three when her mother died, Liza also ponders how you can miss someone you can’t even remember.

Add in Halloween and a haunted corn maze, and it all makes for a heavy, spooky story. It’s one that I love, and though I’m not typically a crier, I tear up every single time I read the climax scene in the corn maze. And I’ve read it many, many times!

I don’t think there’s anything in the story that younger middle grade readers CAN’T read, but they’re not going to get as much out of it as a slightly older reader. My 10 (almost 11) year old has read it and enjoyed it. He said, “WITCH TEST is intriguing, interesting, and heart-touching.”

About WITCH TEST:

Liza is sinking in a bubbling cauldron of middle school rumors.

When the entire eighth grade begins studying the Salem witch trials, it seems everyone is on a witch hunt…with Liza as target number one. Worst of all, her ex-best friend is the one who started a rumor that Liza bewitched a boy with a love potion.

As the bullying intensifies, Liza’s loneliness grows. More than ever, she wishes her mother were still alive. A glimmer of hope arrives when Liza finds her mother’s diary…until she actually reads it. Turns out Liza’s family connection to witches goes back for centuries. So much for the witch stuff being rumors!

If Liza can channel her inner witch at the Halloween night corn maze, she might find the strength to stand up for herself. If not, she risks losing a piece of herself to a growing depression and any hope of happiness.

WITCH TEST is an upper middle grade Mean Girls meets The Craft novel for pre-teens and young teens.

Pre-order now from Bookshop, Amazon, Barnes & Noble, Kobo, Google Play, IndieBound, Apple Books, Book Depository (for international folks), and many of your favorite book retailers.

Middle Grade Author Micki Bare on Needing Distractions from Writing

May 31, 2022 / Katie L. Carroll

I’m very happy to have children’s author Micki Bare on the blog to talk about the writing life and her latest release, the middle grade novel SOCIETY OF THE SENTINELIA. Welcome, Micki!

What do fairy tea, gardening, and closet karaoke have in common?

Let’s start with the fairy tea. I recently discovered it in a boutique shop a few blocks from my house. It smells amazing and is quite soothing after a long day of work on top of author obligations. It’s whimsical, yet practical. It occupies all my senses as I sip.

Next we have gardening. My hubby built a new raised bed this year. The tomato plants are heavy with green fruit. The cucumber and pepper plants I grew from seeds tossed in the soil are huge and healthy. The grapevine I planted last year has dozens of clusters bursting forth. The plants require almost daily attention, pulling me outside into weather of all sorts.

Then there’s closet karaoke. That’s when I crank up the music on our Echo Show (it displays lyrics) and I belt out my favorite tunes along with the artist. I do this when no one is home. When I’m writing, editing, or working, I have the music on in the background. But when a song jolts me into the present with a blast from my past, I have to get up and sing. I stand, I stretch, and I forget everything except the lyrics as scenes from the 30-something-year-old music video flash through my memory.

If you haven’t figured it out yet, fairy tea, gardening, and closet karaoke are distractions. And while distractions often get a bad rap, they also have a glass-half-full side. Distractions can reignite creativity. They can ease the messy, uncomfortable aspects of life. Distractions can also help an author who is on the precipice of a book release maintain their sanity.

Writing a book is a huge accomplishment. If you also want your work “out there,” being an author includes the publishing process and marketing. Many authors, like me, also work full time. When I signed the contract for my Zahra of the Uwharries middle grade series in August 2021, I essentially took on a second full time job.

When you write, edit, and market before work, then write, edit, and market after work, and then write, edit, and market on weekends and holidays to make your dream a reality, you can burn out. You can become a little batty. You can run out of every ounce of steam. That’s why you need distractions.

My closet karaoke habit, which I developed as a tween with my boom box and my version of lyrics, gives me an extra boost of energy. It also cranks up feel-good hormones, which help authors overcome imposter syndrome.

My thumb wasn’t always green, but I enjoy being out in the dirt so much that I’ve gotten better over time. The smell of dirt, vegetable plants, and herbs always makes me feel better. That feeling of accomplishment when I pick herbs for Friday pizza or harvest tomatoes and squash for summer recipes fills me with hope, inspiration, and resolve to make healthy choices.

