Books for kids, teens, & those who are young at heart

Tag: SCBWI (Page 2 of 3)

Keynote Conference Highlights and Writing Advice from #LA18SCBWI

I feel so lucky to have been able to attend the SCBWI Conference in L.A. earlier this month. A big thanks to the SCBWI for sending me out there (I won the trip through my participation in SCBWI BookStop program). For all of you who saw my worries about leaving The Gentleman when he was just barely 1, you’ll be happy to know that he was find while I was gone (and even took a bottle at times!).

There were so many amazing moments that I couldn’t possibly share them all here, so be sure to check out all the SCBWI blog coverage of the conference or #LA18SCBWI on Twitter. The keynotes in particular were amazing, so I’ve devoted this post to those. (I always like to note that I don’t use quotation marks for these snippets because these are from the notes that I’m often frantically taking during talks, so there’s not way to know for sure if it’s a direct quote or if I’m paraphrasing, but I always try to be true to the point the speaker was trying to get across.)

Daniel José Older (He’s super funny!):

  • Words are supposed to sound nice when you put them together, so read out loud before you sub.
  • Beginnings establish what your character wants; they establish their humanity.
  • Every story that we tell is the story of a crisis, where a crisis is a turning point, a moment that everything changes in some significant way.
  • Good books are made of bad decisions.

Ekua Holmes (I love her whole aesthetic…the colors, the flow, the emotions behind it…everything!):

  • Reach back and gather the best of what our past hast to teach us. Reclaim her history, legacy, and sovereignty through art.
  • Our art is always personal. My strategy is somehow to find myself in each of my stories.
  • Confinement in mind and body cannot stop our creativity and desire to be free.
  • Children innately respond to creativity.

Lynda Mullaly Hunt (Her talks are always so full of the passion she brings to her work and for caring about kids.):

  • It’s a very brave act to create something that has never been in the world until you put your hand to the page and share it with others.
  • Young readers need us to care more about them than we care about our careers and ourselves.
  • Children are hungry for optimism–just like the rest of us.
  • Wishes are passive longings. Change your wishes into goals and act on those goals.

Andrea Davis Pinkney & Brian Pinkney (Such an adorable, creative couple…with very different work styles. I’d love to be a fly on their wall.):

  • Every artist have to have a style – B.P.
  • You want the reader to not even know they are reading because they are having so much fun. – A.D.P.
  • Write your own letter to diversity and come back to it in a year to see how you’ve done. – A.D.P.

Libba Bray (She’s a badass–super funny, smart, and thoughtful. See my post about how her keynote inspired by author theme of “find your magic”.):

  • In writing a story, you have to want to know something. The question makes your story come alive, leading us from somewhere we know to something new. The question leads to change.
  • Branding is about answers, about selling stuff. Brands by there very nature are static. It puts writers in a position to view kids as consumers instead of growing young people.
  • Writers need safe places to be able to take risks.
  • We are facing the kind of monsters we read about in books. There has never been a more important time to write for the next generation.
  • If someone asks what your brand is, tell them it’s a commitment to craft and a deep respect for the audience.

Mike Curato (He’s as adorable as his elephant character Little Elliot):

  • Eat cake…but make sure it’s good cake.
  • Think about how happy you were as a kid making art. Create things that make you happy.
  • Think about how small your were as a kid and how things looked, and draw from that perspective.

Lois Lowry (Needs no introduction! This was set up as a chat between Lois and SCBWI co-founder, Lin Oliver.):

  • The reaction of kids to her first book kept her writing fiction for young people. Her sudden awareness of the passion of kids for a book they love.
  • When asked what unifies her as a writer, Lois said intimacy. It’s her one word for her voice. She feels an intimate connection to her reader. The element of human connection is the theme that runs through her books.
  • There are things that are too dark for children, but they’re there. We have to write about those thing, and do it in an intelligent way.

