Tag: writing advice (Page 3 of 3)

New England SCBWI Past Conference Gems

April 20, 2016 / Katie L. Carroll

Whenever I’m preparing to head off to a writing conference, I always find it fun and inspirational to look back on past conferences. I’m in kind of a discouraged state of mind about my writing. I’m waiting on one thing, I pulled another out of publication, and I have no major projects scheduled to be published right now. I’m trying not to focus on all the negatives in my writing career and instead plug away at my WIP, but I’ve got to admit I’ve been feeling a little low.

But I’m off to the 2016 New England SCBWI conference a week from Friday. I’m heading up early to get in some writing time before the conference starts that afternoon, and then I’ll be attending workshops, keynotes, and panels all weekend. And catching up with old writing buddies and hopefully meeting some new ones. Anyone else attending? Make sure to say “hi” if our paths cross. To keep us all inspired here are my conference gems from 2013 and 2015 NESCBWI conferences.

From 2013:

We should meet the world with all our senses. ~Jeannine Atkins
What’s outside in the setting can reflect what’s going on in the inside of a character, but it can also be in contrast to what’s being felt. ~Jeannine Atkins
How do we access that which we are trying to recreate when we’re sitting at our desks or computers? Sometimes we need a sensory kick in the pants. ~Dawn Metcalf
We work with art and it can evoke an objective response. ~Ruben Pfeffer
It was as if someone else’s words had opened up a whole host of words in me. ~Sharon Creech
As writers we want company; we need company. You come along too, please. ~Sharon Creech
Revision is finding and strengthening the heart of a story, and revision is messier than people want it to be. ~Kate Messner
Maybe I had to stop trying to prove to people I was good enough and just had to do the work I was passionate about. ~Grace Lin
Every story has a message, whether or not the writer was aware of it or intended it. ~Chris Eboch
I come to one little detail that sort of wakes up my mind and then start amassing details like constellations. ~Jeannine Atkins
Writers are somewhat schizophrenic; we hear voices in our heads; we listen instead of conversing. ~Padma Venkatraman
Go down the rabbit hole. ~Greg Fishbone

From 2015 (Wow! There are a lot here, but well worth the read.):

If I like something, I will Internet stalk you. ~Carter Hasegawa
Don’t be crazy on the interwebs. ~Jill Corcoran
Things take a long time because they take a long time. ~Jennifer Laughran
Often what I don’t think I’m looking for is what I fall in love with. ~Alison Weiss
I was led to believe that social media was key to making you great. There are things that can work, but it has to be what works for you. ~Carter Hasegawa
You are my tribe. ~Jane Yolen
Books make the world a little smaller for people to reach out to each other. ~Jane Yolen
Protect yourself so that there’s room to create. ~Carter Hasegawa
Taking a chance, isn’t that what all of us do when we send out a manuscript? ~Stephen Mooser
Taste–the one word to leave this conference with. ~Dan Santat
“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit…” Ira Glass quote referenced by Dan Santat (See the full quote on Goodreads.)
Don’t be biased or censor yourself in what you like and read and how you form your taste. ~Dan Santat
Be aware of your tastes and interests. This is your voice. Your voice is you writing on a piece of paper uncensored. ~Dan Santat
Trust yourself; know that you have something inside of you. Trust that what you have to say has value. ~Dan Santat
The hardest part of finding your style is trusting your own instincts. ~Dan Santat
My skin needs to be thin because I don’t want to protect myself from feeling things. ~Deborah Freedman
I’m just a guy who writes poetry. I’m just a dude. This is not happening (on winning the Newbery). ~Kwame Alexander
You never expect to win, but somewhere in the deep crevices of your mind, you’re always hopeful. ~Kwame Alexander
The answer is always yes! If I say yes and walk through the door, I will figure it out. ~Kwame Alexander
I believe we have to get the nos out of the way to get our yes. ~Kwame Alexander
Everyone has a story. It’s the reason why everyone acts the way they do. I saw my world differently and I was different (after reading THE CHOCOLATE WAR by Robert Cormier). ~Jo Knowles
The more I read, the bigger my world became. ~Jo Knowles
Even if I was afraid to use my voice out loud that didn’t mean I didn’t have one. ~Jo Knowles
Kids understand love…hate and discrimination are what they learn from adults. ~Jo Knowles
The moment we open a book and start reading, we change. ~Jo Knowles
Your book does not belong in a box. Allow yourselves to find the truth and tell it. Open the box and tear down the sides. ~Jo Knowles
People think diversity is a fad and that’s really offensive. I’ll still be brown tomorrow. ~Justina Ireland
Authenticity is hard. Once a book is with a reader, it may not feel authentic to them. Make something that is authentic to you and make it universal. Make things that feel real. ~Grace Lin
Build from an emotional core and that is what is authentic. ~Dhonielle Clayton
Even in a family that is entirely Hispanic, each one of them is different. You still have a lot of work to do to make it real, even if you have a diverse background. ~Cindy L. Rodriguez
Every kid wants to be the hero. ~Sona Charaipotra
Be brutal with your work, but kind to yourself. ~Katie L. Carroll
Write with your heart and soul, but revise with your head. ~Katie L. Carroll
There’s no silver bullet to making your manuscript better. You have to put in the hard work. ~Katie L. Carroll
Go beyond the Cinderella story when searching for inspiration. Think and read outside your comfort zone, and find what resonates with you by mining your own mind and heart. ~Katie L. Carroll