Discovering the fairy tea a week before the release of the first book, Society of the Sentinelia, was serendipity. I’m going from the moment I wake up until I try to sleep at night. The tea pulls me away from the chaos without pesky ‘I’m wasting time I need to be doing something’ guilt tied to it. Technically, because it’s called fairy tea, I’m researching a product I can use in my marketing or networking endeavors. For example, I may bring some to the session I’m presenting at the SCBWI-Carolina’s fall 2022 conference and give it away as a door prize. Or maybe I’ll send fairy tea to my editor as a thank you.

You don’t have to be a crazy busy writer to need distractions in your life. We’re all busy and we all need the oasis of a rejuvenating break now and again. Reading is another great distraction. For tweens (and adults, too), I humbly recommend Society of the Sentinelia. And while you’re busy reading, discussing, and recommending it, I’ll be knee-deep into book 2, THE BLIND FAIRY, due out May 2023.

SOCIETY OF THE SENTINELIA blurb:

Zahra, a sprite-like tween no bigger than a loblolly pinecone, befriends an 11- year-old human on a quest to find her parents and sister. When a neighbor muddles their plans, kidnaps Zahra, and threatens her new friend, Zahra discovers unnerving truths about herself and her family.

Set in the Birkhead Wilderness of the Uwharrie Mountains in central North Carolina, Society of the Sentinelia is the first book in the Zahra of the Uwharries series that chronicles Zahra’s unique and critical role in saving her species.

Buy Link: https://tinyurl.com/yc4myafz

About the Author:

Micki Bare is a graduate of N.C. State University. In addition to Society of the Sentinelia, she’s the author of three early reader chapter books and has short stories published in two anthologies. She wrote a weekly human-interest column for 18 years and published articles in Thrive Magazine, Piedmont Parent, Asheboro Magazine, and Our State. Her career in early childhood spans more than two decades, with service as a teacher, administrator, and marketing director. She currently serves as the Director of Marketing and Community Engagement for Randolph Partnership for Children. She has three grown sons. She and her husband, Dave, live in central North Carolina.

Visit her website at www.mickibareauthor.com or connect with her on social media: Twitter @turtleauthor, TikTok @inspiredscribe, Facebook @MickiBareAuthor, Instagram @mickibare.

Her main character in her middle grade novels also has an Instagram account: @Zahra_Aylward.

New England SCBWI Conference Gems 2022

May 19, 2022 / Katie L. Carroll

This year’s New England SCBWI conference was yet again in a digital format, but just like in 2021 (see those conference highlights here), it was a weekend full of inspiration and community. As is my tradition, I’m sharing some conference gems here on the blog.

Since I was presenting both an intensive workshop on self-publishing (reminder to check out my Self-Publishing Reources) and leading an Ask-a-Mentor session, I wasn’t able to attend as many live sessions as I normally do. One of the advantages of the digital format is that the sessions were recorded, so I’ve been catching as many as I can before the viewing period is up.

Jane Yolen, author of over 400 books and founding member of the New England SCBWI, is a staple at the annual conference. She kicked off the conference with her words of wisdom. Her first dinosaur book, illustrated by Mark Teague, How Do Dinosaurs Say Goodnight took 20 minutes to write and her book Owl Moon, illustrated by John Schoenherr, took 20 years. She encouraged everyone to go and find the time to write, make the time to write, steal the time to write.

Heidi E.Y. Stemple and Rajani LaRocca engaged in a conversation that offered insight and advice into staying creative. Heidi said to know your process and trust your creative brain. She admitted that a creative block can be scary, but if you believe in yourself and trust your process, you can get through it. Rajani said to “follow the dopamine” when writing and to “find that thing that makes you light up and hold on to that.”

In a workshop on work-for-hire, Rebecca Allen and Meg Thacher shared many insights on best practices in this particular field of children’s writing. One suggestion was to be comprehensive in selecting your genres and age ranges so you don’t limit the projects you’re eligible for. They reminded writers that you can always say no to an opportunity if it doesn’t fit your schedule or writing interests.

