Tag: keynote

New England SCBWI Conference Gems 2022

May 19, 2022 / Katie L. Carroll

This year’s New England SCBWI conference was yet again in a digital format, but just like in 2021 (see those conference highlights here), it was a weekend full of inspiration and community. As is my tradition, I’m sharing some conference gems here on the blog.

Since I was presenting both an intensive workshop on self-publishing (reminder to check out my Self-Publishing Reources) and leading an Ask-a-Mentor session, I wasn’t able to attend as many live sessions as I normally do. One of the advantages of the digital format is that the sessions were recorded, so I’ve been catching as many as I can before the viewing period is up.

Jane Yolen, author of over 400 books and founding member of the New England SCBWI, is a staple at the annual conference. She kicked off the conference with her words of wisdom. Her first dinosaur book, illustrated by Mark Teague, How Do Dinosaurs Say Goodnight took 20 minutes to write and her book Owl Moon, illustrated by John Schoenherr, took 20 years. She encouraged everyone to go and find the time to write, make the time to write, steal the time to write.

Heidi E.Y. Stemple and Rajani LaRocca engaged in a conversation that offered insight and advice into staying creative. Heidi said to know your process and trust your creative brain. She admitted that a creative block can be scary, but if you believe in yourself and trust your process, you can get through it. Rajani said to “follow the dopamine” when writing and to “find that thing that makes you light up and hold on to that.”

In a workshop on work-for-hire, Rebecca Allen and Meg Thacher shared many insights on best practices in this particular field of children’s writing. One suggestion was to be comprehensive in selecting your genres and age ranges so you don’t limit the projects you’re eligible for. They reminded writers that you can always say no to an opportunity if it doesn’t fit your schedule or writing interests.

Looking not so professional in the social rooms

I always enjoy the evening social rooms. I stayed up later than I intended on Saturday night catching up with my fellow NESCBWI kidlit friends and meeting a few new ones. It seems I always end up dressing up like a pirate (it is on brand for my middle grade book Pirate Island). Last year, I donned my actual pirate hat, but this year I opted for a filter. I think I pulled off the 5 o’clock shadow!

Tara Lazar, founder of the idea-generating Storystorm, presented a very funny keynote filled with memes. She made the mistake of sending out stuff too early (haven’t we all!) and had to learn how publishing worked before finding success.

Illustrator John Parra offered up an insight that particularly resonated with me as I work on developing my illustration skills. He said to make sure your supplies are out and not in a closet. He reminded us that procrastination is not an artist’s friend. His words have inspired me to start setting up a space where I have easier access to my art supplies.

Padma Venkatraman in her session “STARRY-EYED: Looking at a story through different lenses” asked these questions when thinking about point-of-view in your story: What’s best for this story? Whose story is this? How do I want my reader to feel?

What has inspired your writing lately?

Keynote Conference Highlights and Writing Advice from #LA18SCBWI

August 22, 2018 / Katie L. Carroll

I feel so lucky to have been able to attend the SCBWI Conference in L.A. earlier this month. A big thanks to the SCBWI for sending me out there (I won the trip through my participation in SCBWI BookStop program). For all of you who saw my worries about leaving The Gentleman when he was just barely 1, you’ll be happy to know that he was find while I was gone (and even took a bottle at times!).

There were so many amazing moments that I couldn’t possibly share them all here, so be sure to check out all the SCBWI blog coverage of the conference or #LA18SCBWI on Twitter. The keynotes in particular were amazing, so I’ve devoted this post to those. (I always like to note that I don’t use quotation marks for these snippets because these are from the notes that I’m often frantically taking during talks, so there’s not way to know for sure if it’s a direct quote or if I’m paraphrasing, but I always try to be true to the point the speaker was trying to get across.)

Daniel José Older (He’s super funny!):

Words are supposed to sound nice when you put them together, so read out loud before you sub.
Beginnings establish what your character wants; they establish their humanity.
Every story that we tell is the story of a crisis, where a crisis is a turning point, a moment that everything changes in some significant way.
Good books are made of bad decisions.

Ekua Holmes (I love her whole aesthetic…the colors, the flow, the emotions behind it…everything!):

Reach back and gather the best of what our past hast to teach us. Reclaim her history, legacy, and sovereignty through art.
Our art is always personal. My strategy is somehow to find myself in each of my stories.
Confinement in mind and body cannot stop our creativity and desire to be free.
Children innately respond to creativity.