Unfortunately I missed Eliza Wheeler’s keynote because I had to take break to pump breast milk, but there’s a great overview on the SCBWI Conference Blog.

I also popped in and out of Bruce Coville’s keynote (and didn’t get a chance to take notes of what I did hear) because it ran late and I was rushing around getting books signed before I had to catch my flight home. I’ve listened to a keynote of his before, and it was sooo good. You can just tell how much he loves writing for kids and the impact reading can have on them. Again, check out the SCBWI Conference Blog. Him talking about ripples really resonated with me.

I’m hoping to pull some highlights from the panels and workshops I attended for another post, as well as just a fun post about some of the shenanigans that went on during the downtime (You do want to see me dressed up as Jane Austen for the party, right?). Stay tuned!

Defining My Author Theme Courtesy of #LA18SCBWI and Libba Bray

I purposefully didn’t title this piece with the words “author brand” because there are important distinctions between a brand and what I’m talking about here (and calling my “author theme”), and also because I don’t want to anger Libba Bray! But let me back up for a second and give you the all-important context.

I recently attended the SCBWI conference in L.A. where there were some amazing keynotes (and there were a whole lot of keynotes at this conference). The brilliant YA novelist Libba Bray gave her keynote on Saturday afternoon. As a conference attendee, I was buzzing with inspiration from the previous day and a half but not overloaded and exhausted like I was pretty much all of Sunday.

Libba discussed something that is on the mind of any writer who is tuned into the business and marketing side of publishing: author branding! I’ve been trying to come up with a snappy definition of an author brand, but it’s kind of making me woozy thinking about it, so I Googled it instead. Here are the links to the first couple of articles that pop up “How To Build Your Author Brand From Scratch (And Why You Need To)” and “7 Best Ways To Build An Authentic Author Brand.”

The bottom line is that most authors feel the pressure to have a brand, but it feels icky to figure out what that is and how to create one that is effective in selling ourselves. And selling yourself is all so counterintuitive to the creative process and to being authentic to an artistic goal rather than a monetary one. Blech!

Libba articulated this phenomenon so well when she framed it as a question vs. an answer. She said that writing is about wanting to know something. This question is what makes your story come alive. The question leads us from somewhere we know to something new. The question leads to change. On the other hand, branding is advertising, and it’s all about answers. Brands are static by nature, and it puts us in a position to view kids as consumers instead of as growing, learning young humans. (No direct quotes because I tend to not worry about getting direct quotes while taking notes during conferences. Check out the SCBWI Conference Blog for a great overview of not only Libba’s keynote but the whole conference.)

Libba ended with the thought that if anyone asks about your brand, say that it’s a commitment to craft and a deep respect for my audience. This thought–and the whole keynote really–sparked an idea of what I’m all about as an author of books for young people. I’m not calling it a brand because yuck, hence the term I use in the title of this post “author theme.” Where a brand would be about selling myself or my books, my author theme is about what I think I bring to the table as a creator, writer, teacher, and human being.

I know authors who essentially say all their writings–no matter what form, genre, or intended audience–come back to some central theme or idea. I’ve always struggled to come up with any one thing that ties all my work together, never mind one thing that ties together who I am with my work. The spark that came to me during this keynote pulled together my writing, my talks about writing and the creative process, and my philosophy on life in a way that I had never been able to do.

Now that I’ve thought of it, it seems painfully obvious that this is what I’ve been writing about and thinking about. It ties in the ubiquitousness of my sister’s death with my career. It’s the thing I’ve been inscribing in ELIXIR BOUND when I sign copies for readers. (Are you screaming at the screen yet for me to just tell you already?!) Alright, alright…here it is in all it’s simple glory:

Find Your Magic.

