Books for kids, teens, & those who are young at heart

Tag: writing (Page 11 of 14)

Twig Stories Author Jo Marshall on Research

A big thanks to everyone who voted for Elixir Bound in the You Gotta Read June cover contest…it took second place (and earned two months of free advertising)! While I’m off celebrating, please welcome Jo Marshall, author of the gorgeous Twig Stories and fellow puzzle enthusiast, as she shares some great tips on research.

SF image 5 chap 13 barkbiter battle - CROPPEDThanks, Katie, for inviting me to talk about research strategies and tips. It’s a kick to be on your blog, especially since we have something in common besides writing books for kids. You once edited a puzzle magazine.  Working puzzles happens to be my passion!  Finding the right puzzle piece is like doing research to find that perfect fact, which fits a scene in your book. Once you do, your puzzle fits together brilliantly!  With that in mind, here’s a few of my researching tips.

First, if I might describe the puzzle box for my stories.  I write eco-literary, fantasy novels called Twig Stories for young readers, ages 8 to 12.  Twigs are impish, amusing, stick creatures, and live in a land of jagged, volcanic peaks, serene glacial lakes, moss-draped rainforests, and windswept prairies similar to where I live in Snohomish, Washington in the Pacific Northwest.  Devastating climate change events are impacting this region.

First tip ~ Assemble the frame of your puzzle first.

Although Twigs are pure fantasy, climate change is real.  Due to an overabundance of information, I continually research climate shift in the Pacific Northwest.  I decide which pieces of the climate crisis puzzle will sweep young readers into the thrilling, fantastic world of Twigs, and at the same time increase their concern for nature.  Only those pieces which make Twig Stories entertaining, yet are actual ecological facts form the frame.  Endangered animals like the spirit bear, horned lark, and salamanders fit the criteria easily, and of course, scary climatic events like glacial outburst floods and dying forests caused by bark beetles fit, too.

Second tip ~ Sort the pieces of your story into topics or groups.

After I have a frame, I group my pieces.  You might choose those parts of your story you need to understand better.  For each of my four books, I chose four specific climate change impacts to research – glacial floods, dying forests, shrinking glaciers, and species adaptation.  These choices immediately gave the stories focus, determined the action, offered clarity to the theme, and created resolution to the conflict.  Other groups might be characters or places.

Third tip ~ Figure out where your pieces fit.

To find where your pieces go, you need to collect descriptive facts for your groups.  Adequate descriptions that embrace the splendor of the Twigs forest home with all its exquisite complexity require research.  For your character group you may need to know what they wear, how they shelter, where they travel, for example.  Placing facts in your story immediately inspires your characterizations and plot.  Nothing motivates my Twigs to reach beyond their limits more than discovering the tremendous diversity in nature.  I constantly rewrite the descriptions and action (usually for the better!) to match fact.  If I’m ever stumped, or wonder, “What happens next?” I often find the answer on an internet fact search.  Through description, you discover where pieces fit into the story, and so the puzzle starts to come together.

Fourth tip ~ Use all your resources!

Like using 5 lamps on your puzzle table to see better, you can use every resource at your fingertips!  The internet is fantastic for global fact-finding.  But there are other ways to research, too.  Libraries, authors, television documentaries, radio shows – whatever you can find to uncover facts for your story will work.  Occasionally you grip that puzzle piece that won’t fit anywhere.  It just doesn’t make sense, but it’s essential to the action.  Ask the experts!  I sent emails to professors and nonprofit officers asking for help.  Most were amazingly generous with their guidance.  All of my manuscripts were reviewed by different conservation experts in the fields of wildlife, forestry, geology, glaciology, biology, and climate change.  Without their helpful suggestions, Twigs would not have such excellent adventures!

Placing the last piece in the puzzle is always a thrill.  Once all the pieces, or facts, are in place, your readers will love your story and also know a little more about your world and theirs, and that is a very satisfying feeling.

Thanks again, Katie, for sharing Twig Stories with your fans and followers.  I hope my puzzle perspective encourages writers of all genres to research and infuse their stories with facts.  I’m sure their readers will love it!