Twisting Fairy Tales with Author Mary Waibel

May 15, 2015 / Katie L. Carroll

Back when I was doing research for my NESCBWI15 workshop about mining fairy tales, myths, and legends to write fantasy, I scoured the Interwebs for interviews with fantasy authors and also directly contacted a few. Mary Waibel, master of twisting fairy tales, was one of the gracious authors who provided me with an insight into her writing process. Though I couldn’t include all her wonderful info in the presentation itself (it was only an hour long!), it was too good to not share. So Mary let me put it on the blog. Thanks, Mary!

How Fairy Tales Inspire Me

by Mary Waibel

I love fairy tales. I always have, but I’m not sure why I fell in love with them. Maybe it was the Disney influence of growing up with Cinderella and Sleeping Beauty. But regardless, give me a fairy tale and I’m happy girl. I guess it makes sense that my love of fairy tales creeps into my own writing. In fact, several of my books are twists on some well known tales.

Quest of the Hart, my first published novel, and the first book in the Princess of Valendria series, is a reverse Sleeping Beauty. This story all started when a friend suggested I write a book where the girly-girl saves the guy. While thinking about how to adapt this idea, I kept thinking of the princess in the tower needing rescue, and Sleeping Beauty popped into my mind. I pulled out my DVD, sat down with pen and paper, and jotted down the sequence of how things happened in the Disney version. Armed with a plan, I started working on my own version, and Quest of the Hart was born.

The second book in the Princess of Valendria series, Charmed Memories, started out as a twist on Mark Twain’s The Prince and the Pauper. I never intended to borrow from another fairy tale in it, and it wasn’t until someone messaged me and said, {SPOILER ALERT} “This is a twist on The Little Mermaid, isn’t it?” that I realized what I’d done.

The third book in the series, Different Kind of Knight, isn’t a retelling of anything, just a continuation for one of the characters in book two.

When a call for short stories themed around a pocket watch type device came out, I sat down and penned a reverse Cinderella, where the princess used a magical sundial/watch looking device to find the unknown prince she’d danced with at the ball. When I learned the anthology hadn’t gotten enough submissions, I pulled the story and extended it into The Mystery Prince, a novella that I self-published.

While I don’t have a set way for plotting and writing my stories, I do have a way of thinking about how to twist fairy tales into my works.

First, I think it’s important to incorporate as many elements of the original story as you can, but give your own spin to them. For example, In Sleeping Beauty, Aurora is pricked by the spindle and the spell is cast. In Quest of the Hart, Devlin is cut by a magic dagger and the spell is cast. Prince Phillip finds a sword, slays the dragon, and kisses the princess awake. Princess Kaylee has to go on a quest to find a sword, get a drop of dragon’s blood, and make an elixir to wake her prince. In this manner, Quest of the Hart, truly follows the storyline of Sleeping Beauty, but it isn’t a retelling. It’s a twist on the themes.