That’s it. It’s as simple as that. My sister’s death helped me see the thing I was supposed to be doing in this world, the magic of writing for kids and teens. It’s the thing I try to bring to kids when I talk to them at book events and school visits. I know they won’t all grow up aspiring to be writers (though I always emphasize the importance of having the skills of being an effective reader and writer), but I want them all to pursue, in some way, the thing that feels like magic to them. It’s the thing my characters are always trying to find as well, their magic. And it’s kind of been there all along, staring me in the face. I was finally able to see it and grasp on to it.

Find Your Magic.

As simple as it seems, it’s not always simple to do it, to live it. You have to first figure out what your magic is, which is no easy feat. It took me 20+ years of life and a major life event to figure it out myself. Then once you do know what your magic is, you have to figure out how to pursue it while also, ya know, feeding, clothing, housing yourself and any independents.

But when you can figure out a way to actually do it (even if it’s not the way you make your living), when you actually find your magic and live your magic. Wow, that’s some pretty amazing stuff.

Heading Out To #LA18SCBWI: Conference Gems Round-Up

I head out for the 2018 SCBWI conference in L.A. in two days! I’ve been super nervous about leaving The Gentleman for four nights (it’s the youngest I’m ever leaving any of the babies for a conference), so I haven’t really had any nervousness left in me for anything else. But as it’s crept closer, I find I’m getting those little butterflies of excitement/nerves about the actual conference.

I was taking a look back all the gems of wisdom and inspiration I have accumulated on the Observation Desk from previous conferences and thought it would be fun to link to those here. (Wow! Look at that, they go all the way back ten years ago! And look at how many conferences I’ve been to.) Here they are:

SCBWI L.A. 2008 Conference Gems: Part 1

SCBWI L.A. 2008 Conference Gems: Part 2

SCBWI L.A. 2008 Conference Gems: Part 3

SCBWI Eastern PA 2010 Conference Wrap Up

Nuggets of Writing Wisdom from SCBWI L.A. 2010 Conference

SCBWI Poconos Conference 2011

SCBWI Poconos Retreat 2012

New England SCBWI 2013 Conference Gems

Thoughts on the New England SCBWI 2015 Conference

New England SCBWI 2015 Conference Gems of Wisdom

New England SCBWI 2016 Conference Words of Wisdom for Writing and Life

 

My Summer (Re)Reading List

Summer seems to always put me in the mood to reread books. Last summer I once again started the Harry Potter books and made it through the first four, so I probably be picking that series back up at book five this summer. And I’ve reread Jandy Nelson’s THE SKY IS EVERYWHERE pretty much every summer since I first read it.

As for new books, I’ve got a few series I’m looking to finish. There’s THE CROWN by Kiera Cass, the final book in the Selection series (which I’ve thoroughly enjoyed despite not being a fan of The Bachelor TV series and its spin-offs), and THE RAVEN KING, the last book in Maggie Stiefvater’s Raven Boys series. Other than that I think I’m in the mood for some lighter reads, but I’m not sure what yet. Knowing me, I’ll go the complete opposite and end up with a non-fiction physics book.

If you’re looking for some kidlit recs, the SCBWI put together a Summer Reading List (which just so happens to include my YA fantasy ELIXIR BOUND). You can download the whole thing or do it by region. Lin Oliver, Executive Director of the SCBWI, put together this cute video about it.

What’s on your summer reading list? Do you have any fun recs for me?

New England SCBWI 2016 Conference Words of Wisdom for Writing and Life

Sneaking in some writing time before the conference started.

Sneaking in some writing time before the conference started. #amwriting #selfie

A week and a half later and I feel like I’m still catching up after the New England SCBWI Conference. I’m a little behind on my novel writing goals and I have a few deadlines for other projects creeping up, but the momentum of the writing conference usually keeps me going and focused on my writing goals for months.

One of my favorite things about writing conferences is catching up with old writing friends and meeting new ones. My roommate and I stayed up way too late chatting about writing and family and stuff. I almost literally bumped into a friend I met–well it has to be ten years ago now–at one of the many Poconos conferences I attended, and it was awesome to catch up with her. I squeezed in some writing time on Friday before my first workshop, I gathered with both old and new friends for dinner Saturday night, and I happened to wake up early and couldn’t fall back to sleep on Sunday morning, so I went for a run at the hotel fitness center. It all went by too fast, and I was so exhausted by the time I got home Sunday evening.

