Books for kids, teens, & those who are young at heart

Tag: writing (Page 7 of 14)

Crafting Stories and Laying Carpet with Ron Scheer Author of The Forager

I always enjoy introducing new authors to readers and today I have the pleasure of hosting Ron Scheer, debut author of the YA dystopian The ForagerLike many of us writers, Ron works another job in addition to writing and he offered to share the unique perspective a carpet installer can bring to the writing process. Welcome, Ron!

The Forager (1)Let’s face it, I’m a carpet installer first and writer second. Someday I hope to reverse those roles, but until that happens I still have a family who thinks they need things like food, clothing, shelter, and iphones. While at first glance the two occupations may seem drastically different there are more similarities than you might think. To be good at any profession a worker must have the specific tools, skills, and knowledge required to make a customer happy.

First, a note on quality:

Whether that customer is looking to buy a book or hire the services of a tradesman, they want the highest quality workmanship. No customer is going to be happy if I leave their home with wrinkles in their brand new carpet.  A manuscript with holes in the plot, typos, changing points of view, (switching between first and third person) or submitted in any manner other than what the publisher stipulates is the same kind of unacceptable, shoddy workmanship.

Once the customer and I have established that installing carpet is hard work and deserves its fair amount of compensation the job begins. Much like the preliminary work that goes into a book, I have to do my homework. Measuring the job, figuring the square footage, and telling the customer how much carpet they’ll need. Then telling the customer that no I can’t do the job correctly with less, quit asking.

The outline of the story is the writer’s guide. If it’s done correctly the story follows in a natural flow. This is the stories tack-strip (if you’re not familiar, these are the strips with the small, really sharp nails that go next to the wall and hold the carpet tight after its stretched.) If the outline is done wrong, the story doesn’t stay tight and you’ve just wasted your time. It’s important to note while hammering in the tack-strip that at all costs avoid hitting your thumb. If you hit it hard enough, it will explode just like a smashed grape. (Believe me, I’ve done it.)

Next comes the carpet padding, or cushion if you like being precise. This is the first draft of your story. You’ve got the idea down. Its base is firm, yet there’s room for it to give a little. And let’s face it, all first drafts need to give a little (or in my case a lot).

You might think the final step is stretching in the carpet, you’d be wrong. Stretching the carpet can be compared to your second draft. Now we’re getting somewhere. The story is definitely readable, and to an unpracticed eye it might even seem presentable. But the work is not done.

The last and final step to installing a carpet, the one that makes customers stand up and take notice. The one that insures that the next time they need an install they’ll call me, is the final attention to detail. Just like carefully going over your manuscript and removing all those loose words that simply do not need to be there, a good installer will always vacuum the new carpet, removing any stray fibers and use this opportunity to give his work a final look to make sure that everything is the way it’s supposed to be. (Yes, I’m a guy, and I vacuum.)

My favorite part of the job is when the customer/publisher looks at the final product, holds their hand to their mouth and and says, “Oh Wow, I love it!”

The Forager Blurb:

It’s been thirty years since the economy collapsed, and all Dillon has ever known is a world without electricity or medicine, living in a community constantly under the threat of starvation as they struggle to feed the rest of the country.

Orphaned and alone, unsure of his future, Dillon serves as a lookout, watching for the bands of Scavengers that prey on towns like his—while also watching for the mayor’s twin sons, who are bent on terrorizing him.

When a Forager rides into town, he opens Dillon’s eyes to the possibility of a different life. And when a Scavenger attack leaves the Forager injured, he sends Dillon out on a mission that may mean the difference between life and death for the mayor’s missing daughter. Dillon is about to find more than a way to help his community—he’s about to find himself.

The Forager can be purchased at the MuseItUp bookstore.

photoAbout the Author:

Ron Scheer lives in the heart of the heartland with his wonderful wife, a daughter, and a son. He spends his days selling and installing carpet. His nights, however, are devoted to books. Whether reading or writing, there are always words at his fingertips. The Forager is his first novel.

Don’t Judge Your Characters with Linda Budzinski Author of The Funeral Singer

Today’s guest and I go all the way back to my very first SCBWI Poconos writing retreat in 2009, so I am super happy to have Linda Budzinski, author of THE FUNERAL SINGER, on the blog today. Her words about not judging characters apply not only to writing but also to life. Welcome, Linda!

Funeral-Singer-Budzinski-flipped-smallerYou Can’t Judge a Character by Her Role

It’s a lesson I keep learning over and over again: Don’t be too quick to judge people. Or maybe I should say, it’s a lesson the universe keeps trying to teach me, since I continue to fall into the same trap.

We’ve all been there, haven’t we? Maybe it’s the guy in the next cubicle at work. Maybe it’s the grouchy neighbor. Maybe it’s your kids’ lacrosse coach. They act like a jerk, so you proclaim them a Jerk.