Twig Stories ~ Leaf & the Sky of Fire ~ front coverLeaf & the Sky of Fire blurb:

Twigs live in a fragile world of old forests and magnificent glaciers threatened by climate change, yet Twigs stick together to survive! In a dying forest – infested with bark beetles – small, stick creatures called Twigs are forced to hide in a cave, or be devoured by the ravenous barkbiters! A young Twig named Leaf attempts a foolhardy rescue, but instead leads them all into even greater danger for now they are pursued by barkbiters and fire!  Still, the Twigs have courageous companions. Three loyal salamanders and a fearless, misplaced chameleon guard the Twigs during their escape over a barren ridge. In their darkest moments, a spirit bear stalks them.  And the barkbiters are relentless as they swarm after the Twigs.  Soon the firestorm panics all the forest creatures!  But there is one passage south, if only the Twigs discover it in time!

Royalties are shared with nonprofits concerned with wildlife protection, climate change research, nature conservancy, and forest preservation.

Twig Stories are beautifully illustrated by D.W. Murray, an award-winning Disney artist. His credits include Mulan, Tarzan, Lilo & Stitch, Brother Bear, and Curious George. He is a recipient of the New York Society of Illustrators Gallery and the 2004 Gold Aurora Award.

Twig Stories are available in kindle ebooks and paperbacks worldwide. Check out Leaf & the Rushing Waters, Leaf & the Sky of Fire, and Leaf & the Long Ice. Leaf & Echo Peak arrives early 2014!

JoMarshall.PHOTOAbout the Author:

Jo volunteered as a literacy tutor for elementary school children for many years.  In 1986, while living in West Berlin, she earned a B.A. in German Language and Literature from the University of Maryland, Europe. In Berlin, she worked as a liaison between the military and diplomatic communities. Jo lived in the D.C. area from 1999 to 2006, and worked in litigation for two nonprofit organizations as the legal assistant to the General Counsel.  Jo enjoys mysteries, puzzles, board games, science, NPR, PBS, and Big Band era music. She is a member of the Society of Environmental Journalists, Read A Book Make A Difference, and many forest and wildlife conservation nonprofits. Jo lives with her family in Snohomish, Washington. For more about Jo visit her Amazon author page.

Confessions of an Author: Daydreaming

Confession #6: When I’m staring out the window daydreaming (or doing any number of things that might look like time-wasters), I’m actually working.

I’ve been trying to get out of the house one morning a week to head to my local coffee shop. I order my tea and breakfast and settle down in my usual spot looking out the window. At any point during my writing session, you’re likely to find me staring at the people walking by on the sidewalk or the train chugging over the bridge. This isn’t me procrastinating; it’s me working.

Seriously, though, daydreaming is work for an author. There is actual scientific research that says that daydreaming is important, imperative even, to the creative process. Allowing the conscience mind to wander sends the subconscious mind to work on the problem (in my case, whatever story/character/language issue I’ve been obsessing over). I’ve mentioned on the blog before how my brain often works out tricky plot points in the shower, while I’m not even necessarily thinking about that story or writing in general.

Activating the creative process goes beyond daydreaming for an author. People-watching is another activity that may look like procrastination, but it’s actually great story fodder. I find people-watching gets me thinking about character, not only how a character might look, but their mannerisms, speech patterns, and their backstory.

Observation of any surrounding is great for the “What If” game. Pick a person and pose a what-if question about them. Take two teenage girls walking around a mall, one chatting away, the other checking her phone, barely paying attention to the first. Give them a what if: What if chatty girl is dating a boy, but her boyfriend is the one texting phone girl? Now that leads to a whole bunch of other questions. What is boyfriend texting phone girl about? A surprise party for chatty girl, a secret rendezvous with phone girl? How long have boyfriend and chatty girl been dating? How long have chatty girl and phone girl been friends? See what a little people-watching and “What If” game can do for getting the creative juices flowing.

For an author, reading is work too. Whether I’m reading to stay current on the book market, reading to absorb the excellent writing of authors I admire, or reading to see what kind of books out there are like mine and what I can do differently. Even when I’m reading for pure pleasure, I’m still working, though it’s more of a working by osmosis in that case.

What things do you do that may seem like goofing off but are really work?

Meet Jeff Chapman Author of Highway 24

While I’m off doing my first ever school visit, Jeff Chapman is holding down the fort (ummm, blog) with an interview about his ghost story Highway 24 (see my Goodreads review here). Welcome, Jeff!