To keep the inspiration fresh I like to go through my notes from the conference (something I’ve been meaning to do with past conferences as well). So here are just a few of the words of wisdom I came across during the weekend (note that I don’t use quotation marks because these aren’t necessarily direct quotes, though I do my best to keep them as close as possible to what the speakers actually said and the sentiments are accurate):

  • Marketing is about choices. Choosing to do the things you enjoy and the things you do well. ~Lynda Mullaly Hunt
  • The most powerful marketing tool is to write a helluva book. ~Lynda Mullaly Hunt
  • People are grateful on the inside, but it’s important to be thankful on the outside. ~Lynda Mullaly Hunt
  • This that matter the most in your marketing are also what matter the most in writing: what is uniquely yours and your book, things you care about, and economy & quality. ~Lynda Mullaly Hunt

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  • Kids need to see and identify the characters of book in themselves. ~Zaneta Jung (Assistant Editor, Sterling Publishing)
  • I prefer the term quality assurance [instead of gatekeeper]. As much as I love art and I love authors and I love books, I think of the quote in Ratatouille from the food critic, “I don’t like food; I LOVE it. If I don’t love it, I don’t swallow.”  ~ (Editorial Director, Jolly Fish Press)

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  • If you aren’t working on and submitting at least seven things a year, then what the hell are you doing? ~Jane Yolen
  • Never neglect and forget your heart books. These are the books the rest of us need to read. ~Jane Yolen
  • Where does the character story start? Start on the day that’s different. ~Wendy Mass
  • We totally get a do-over when we wake up every morning. ~Wendy Mass
  • If we keep doing what we’ve always done, we keep getting what we’ve already got. ~Wendy Mass

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  • How did we all end up in this room together? All these details of your journey of how you go there, that’s your best asset as a writer. ~Patrick Carman
  • When you collaborate, don’t think “What am I going to get out of this?” but think “How can I help make this person’s dream come true?” Collaborating is bigger than networking. ~Patrick Carman
  • Intuition and inspiration can only happen in the moment. ~Kathleen Rushall (Agent, Andrea Brown Literary Agency)
  • Your dream agent is the one who adores the hell out of your work. ~Jess Keating
  • Unused creativity is not benign. If it’s not being put to use or being fulfilled, it leads to anxiety. (I failed to mark in my notes whether it was Kathleen Rushall or Jess Keating, who presented this workshop together.)
  • Do a $50 job likes it’s a $500 job, and then you’ll start getting $500 jobs. ~Jarrett J. Krosoczka
  • I’m being invited into a kid’s imagination and that is a privilege and a hallowed space to occupy. ~Jarrett J. Krosoczka
  • I had my sketch book, and I was bored. And that is a wonderful thing to do. ~Jarrett J. Krosoczka
  • Your best achievement is just around the corner. ~Jarrett J. Krosoczka

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  • Dialogue is not about translating real-life situations; it’s about giving your best impression of it. ~Linda Camacho (Agent, Prospect Agency)
  • It is so easy to get lost in your own world. You’re falling in love, and that’s great, but sometimes you have to rein it in. ~Linda Camacho (Agent, Prospect Agency)
  • Likeability is boring to strive for. It’s okay for characters to have positive characteristics, but they should make mistakes. You want them to be imperfect; it makes them “human.” ~Rebecca Podos (Agent, Rees Literary Agency)
  • Writing books you are passionate about makes it easy for kids to fall in love with your books. ~Colby Sharp
  • Graphic novels are complex forms of texts, and no kid should ever be stopped from reading that. ~
  • Being a mommy doesn’t mean you can’t be a real artist. ~Amitha Knight
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