Until one day you find out this Jerk has a child with a severe disability, or he spends every weekend traveling hundreds of miles to visit an elderly parent who can’t even remember his name, or she’s in the middle of a nasty divorce. That’s when you realize that maybe he or she wasn’t always a Jerk. Maybe he or she deserves some patience, some grace, some understanding right now.

The same is true with our characters. When I set out to write THE FUNERAL SINGER, I wanted to write a novel about the difference between pop culture heroes and real-life heroes. My rock star characters would be shallow, selfish Jerks, while my real-life hero (a funeral director) would be a loving, caring, charitable gentleman.

Only they’re not. At least, not entirely. Most of the rock stars turned out to be pretty decent people, and the funeral director is far from flawless.

Even my main character, who throughout the course of the book goes from being a normal teen-ager to a pop culture hero to an everyday hero, isn’t all good or all bad along the way. She’s sweet and sensitive and infuriatingly self-centered, all at once. Because in real life, that’s how people are. People are both good and bad. And no matter what their station in life, everyone has problems. They may keep their problems well hidden, but they have them.

When we set out to create characters, we need to know their roles in our books. That is, we need to know whether they are protagonists (the main characters, who want something) or antagonists (the characters who stand in their way), but we do not need to proclaim them good or evil, angels or devils, sweethearts or jerks. Because chances are, they will be all of the above. And they will have problems that may never make it onto the page, but they will have them, and those problems will affect the way they behave.

And that will be what makes them interesting.

The Funeral Singer blurb:

Seventeen-year-old Melanie Martin has witnessed her share of lame eulogies and uninspired epitaphs while singing part-time at her dad’s funeral home. She’s determined to be more than a funeral singer, and more than just someone’s “beloved wife” or “loving mother.”

When Mel’s impromptu rendition of “Amazing Grace” at a local rock star’s graveside service goes viral on YouTube, she becomes an Internet sensation, attracting thousands of fans and followers, and even a hot rock star boyfriend–Zed Logan, bass player for The Grime.
But instant fame isn’t easy–and neither is love. Especially when Mel realizes she’s falling for another guy–one who may just want her heart more than her voice.

linda_headshot_edited_smallAbout the Author:

Linda Budzinski lives in Northern Virginia with her husband, Joe, and their feisty chihuahua, Demitria (also known as Dee Dee, The Puppy, and Killer). She grew up in a tiny town called West Grove, in southeastern Pennsylvania. In the second grade, she announced to her parents that she wanted to be a “Paperback Writer,” just like in the Beatles song. She majored in journalism in college and now works in nonprofit marketing and communications.

She’s a sucker for romance and reality TV and has been known to turn off her phone’s ringer when watching “The Bachelor.” Her favorite flower is the daisy, her favorite food is chocolate, and her favorite song is “Amazing Grace.”

LINKS:

Website: www.lindabudzinski.com

Twitter: https://twitter.com/LindaBudz

Facebook: https://www.facebook.com/pages/Linda-Budzinski-Author/188747034633426

YouTube Trailer: https://www.youtube.com/watch?v=1gs0PX1fEdg

Amazon: http://www.amazon.com/The-Funeral-Singer-ebook/dp/B00FDWYBRS/

Barnes & Noble: http://www.barnesandnoble.com/w/the-funeral-singer-linda-budzinski/1116970019?ean=2940148424031

What Taylor Swift Can Teach Writers by Jeff Chapman

Jeff Chapman returns to the blog today to celebrate the release of his latest story, Last Request: A Victorian GothicHe brings us an enlightening and fun piece on storytelling. Welcome back, Jeff!

LastRequestCover621x1000What Taylor Swift Can Teach Writers

by Jeff Chapman

My daughters recently discovered Taylor Swift. You know what that means for me. I tried to interest them in U2, The Doors, or Mazzy Star but no luck. So, as I’m listening to Taylor Swift ad nauseum, the writer in me starts analyzing the lyrics. Why are these songs so popular? (I have to give Swift some praise here for writing songs that at least have some story to analyze.) Here’s a link to a Youtube video for “You Belong to Me,” one of her more popular tunes. It’s safe for work. Unless you’re a guy trying to maintain your macho credentials. In that case you should wait until you get home and everyone is asleep.

Let’s begin with a few observations on the video. As for the guy, if that’s the girl next door, why does he ever leave the house? And why did he close the curtains? And what self-respecting father would allow his daughter to have a bedroom window looking directly into a guy’s window? I would have that window bricked over so fast.

As for the story, we have a geeky girl (glasses, books, and studying) who has a crush on a very popular boy. He’s out of her league. It’s hopeless. But, his uber-popular cheerleader girlfriend is no good for him, doesn’t appreciate him. If he would take a serious look at geeky girl, he might understand that she’s the best girl for him. And that’s exactly what happens in the end.