Second, make a twist. I tend to reverse roles. Have the princess go on the quest, do the dangerous stuff the guy usually does. But you could also make other twists. Set it in the present. Maybe Sleeping Beauty is a girl in a coma and her prince is the doctor trying to wake her up. Set it in space. Maybe Rapunzel is trapped on a faraway planet because her spaceship ran out of gas (thanks to an alien life form who wants to trap her there for her company) and she’s just waiting for another spaceship to land and rescue her. Find a twist that interests you and run with it.

Of course, a fairy tale isn’t complete without a Happy-Ever-After (and this is probably why I love them so much.) No matter what improbable odds are stacked against them at the beginning (a dirty child sitting in the corner who fancies herself in love with the prince-or, as in my version, a bodyguard impersonating a prince), or what obstacles are thrown in their paths (running away when the clock strikes midnight-sending someone else in your place to see who is chosen to be her husband) the characters will be together at the end.

And that’s how I borrow from fairy tales, twist them, and make a new story.

QUEST OF THE HART blurb:

A reverse Sleeping Beauty tale where the princess goes on the quest to save the prince.

Princess Kaylee has never had to fight for anything. Her entire life has been arranged, even her marriage. But when Prince Devlin falls under an enchantment, she finds she is willing to do anything to save him, even if it means fighting a dragon.

Devlin’s own sister, Princess Arabella, is behind the deadly plot. She wants the throne and will use any means necessary to gain it. Her perfect plan unravels, leaving Devlin caught in a magical sleep that is slowly spreading through the kingdom of Breniera. All Arabella needs to finish her spell and claim the crown is a drop of Kaylee’s blood, but obtaining the single drop is proving more difficult than expected.

To save her betrothed, Kaylee embarks on a quest to find an ancient sword and gather a drop of dragon’s blood, while trying to stay out of Arabella’s traps. But Arabella’s traps aren’t the only danger. Time is everything. For once the last inhabitant of the kingdom falls asleep, the spell will be sealed, and not even true love’s kiss will break it.

Quest of the Hart can be purchased at MuseItUp Publishing, Amazon, Barnes and Noble, Kobo, iBooks, and Smashwords.

Book Excerpt:

Abella’s fingers trembled on the hilt of the dagger as desire for the animal swept through her. He was perfect, not a point out of place or a blemish on his coat. She gazed longingly at him, until a sound from Kaylee brought her back to the task at hand.

Shaking her head to clear it, she watched Kaylee speak to the creature. Did she honestly expect him to answer? Arabella stopped her snort before it gave away her presence. There would be no better chance than this.

Holding the dagger before her, she lined up Kaylee with the tip of the blade. It had to be a perfect throw, as she would not get another chance. She dipped the blade forward once, twice, thrice, then let it fly through the air with a flick of her wrist. The blade spun, end over end, sailing forward. Arabella held her breath, watching, praying her aim was true.

The dagger flew on target, but just before it buried itself in Kaylee’s back, the princess moved, and the dagger embedded itself into the chest of the hart.

About the Author:

Twisting Tales One Story At A Time

YA Author Mary Waibel is a romantic at heart. Her love of fairy tales, fantasy, and happy-ever-after fill the pages of her stories.

When not twisting her own tales, she can be found with her nose buried in any book she can get her hands on. Some of her favorite authors are Nora Roberts, Shannon Hale, Lisa Shearin, and Kristin Cashore.

Mary lives in upstate New York with her wonderful husband, hockey player son, and two cats. Many a Friday or Saturday night she spends hours gaming with family and friends. In the fall and winter she can be found at the ice rink, cheering on her son and his team, and in the summer, she enjoys escaping with her family on camping trips all over the states.

Interacting with her readers is one of Mary’s favorite parts of being an author. You can find her at these sites: author website, Facebook, Twitter, Goodreads, and author blog.