Highway 24 333x500What made you want to become a writer?

I don’t know. I loved reading from a young age and it seemed like a natural progression to writing your own stories. I have a compulsion to write but I haven’t always been so serious about it. A few years ago I was diagnosed with cancer. Fortunately it was caught very early. Nothing wakes you up to your mortality like a brush with a potentially fatal disease. At that point I decided if I wanted to be a writer I should become serious about it because the clock is ticking.

What books have had the most influence on you as a writer?

John Gardner’s The Art of Fiction: Notes on Craft for Young Writers. The first time I read that book, I gave up writing for awhile. I was making many of the mistakes he talks about. I came back to it later and found I wasn’t making those mistakes any more. I guess the lessons from the first reading had taken root.

If you were stranded on a desert island and could only bring two books and one movie, what would you bring?

I think everyone gets to bring the Bible to these islands or maybe it’s already there. My two books would beThe Lord of the Rings (I could read that over and over again and never get bored) and Crime and Punishment (another long book that you can chew on for a long time. It also reminds me of winter. I don’t like to be hot). For a movie, that would be a tossup between Das Boot (I like submarines) and The French Lieutenant’s Woman (I’m a sucker for costume dramas).

What was the hardest part of writing this book for you? And on the flip side what was the easiest?

I don’t know how many times I revised/rewrote the first section (Paul’s initial encounter with the ghost). The first part of story sets the tone for the rest of it so it’s important to get it right and sometimes very hard. The easiest parts were the secondary characters: the preacher and the caretaker at the cemetery. Those two came to me fully formed. All I had to do was transcribe what they were saying.

Have you ever had a paranormal experience yourself?

No, I haven’t. Not sure if I want to. But I have driven on some lonely highways and they are definitely creepy at night.

What is something funny/weird/exceptional about yourself that you don’t normally share with others in an interview?

I love cats. I had three when I was growing up and I have two now. Cats and I connect. We seem to understand each other.

And here’s the fun part…below are three list of words from the magnetic refrigerator poetry set…if you so choose, please write up a little piece of poetry or prose from these words.

There’s a ground squirrel in the attic, digging for the nut of our skeletons that we keep beneath the shadows of the steps. I step in a cold puddle of sour take out. I give up the climb. He will find not but the dark manuscript of my soul up there and the dead dancing in a breeze. Why investigate? A spider will manacle him.

Highway 24 blurb:

On a lonely country highway, a young travelling salesman runs down a teenage girl. It was an accident. Why she was wandering around on a highway in a pink, formal dress, he can’t imagine. There’s no doubt she’s dead. Fear takes over and he flees the scene, absently taking one of her shoes with him. An old memory, something familiar about that shoe, struggles to surface. As he speeds away from the accident, he thinks his nightmare can’t get any worse, until he sees a pair of green eyes in his rear-view mirror. The shoe and those eyes lead him to a small town where he meets an all too knowing preacher and a sheriff obsessed with the girl’s tragic demise. As Paul digs deeper into the mystery of the girl and her shoe, he comes face-to-face with a dark secret from his father’s past.

Highway 24 is available at the MuseItUp bookstore, Amazon, Barnes & Noble, and other ebook retailers.

Jeff_chapman-headshot-small-80x109About the author:

Jeff Chapman writes software by day and speculative fiction when he should be sleeping. His tales range from fantasy to horror and they don’t all end badly. He lives with his wife, children, and cats in a house with more books than bookshelf space. You can find him musing about words and fiction at jeffchapmanwriter.blogspot.com.

Meradeth Houston on Ending The Chemistry of Fate

Let’s give a warm welcome for returning guest poster Meradeth Houston. Her new adult novel The Chemistry of Fate (see my Goodreads review here)a companion to her YA novel Colors Like Memories, recently released from MuseItUp. The Chemistry of Fate Is on sale for $2.99 for the duration of the blog tour. And as if that wasn’t enough, there’s also a giveaway! (Whew…)

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The Way It All Ends

Thanks so much for hosting me Katie! I thought it would be appropriate to talk about novel endings here today, especially after you helped me figure out what to do with the ending of The Chemistry of Fate :).