So why is this song and others like it so popular? The story is every less-than-popular girl’s fantasy. Swift is doing something smart. She’s aligning herself with the majority of teenagers, putting words to the hopes and dreams of the masses along with a catchy tune. Writers often hear the mantra “write the stories you want to read.” The idea is that those stories will be your most impassioned work. We hear successful writers repeating that phrase as if it’s a formula for success. Is it? What if what you want to read isn’t what loads of other people want to read? Will you create great stories that no one reads? Maybe, instead of focusing inward, we should tailor (pun intended) our stories to resonate with the hopes and dreams of the masses. Something to think about.

Last Request: A Victorian Gothic blurb:

“For the love of God, cut my head off.” The last request in Uncle Silas’s will shocks everyone speechless, everyone except his favorite niece, Anna. More than death itself, the claustrophobic Silas fears a premature burial. Will her elders carry out his request? Anna is certain they will not. It’s up to her to do the right thing, even if it is a bit grisly. Armed with butcher knife and candle, Anna heads for the crypt underneath the church in the dead of night. All does not go according to Anna’s careful planning. 

Step inside a dark story in the tradition of the penny dreadful, at times humorous and horrifying, but don’t close the door behind you. Someone might lock you in. Last Request can be purchased on Amazon

Jeff_chapman-headshot-small-80x109About the Author:

Jeff Chapman writes software by day and speculative fiction when he should be sleeping. His tales range from fantasy to horror and they don’t all end badly. He lives with his wife, children, and cats in a house with more books than bookshelf space. You can find him musing about words and fiction on his blog or you can connect with him on Twitter (@JeffChpmnWriter), Facebook, Goodreads, or his blog.

Jeff’s latest title is Last Request: A Victorian Gothic, available for your Kindle at Amazon. At times horrifying and humorous, Last Request follows a young girl’s attempt to carry out her late uncle’s curious request.

Meet Rosemary Morris Author of The Captain and The Countess

I’m very pleased to have historical novelist Rosemary Morris, author of The Captain and the Countessshare some of her writing wisdom today on the blog. Let’s give Rosemary a big welcome on her book b-day!

The Captain and The Countess 200x300Thank you very much for inviting me to be your guest.

As you know I am a historical novelist, and one of the questions frequently put to me is: “Where do you get your ideas from?”

Usually, the idea for a plot comes from something I have read in a non-fiction book. While I am working in my organic garden, where I grow herbs, fruit and vegetables or while I am using them in my vegetarian cuisine, I think about the plot and theme. I ask myself the following questions. “Who are the main characters? What is going to happen? Where will it happen? When will it happen? Why will it happen?”

Before I can begin to write a historical fiction novel I name the characters. This is very important. They must be appropriate for the period when the story takes place. After I have chosen their names, I compose detailed character profiles. By the time I am ready to write the first sentence, I know who their ancestors were, what they look like, where they were educated, when they were born, what their favourite perfume is, their eccentricities, their hopes and fears etc. Although I only use a fraction of the four page profiles they create people who live and breathe in my imagination.

A frequent remark which people make is: “I could write a book.” I am sure they could if they set aside time to write. I wake at 6 a.m. and with short breaks I work until 10 or 11 a.m. If I am at home for the rest of the day I work from 1.30 p.m. until 3 p.m. and 5 p.m. until 8 p.m.

To complete a novel an author must be self-disciplined. The important thing is to keep to a routine. As I sip my early morning tea I revise the pages I wrote on the previous day and then continue the story. Whether my muse is with me or not my goal is to write 2,000 words but if I need to research something, depending on how much time that takes, I write less.

Part of my writing time includes reading historical non-fiction to research a wide variety of subjects – for example, clothes, food, furnishings, economic and social history. I also read poetry, fiction, letters, biographies and auto-biographies dating back to the era I am writing about.  I believe historical novelists have a duty to reconstruct the life and times of their characters and recreate their world.  In my opinion, the further back in time a novel takes place the harder it is to enter the minds of people who lived then, but although their culture and attitudes might have been different, they were driven by the same things as we are – love, hate, greed, revenge, duty, etc.

Apart from writing and research, which from time to time includes visiting places such as a stately home, garden or museum, I blog, apply critiques of my chapters from members of groups which I belong to and critique their chapters. This is mutually useful. We comment on rogue punctuation and spelling, query possible historical inaccuracies and tell each other what we like about each other’s novel

One thing is certain, my characters and I are never bored.

The Captain and the Countess blurb:

Set in England in the reign of Queen Anne Stuart – 1702 -1714

Why does heart-rending pain lurk in the back of the wealthy Countess of Sinclair’s eyes?