Looking not so professional in the social rooms

I always enjoy the evening social rooms. I stayed up later than I intended on Saturday night catching up with my fellow NESCBWI kidlit friends and meeting a few new ones. It seems I always end up dressing up like a pirate (it is on brand for my middle grade book Pirate Island). Last year, I donned my actual pirate hat, but this year I opted for a filter. I think I pulled off the 5 o’clock shadow!

Tara Lazar, founder of the idea-generating Storystorm, presented a very funny keynote filled with memes. She made the mistake of sending out stuff too early (haven’t we all!) and had to learn how publishing worked before finding success.

Illustrator John Parra offered up an insight that particularly resonated with me as I work on developing my illustration skills. He said to make sure your supplies are out and not in a closet. He reminded us that procrastination is not an artist’s friend. His words have inspired me to start setting up a space where I have easier access to my art supplies.

Padma Venkatraman in her session “STARRY-EYED: Looking at a story through different lenses” asked these questions when thinking about point-of-view in your story: What’s best for this story? Whose story is this? How do I want my reader to feel?

What has inspired your writing lately?

Still Mourning Kylene 20 Years Later

April 18, 2022 / Katie L. Carroll

This weekend marked the 20th anniversary of my sister’s death. I’ve written a lot about Kylene, her life and mourning her. On the 8th anniversary of her death, I shared a poem she wrote. A year later, in my post “A Lonely Anniversary,” I expressed having a feeling of loneliness that I could place…until finally realizing I was missing my sister. And I shared another one of her poems.

On the 11th anniversary of her death, I was once again “Thinking of Kylene” while reading through one of her journals. One of my favorite posts about her is “No Matter How You Do The Math, Death Death Just Doesn’t Add Up,” where I memorialized her life and tried to make sense of her death. And, of course, there is “The Story of How I Became A Writer.”

Mourning is a life-long process, and something that often weaves its way into the stories I write. In my upcoming middle grade novel WITCH TEST, I once again explore this concept. The main character, Liza, was only three when her mother died in a car crash. Now 13 and friendless because her ex-best friend, Abby, has turned on her, Liza finds herself thinking of her mother. New and confusing feelings surface.

An ache settles in my chest, strong enough to make me groan out loud.
I think I miss my mom. Maybe that’s what’s been causing this feeling of loneliness that has been overwhelming me all afternoon. I think somewhere deep inside of me I’ve been missing her a long time, but this whole Abby thing has finally made me realize how much I lost when I lost my mom.
I never thought of it like that because it’s weird to miss someone you can’t remember.
Witch TEst

I think about the complicated feelings of losing someone young. As time passes, you change and the person you are mourning would have changed. I’m no longer the person my sister knew, and she would no longer be the person I knew. I miss who she was, and I miss who she would have been, even without knowing who exactly that person would have been. I also miss who I would have become if Kylene had lived.

Like Liza, I wonder if “miss” is the right word. In her case, she wonders if she can miss someone she doesn’t remember. In my case, I wonder if I can miss the versions of my sister and myself that never existed. All the while knowing I miss who she was.

I’ve come to call this complicated set of feelings “long mourning.” When the sharpness of new grief has faded away, you’re left with a longer pain — an ache that never really goes away, occasionally punctuated by a sharper pain.

So I guess that’s my convoluted way of saying I still miss my sister — in all the many ways you can miss someone who died young — 20 years after her death. I’ll suppose I’ll continue exploring those feelings in the stories I write, and in my own way, celebrating and mourning my little sister, Kylene.

Interview with Katlyn Duncan Author of TAKE BACK YOUR BOOK

August 30, 2021 / Katie L. Carroll

I’m very excited to host my amazing critique partner Katlyn Duncan today to talk about her latest release TAKE BACK Y OUR BOOK: AN AUTHOR’S GUIDE TO RIGHTS REVERSION AND PUBLISHING ON YOUR TERMS. Katlyn is the author of many YA and adult works of fiction and this is her first work of non-fiction. It’s so full of relevant information about the business of publishing and rights reversion, and I think any author or aspiring author will feel empowered after reading it. Welcome, Katlyn!