When it comes to novels there area few different types of endings:

  • The happily ever after (HEA), where all, or at least most of the main plot threads are tied up and there’s the promise that things are going to go well for everyone at all. Think most harlequin novels and Disney movies.
  • The cliffhanger, where there’s another book where things will (hopefully) be tied together. Usually some of the main plot threads are undone and the reader is usually left tearing their hair out waiting for the next book. The Hunger Games had some good cliffhanger endings.
  • The question mark ending (I’m inventing terms—there are probably official words for these, but what’s the fun in that?), where the reader is left thinking about what happened and is still wondering about it days later. Some important thread isn’t totally tied off, either intentionally or not. This happens in movies like The Graduate, Inception, and Primer.
  • The what-the-heck-just-happened ending, where there’s a dues ex machina ending that kind of leaves the reader wondering just what happened. I felt like the last book in the Fallen series by Lauren Kate did this (literally!) and it’s often not totally satisfying. Or there’s the kill-everyone-off version too (Hamlet…).

These are some of the common endings, though I know there are more (I’d love to hear more examples!) and it varies from person to person what kind of ending works best for them. (I even know someone who prefers the “everyone dies” ending.) Personally, I love an ending that leaves me thinking, so long as some of the threads are neatly tied off. The ending of Inception was utter perfection to me.

With Chemistry, I originally had an ending that left things really hanging. While I knew who survived and who didn’t, I purposefully left it ambiguous. Which was fine, until I started discussing the next book with my editor :). She made the very valid point that what I was doing wasn’t going to work, as the book wasn’t resolved enough to flow with book #3 (which is based on two very different characters). So, I went back to the drawing board (and emailed writing friends to beg support!).

The ending that currently stands is what I came up with. I won’t give anything away, but it works a whole lot better :). (Though if anyone’s read it, I’d love to hear what kind of guesses you have as to what originally happened at the end!) But, there is something to be said about leaving your readers feeling really uncomfortable with the ending, and I’d rather heed my editor’s wise advice!

Of course, this makes me really curious. What is your favorite novel or movie ending? What kind of ending do you prefer?

The Chemistry of Fate 333x500The Chemistry of Fate blurb:

“They are everywhere, can be anyone, and are always the last person you’d expect.” When Tom stumbles across his grandfather’s journal, he’s convinced the old man was crazier than he thought. The book contains references to beings called the Sary, immortals who are assigned to save humans on the verge of suicide. They certainly aren’t allowed to fall in love with mortals. Which the journal claims Tom’s grandfather did, resulting in his expulsion from the Sary. As strange as the journal seems, Tom can’t get the stories out of his head; especially when he finds the photo of his grandfather’s wings.

Tom’s only distraction is Ari, the girl he studies with for their chemistry class.

Ari has one goal when she arrives in town: see how much Tom knows about the Sary and neutralize the situation. This isn’t a normal job, but protecting the secrecy of the Sary is vital. If Tom is a threat to exposing the Sary to the public, fate has a way of taking care of the situation, usually ending with the mortal’s death. While Ari spends time with Tom, he becomes more than just an assignment, but how far can a relationship go when she can’t tell him who she really is? When she finds out just how much Tom actually knows about the Sary, Ari is forced to choose between her wings, and her heart.

THE CHEMISTRY OF FATE is a companion to COLORS LIKE MEMORIES and is set before the latter takes place. It is geared toward an upper YA, or New Adult audience. Buy it at MuseItUp PublishingAmazoniBooksBarnes and Noble, and other ebook retailers.

About the Author:
MeradethHouston
Meradeth’s never been a big fan of talking about herself, but if you really want to know, here are some random tidbits about her:

  • She’s a Northern California girl, but now lives and teaches anthropology in Montana.
  • When she’s not writing, she’s sequencing dead people’s DNA. For fun!
  • She’s been writing since she was 11 years old. It’s her hobby, her passion, and she’s so happy to get to share her work!
  • If she could have a super-power, it would totally be flying. Which is a little strange, because she’s terrified of heights.

Find more about Meradeth and her books on her website, her blog, Goodreads, Twitter, Facebook, and Pinterest.

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Meet Kai Strand author of Beware of the White

Today I’m doing an interview over at the new MuseItUp Young and YA blog. In my absence, please welcome fellow Muser Kai Strand, author of the middle grade fantasy Beware of the White (check out my Goodreads review), as she discusses her editorial process. 