New England SCBWI 2015 Conference Gems of Wisdom

May 5, 2015 / Katie L. Carroll

20150425_131300 As promised, I have the New England SCBWI 2015 Conference gems of wisdom and terrible pictures (seriously, I think the only decent picture I took all weekend is this one with the view from my hotel room). First, though, a reminder that the handout for my “Something Borrowed, Something New: Mining Myths, Legends, and Fairy Tales to Write Fantasy” workshop is available for download as a PDF here: Something-Borrowed-Workshop-Handout.pdf.

And now for the gems of wisdom. I always note that I use italics instead of quotation marks because these are not necessarily direct quotes. Some may be close to what the speaker actually said and others are my own rewording/interpretation as I scrambled to take notes during the speeches and presentations. So here they are!

Agent/Editor Panel: Slushpile Duds to Superstar Clients with Jennifer Laughran, Jill Corcoran, Carter Hasegawa, and Alison Weiss:

If I like something, I will Internet stalk you. ~Carter Hasegawa
Don’t be crazy on the interwebs. ~Jill Corcoran
Things take a long time because they take a long time. ~Jennifer Laughran
Often what I don’t think I’m looking for is what I fall in love with. ~Alison Weiss
I was led to believe that social media was key to making you great. There are things that can work, but it has to be what works for you. ~Carter Hasegawa
Protect yourself so that there’s room to create. ~Carter Hasegawa

Opening Ceremonies featuring Stephen Mooser and Jane Yolen:

20150424_192320

Taking a chance, isn’t that what all of us do when we send out a manuscript? ~Stephen Mooser
You are my tribe. ~Jane Yolen
Books make the world a little smaller for people to reach out to each other. ~Jane Yolen

Keynote with Dan Santat:

Taste–the one word to leave this conference with. ~Dan Santat
“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit…” Ira Glass quote referenced by Dan Santat (See the full quote on Goodreads.)
Don’t be biased or censor yourself in what you like and read and how you form your taste. ~Dan Santat
Be aware of your tastes and interests. This is your voice. Your voice is you writing on a piece of paper uncensored. ~Dan Santat
Trust yourself; know that you have something inside of you. Trust that what you have to say has value. ~Dan Santat
The hardest part of finding your style is trusting your own instincts. ~Dan Santat

Crystal Kite Award Ceremony with 2014 Winner Deborah Freedman:

My skin needs to be thin because I don’t want to protect myself from feeling things. ~Deborah Freedman

Special Guest Speaker Kwame Alexander 2015 Newbery Award Winner:

I’m just a guy who writes poetry. I’m just a dude. This is not happening (on winning the Newbery). ~Kwame Alexander
You never expect to win, but somewhere in the deep crevices of your mind, you’re always hopeful. ~Kwame Alexander
The answer is always yes! If I say yes and walk through the door, I will figure it out. ~Kwame Alexander
I believe we have to get the nos out of the way to get our yes. ~Kwame Alexander

Keynote with Jo Knowles – Be True:

Everyone has a story. It’s the reason why everyone acts the way they do. I saw my world differently and I was different (after reading THE CHOCOLATE WAR by Robert Cormier). ~Jo Knowles
The more I read, the bigger my world became. ~Jo Knowles
Even if I was afraid to use my voice out loud that didn’t mean I didn’t have one. ~Jo Knowles
Kids understand love…hate and discrimination are what they learn from adults. ~Jo Knowles
The moment we open a book and start reading, we change. ~Jo Knowles
Your book does not belong in a box. Allow yourselves to find the truth and tell it. Open the box and tear down the sides. ~Jo Knowles

Diversity Panel: Authors & Illustrators Agree – We Need Diverse Books, with Mike Jung, Grace Lin, Justina Ireland, Dhonielle Clayton, Sona Charaipotra, and Cindy L. Rodriguez:

20150425_201148 copy

People think diversity is a fad and that’s really offensive. I’ll still be brown tomorrow. ~Justina Ireland
Authenticity is hard. Once a book is with a reader, it may not feel authentic to them. Make something that is authentic to you and make it universal. Make things that feel real. ~Grace Lin
Build from an emotional core and that is what is authentic. ~Dhonielle Clayton
Even in a family that is entirely Hispanic, each one of them is different. You still have a lot of work to do to make it real, even if you have a diverse background. ~Cindy L. Rodriguez
Every kid wants to be the hero. ~Sona Charaipotra

And here are a few from my workshops that made the Interwebs (!):

Be brutal with your work, but kind to yourself. ~Katie L. Carroll
Write with your heart and soul, but revise with your head. ~Katie L. Carroll
There’s no silver bullet to making your manuscript better. You have to put in the hard work. ~Katie L. Carroll
Go beyond the Cinderella story when searching for inspiration. Think and read outside your comfort zone, and find what resonates with you by mining your own mind and heart. ~Katie L. Carroll

That was only two days’ worth of conferencing as I wasn’t able to attend the final day on Sunday. Imagine how long that post would have been if I had gone all three days! Seriously, I can’t overstate how much I needed that weekend. I spend so much time being a mom and squeezing in the writer part of myself that it felt so amazing to be fully immersed in the writing part of my life for a couple of days.

And to have people come up to me and thank me and say they enjoyed my workshops, it really meant a lot. I came to the conference feeling like a no-name, small-press author, and I came out of it feeling like I had actually contributed something to a creative community that means so much to me. Now to finish that WIP…and count the days until next year’s conference!

Looking Back on the 2013 New England SCBWI Conference

April 21, 2015 / Katie L. Carroll

As I gear up for the 2015 New England SCBWI conference (#NESCBWI15), I thought I’d share some highlights from the last one I attended (I missed the 2014 conference due to being very pregnant!). And in the next couple of weeks, look for my gems from this year’s conference. Enjoy!

The 2013 New England SCBWI conference was amazing (of course it was…these conference are always amazing)! Caught up with old friends, including the very talented Kimberly Sabatini and Jodi Moore, and met some new ones. Left feeling inspired and exhausted, and I’m still brimming with creative juices.

One of the highlights for me was seeing my book covers up on the screen in the ballroom during the downtime/announcements/mealtime in the ballroom!

I’ve collected a few conference gems that resonated with me. A quick note about why I use italics instead of quotation marks…these are not necessarily direct quotes, some may be close to what the speaker actually said and others are my own rewording/interpretation as I scrambled to take notes during the speeches and presentations. So without further ado, here they are:

We should meet the world with all our senses. (Jeannine Atkins)
What’s outside in the setting can reflect what’s going on in the inside of a character, but it can also be in contrast to what’s being felt. (Jeannine Atkins)
How do we access that which we are trying to recreate when we’re sitting at our desks or computers? Sometimes we need a sensory kick in the pants. (Dawn Metcalf)
We work with art and it can evoke an objective response. (Ruben Pfeffer)
It was as if someone else’s words had opened up a whole host of words in me. (Sharon Creech)
As writers we want company; we need company. You come along too, please. (Sharon Creech)
Revision is finding and strengthening the heart of a story, and revision is messier than people want it to be. (Kate Messner)
Maybe I had to stop trying to prove to people I was good enough and just had to do the work I was passionate about. (Grace Lin)
Every story has a message, whether or not the writer was aware of it or intended it. (Chris Eboch)
I come to one little detail that sort of wakes up my mind and then start amassing details like constellations. (Jeannine Atkins)
Writers are somewhat schizophrenic; we hear voices in our heads; we listen instead of conversing. (Padma Venkatraman)
Go down the rabbit hole. (Greg Fishbone)

Personally, I feel like I stretched myself not only as a writer but as a person. I jumped headlong into any writing activities that came up in the workshops I attended, even braving to share some of my raw work in front of others. I dared to act out an emotion for others to write about (and I have terrible stage fright when it comes to acting anything). I drove to the train station by myself in a city I’d never been to and picked up another author. So all in all, a fantastic weekend!