The inspiration behind a book is frequently talked about when writing fiction, but there’s often an interesting inspiration story behind non-fiction. What gave you the idea for TAKE BACK YOUR BOOK: AN AUTHOR’S GUIDE TO RIGHTS REVERSION AND PUBLISHING ON YOUR TERMS?

When the book rights for my debut Young Adult paranormal series (The Life After series) reverted to me in 2019, I immediately looked online to see what I should do with the book. But there weren’t many recent articles about what to do after book rights reversion. I had to do a lot of research myself, which was mostly scouring writer groups and working my network to find other writers who had their book rights reverted. For those authors, all of their stories were different, which helped me understand that I had to make a lot of decisions on my own.

One day, you and I were discussing self-publishing, and the idea came so quickly to me. There weren’t any resources out there about the process of rights reversion all the way through re-publishing the book, so I wrote it myself hoping to help any authors who are or will be in the same position.

Let’s turn the inspiration to you! What made you want to become a writer?

Storytelling has always been a huge part of my life. As a kid, I loved drama class and acting in plays while devouring movies as much as I could. Eventually, that stemmed into penning my own plays and movie scripts (which will never see the light of day, by the way!). Then when I was in my early twenties, I started to write fiction novels and I haven’t stopped since.

What’s one book you wish you had written? And (of course) why?

Can I say ‘Twilight’? I wouldn’t mind living in Stephenie Meyer’s shoes right now with the ability to auto sell anything I write and take all those lofty advances to the bank.

I think we’d all say yes to Stephenie Meyer’s advances! You write both fiction and non-fiction. How was writing TAKE BACK YOUR BOOK different from writing your fiction projects?

There are a few ways it was different. First, I had to do a lot of research for this book, more than I have for any of my fiction novels. Previously, I had saved some articles from when I was going through the book rights reversion process, but there was so much more to outline for the reader. I had to make sure that I listed as many options for a reverted book as possible, which meant exploring as many publishing paths as I could, along with outlining the self-publishing process from start to finish, and beyond to marketing and future plans for the book.

Second, writing a non-fiction “arc” is much different than a fiction one. You have to structure the book in a way that is compelling and makes sense as its own type of story while allowing author voice to shine through instead of a character’s voice.

Obviously TAKE BACK YOUR BOOK is full of advice for authors, but what’s one important takeaway you’d like to leave readers with today?

Regarding book rights, make sure you understand what you are signing away and how long your rights will be in someone else’s hands. This is where community is very important. Ask fellow authors in both the “traditional” and self-publishing spheres and find where your book belongs before you put pen to paper and sign any contract.

It’s so important to understand what is in a publishing contract before you sign. One last thing, what is next for you in your writing career?

I’ve completely veered away from traditional publishing and diving head-first into self-publishing. I’m re-publishing my debut YA series under a new pen name (Katy Duncan), starting with ‘Soul Taken’ in September 2021, followed soon after by book 2 (‘Soul Possessed’) and book 3 (‘Soul Betrayed’) in 2022, in addition to publishing adult thrillers after that.

TAKE BACK YOUR BOOK blurb:

Revive your book from the bottom of the charts with rights reversion.

Have you sold your book to a publisher, but years later it’s not selling the way you want? Are you frustrated with their lack of marketing and little to no royalty payments?

It’s time to take back your book rights.

This guide will give you the knowledge and confidence to get your book rights reverted and how to place it in front of new readers, on your terms.

In this book you’ll find:

The basics of rights reversion
What to do with your book after reversion
How to re-publish your book
Long-term considerations for your author business and backlist
Stories from authors successfully reverting and republishing their books

You will always be your book’s biggest champion. Don’t condemn it to years of neglect at someone else’s hands. Take back your rights and make them work for you for years to come.

Buy the book on Amazon, Apple Books, Barnes & Noble, Kobo, and these other book retailers.

About the Author:

Katlyn Duncan is a multi-published hybrid author of adult and young adult fiction and has ghostwritten over forty novels for children and adults.

When she’s not writing, she’s obsessing over many (many) television series’, and hanging out on YouTube where she shares her writing process and all the bookish things.

Find her at katlynduncan.com, YouTube, and Instagram.