DO THE HARD WORK

Hi everybody! I’m Kai Strand, author of the newly released middle grade fantasy adventure, Beware of the White. I’m thrilled to be on Katie’s blog. Katie was my content editor for Beware of the White and she helped me SO much!

I have a love/hate relationship with editing. I cannot stand the initial revisions, the first pass review that follows the creative high of the first draft. As painfully boring as those revisions are to me, I understand they are crucial to the process. I have great critique partners and I don’t want to jeopardize our working relationship by sending them work I haven’t done due diligence in. It is disrespectful of their time and expertise to send sloppy work.

Once I get their input, I enjoy the editing process again. I like to see how they suggest improvement to the storyline or character development. I love to see where they melt over a character or shake a fist in frustration. I even find the occasional question mark (the ‘what-exactly-do-you-mean-here’ question mark) challenging. As an author, it isn’t my job to defend my work, it is my job to make the story and characters clear to the reader so that no defense is required.

After that, I usually go into another funk of  ‘this is so boring’ as I prepare the manuscript for submission. Once I get an editor assigned from the publisher I fall back in love again. I love when an editor really challenges me to improve the book. I love wanting to tear my hair out because it feels like so much work after having put in so much work already. Because I know that will make it a stronger story that will resonate with the reader.

So here comes my last hateful relationship with the editing process. The hard work. Ah, you thought I already mentioned the hard work above, huh? There is one more crucial step. When a content editor reads your work, she examines the story for logic, gaps, motivation. She notes if the pace falls off, mentions an awkward dialogue exchange, points out where your heroine suddenly jumps out of character. You fix the things she mentions and the two of you exchange the manuscript a few times to tweak and refine your words. The line editor points out all of your misuse of commas, grammatical errors, and tweaks to the formatting.

But wait…who is making sure that after all these changes, the words still flow? OH! The author. Before those final edits are turned in, do the hard work and read your story aloud. When you are micro-editing it is so easy to edit in duplicate words or phrases, awkward transitions or a different writing voice. The only way to make absolutely certain the edits are a success is to start at the beginning and read all the way to the end. And do it OUT LOUD! Don’t cry. I know it’s a lot of work, but your story will be stronger for it. I promise.

About Beware of the White:

As is tradition, Terra learns on the Saturday past her twelfth birthday that she is a Natures Spirit. It is her legacy to serve in the peaceful underground city of Concord. Learning she is named in a prophecy and being threatened by the leader of the death tribe…that part breaks tradition.

The Trepidus are the death janitors of the Underworld, responsible for delivering fatalities with a smile and cleaning up after themselves until Blanco, recent leader of the Trepidus, decides the day of reckoning for his species is coming. He begins organizing the creatures and leads them toward an uprising. The prophecy says there is one person who can stop him. Terra.

With Spirit of Security, Frank, protecting her, Terra attempts to complete her training and discover her Spirit talents. Together, they go on a rogue investigation to learn how to defeat Blanco. In the end, it comes down to a battle of the minds. The future of Concord is at stake. Will Blanco, the older, more experienced being win? Or will Terra, the young, new Spirit earn back the peace of the city?

Buy It:

MuseItUp Publishing

Amazon

Barnes & Noble

To celebrate the launch of BEWARE OF THE WHITE, Kai Strand has awesome book related prize packages. Be sure to enter to win. And return again and again to claim entries as you qualify. Kai will also have Spontaneous Giveaways during her book tour. Those giveaways won’t be announced so be sure to follow Kai’s tour. Only virtual stalkers will have the opportunity at all the fun!

About the author:

Kai Strand writes fiction for kids and teens. Her debut novel, The Weaver, was a finalist in the 2012 EPIC eBook Awards. She is a (very lucky) wife and the mother of four amazing kids. The most common sound in her household is laughter. The second most common is, “Do your dishes!” She and her family hike, geocache, and canoe in beautiful Central Oregon, where they call home.

To find out more about Kai’s books, download companion documents, find links to her published short stories and discover all the places to find Kai both virtually and in person, visit her website: www.kaistrand.com. She loves to hear from readers, so feel free to send her an email or visit her facebook page, Kai Strand, Author.

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