A No-Nonsense Approach to Revision by Patrick Scalisi

April 18, 2014 / Katie L. Carroll

My writing/editing buddy from college Patrick Scalisi graciously agreed to guest post on the blog today, and with great advice on the dreaded (at least if you’re me it’s dreaded) revision. Be sure to check out his book coming later this year from Hazardous Press. Welcome, Patrick!

A No-Nonsense Approach to Revision

by Patrick Scalisi

Editing is often a dirty word among writers. I myself have often used the axiom that creating is more fun than correcting, which is to say that revising one’s work is less thrilling than the sheer adventure of crafting a new story from scratch.

Like it or not, though, revision is an essential part of the writing process, the method by which you make your work truly shine. I’m not going to lie and say that editing isn’t an arduous, frustrating and time-consuming process. It is. But editing also lets you put your best self into the world when your book, short story or poem finds its way onto a bookshelf or someone’s e-reader.

As a professional editor for the past 10 years, I’ve had the opportunity to collaborate with writers whose work has been both very rough and very polished. Here are some insights I’ve gleaned that can help make the editing process as fruitful as possible.

Edit both on screen and on paper. Almost everyone does their writing on computers and tablets, so the inclination is strong to edit on these devices as well. For a first run-through, editing on screen can be a good idea. But make sure to print your work and edit on paper as well.

While science is still on the fence about whether our eyes can better interpret text on paper versus on screen, most studies agree that our brains work differently based on the medium we’re reading. This difference is important. Often, you’ll catch errors on paper that you missed on screen and vice versa. So no matter what you’re writing, make sure to integrate a paper edit into your revision process.

Eliminate Unnecessary Words. Your word processor’s extended search-and-replace feature (often Ctrl-F in Windows or ⌘-F on a Mac) lets you easily find problem words — like adverbs — that can weaken your manuscript.

During the revision process, I like to do a document-wide search for “ly.” This lets me identify most of the adverbs and evaluate each one to see if it’s really necessary or if it can be replaced with a stronger verb.

In addition, this list from writer Juliet Madison is extremely helpful in identifying and replacing other trouble words like “very” and “almost.”

Get HONEST opinions from people you trust. At some point, you’re going to want to share your work with someone else to get an outside opinion on the story / novel / poem’s strengths and weaknesses. These people are often called “beta readers.” Choosing beta readers, however, can be just as tricky as finding a stronger verb to replace that adverb.

Beta readers should, above all else, be someone that you trust to give HONEST feedback. Surrounding yourself with yes-men who tell you that the work is “perfect” and “not to change a thing” does a disservice to you as a writer because you’re not receiving the constructive criticism you need to make the work as strong as possible.

You’ll notice I used the term “constructive criticism.” A good beta reader will tell you what he or she both liked and disliked about your work. The very best beta readers can also offer suggestions on how to fix existing problems.

So, who makes a good beta reader? In short, anyone who isn’t going to sugarcoat it for you. Parents and siblings are often a bad choice, but some writers have such strong relationships with their families that they can count on mom or dad, brother or sister to say what they liked and what they didn’t about the work. Friends who read a lot are also viable candidates.

It’s also important that you emphasize to your beta readers that their honesty won’t affect your relationship. Make sure you mean this, too. The truth is that writers have to develop thick skin to deal with rejection, critical reviews and more. Steeling yourself for feedback from your beta readers is a good place to start.

One of the best pieces of advice that I ever got from a writing teacher is to treat each sentence like a painting that you want to make as perfect as possible before moving on to the next one. A collection of these “paintings” form paragraphs, chapters, entire works whose aim is to captivate your readers. Revision is a critical part of the writing process and the one that will ultimately make your work as rewarding as possible for both creator and audience.

About the Author:

Patrick Scalisi is a journalist, magazine editor and author from Connecticut. He has published fiction in several magazines and anthologies, including The Willows, Neo-opsis, Shadowplay and Penny Dread Tales Vol. 1. Pat also edited The Ghost Is the Machine, a bestselling anthology of steampunk-horror stories from Post Mortem Press. His debut book, The Horse Thieves and Other Tales of the New West, will be released this year from Hazardous Press. Visit Pat online at patrickscalisi.com or facebook.com/patrickscalisi.