Captain Howard’s life changes forever from the moment he meets Kate, the intriguing Countess and resolves to banish her pain.

Although the air sizzles when widowed Kate, victim of an abusive marriage meets Edward Howard, a captain in Queen Anne’s navy, she has no intention of ever marrying again.

However, when Kate becomes better acquainted with the Captain she realises he is the only man who understands her grief and can help her to untangle her past.

E.books published by: MuseItUp Publishing available from the publisher, Amazon and elsewhere.

Tangled Love, Far Beyond Rubies (also available as a paperback) False Pretences, Sunday’s Child. New release 21st February 2014 The Captain and the Countess.

Rosemary Morris - Small photoAbout the Author:

Rosemary Morris was born in 1940 in Sidcup Kent.  As a child, when she was not making up stories, her head was ‘always in a book.’

While working in a travel agency, Rosemary met her Indian husband.  He encouraged her to continue her education at Westminster College.  In 1961 Rosemary and her husband, now a barrister, moved to his birthplace, Kenya, where she lived from 1961 until 1982.  After an attempted coup d’état, she and four of her children lived in an ashram in France.

Back in England, Rosemary wrote historical fiction.  She is now a member of the Romantic Novelists’ Association, Historical Novel Society and Watford Writers.

Apart from writing, Rosemary enjoys classical Indian literature, reading, visiting places of historical interest, vegetarian cooking, growing organic fruit, herbs and vegetables and creative crafts.

Her bookshelves are so crammed with historical non-fiction which she uses to research her novels that if she buys a new book she has to consider getting rid of one.

Time spent with her five children and their families, most of whom live near her is precious.

www.rosemarymorris.co.uk

http://rosemarymorris.blogspot.com

www.facebook.com/writerinagarret

My Writing Process Blog Hop

I’ve been tagged! Author extraordinaire Kai Strand asked me to participate in the My Writing Process blog hop. Make sure to check out Kai’s post about her (many) works in progress and her blog at http://kaistrand.blogspot.com/.

Now on to the questions I must answer:

1. What am I working on?

I’ve been really mum on the blog lately (and in general) about my WIPs since putting myself in a creative bubble last fall. I’m not exactly ready to bust open the bubble, but a little sharing won’t hurt.

So I’ve been working on drafting two different YA projects. Elixir Saved (which I’ve mentioned on the blog before) is a companion novel to my published YA fantasy Elixir Bound. It has three point of view characters, is epic in scope, and has a central theme of sacrifice. My other YA project is tentatively titled Black Butterfly. And that’s all I’m going to say about that one.

I’m hoping to have good drafts of both done before Baby Boy #2 arrives, but that may be wishful thinking. We’ll see how the drafting progresses.

2. How does my work differ from others of its genre?

My work is different from others in its genre in exactly the same way as any other writer’s is (how’s that for a paradoxical answer!). What I mean is I write stories that only I can tell in a way that only I can tell them. Okay, you want me to be more specific. One important way I try to stand out in the fantasy genre is to feature dynamic female characters with complex relationships among themselves and with the males around them. (Admittedly, there are other fantasy stories, particularly YA ones, that do this, but I think there aren’t enough.)

3. Why do I write what I do?

I write for teens and kids because that is what I love to read. But it goes beyond that, too. Kids and teens are learning and growing in ways an adult never will. A book read by a child has a far greater impact on his/her life than a book read by an adult had on that adult’s life. I think it’s important to offer kids and teens important, deep, diverse, fun, and entertaining reading experiences (not necessarily all provided by a single work). And I’d love to feel like something I’ve created can have even a small impact on a child.

4. How does your writing process work?

I’m not sure I’d say it does work. I often feel inadequately equipped to be a writer. Not because I can’t write well, but because the process can be elusive. Most of my stories start with a driving plot point and a character and grow from there, but I’ve never written two books in the same way. But they eventually get written, so maybe it my process does work.

****

Thanks for reading about my writing process. I’m tagging two more authors extraordinaire Erin Albert and Suzanne de Montigny. Be sure to check out both their posts next week!

Erin Albert (http://www.erinalbertbooks.com/erins-blog.html) is an editor at BookFish Books and author of The Fulfillment Series. Since she picked up Morris the Moose Goes to School at age four, she has been infatuated with the written word.  She went on to work as a grammar and writing tutor in college and is still teased by her family and friends for being a member of the “Grammar Police.”  In her free time, Erin enjoys acting, running, kickboxing, and, of course, reading and writing.  Her favorite place to be is at home with her family and easygoing tabby cat.

Suzanne de Montigny (http://suzannesthoughtsfortheday.blogspot.ca/), author of The Shadow of the Unicorn: The Legacy, was an elementary music teacher for twenty years where she discovered her knack for storytelling. She has nearly completed The Shadow of the Unicorn: The Deception.

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