Lynda Mullaly Hunt (Her talks are always so full of the passion she brings to her work and for caring about kids.):

It’s a very brave act to create something that has never been in the world until you put your hand to the page and share it with others.
Young readers need us to care more about them than we care about our careers and ourselves.
Children are hungry for optimism–just like the rest of us.
Wishes are passive longings. Change your wishes into goals and act on those goals.

Andrea Davis Pinkney & Brian Pinkney (Such an adorable, creative couple…with very different work styles. I’d love to be a fly on their wall.):

Every artist have to have a style – B.P.
You want the reader to not even know they are reading because they are having so much fun. – A.D.P.
Write your own letter to diversity and come back to it in a year to see how you’ve done. – A.D.P.

Libba Bray (She’s a badass–super funny, smart, and thoughtful. See my post about how her keynote inspired by author theme of “find your magic”.):

In writing a story, you have to want to know something. The question makes your story come alive, leading us from somewhere we know to something new. The question leads to change.
Branding is about answers, about selling stuff. Brands by there very nature are static. It puts writers in a position to view kids as consumers instead of growing young people.
Writers need safe places to be able to take risks.
We are facing the kind of monsters we read about in books. There has never been a more important time to write for the next generation.
If someone asks what your brand is, tell them it’s a commitment to craft and a deep respect for the audience.

Mike Curato (He’s as adorable as his elephant character Little Elliot):

Eat cake…but make sure it’s good cake.
Think about how happy you were as a kid making art. Create things that make you happy.
Think about how small your were as a kid and how things looked, and draw from that perspective.

Lois Lowry (Needs no introduction! This was set up as a chat between Lois and SCBWI co-founder, Lin Oliver.):

The reaction of kids to her first book kept her writing fiction for young people. Her sudden awareness of the passion of kids for a book they love.
When asked what unifies her as a writer, Lois said intimacy. It’s her one word for her voice. She feels an intimate connection to her reader. The element of human connection is the theme that runs through her books.
There are things that are too dark for children, but they’re there. We have to write about those thing, and do it in an intelligent way.

Unfortunately I missed Eliza Wheeler’s keynote because I had to take break to pump breast milk, but there’s a great overview on the SCBWI Conference Blog.

I also popped in and out of Bruce Coville’s keynote (and didn’t get a chance to take notes of what I did hear) because it ran late and I was rushing around getting books signed before I had to catch my flight home. I’ve listened to a keynote of his before, and it was sooo good. You can just tell how much he loves writing for kids and the impact reading can have on them. Again, check out the SCBWI Conference Blog. Him talking about ripples really resonated with me.

I’m hoping to pull some highlights from the panels and workshops I attended for another post, as well as just a fun post about some of the shenanigans that went on during the downtime (You do want to see me dressed up as Jane Austen for the party, right?). Stay tuned!

Defining My Author Theme Courtesy of #LA18SCBWI and Libba Bray

August 14, 2018 / Katie L. Carroll

I purposefully didn’t title this piece with the words “author brand” because there are important distinctions between a brand and what I’m talking about here (and calling my “author theme”), and also because I don’t want to anger Libba Bray! But let me back up for a second and give you the all-important context.

I recently attended the SCBWI conference in L.A. where there were some amazing keynotes (and there were a whole lot of keynotes at this conference). The brilliant YA novelist Libba Bray gave her keynote on Saturday afternoon. As a conference attendee, I was buzzing with inspiration from the previous day and a half but not overloaded and exhausted like I was pretty much all of Sunday.

Libba discussed something that is on the mind of any writer who is tuned into the business and marketing side of publishing: author branding! I’ve been trying to come up with a snappy definition of an author brand, but it’s kind of making me woozy thinking about it, so I Googled it instead. Here are the links to the first couple of articles that pop up “How To Build Your Author Brand From Scratch (And Why You Need To)” and “7 Best Ways To Build An Authentic Author Brand.”

The bottom line is that most authors feel the pressure to have a brand, but it feels icky to figure out what that is and how to create one that is effective in selling ourselves. And selling yourself is all so counterintuitive to the creative process and to being authentic to an artistic goal rather than a monetary one. Blech!

Libba articulated this phenomenon so well when she framed it as a question vs. an answer. She said that writing is about wanting to know something. This question is what makes your story come alive. The question leads us from somewhere we know to something new. The question leads to change. On the other hand, branding is advertising, and it’s all about answers. Brands are static by nature, and it puts us in a position to view kids as consumers instead of as growing, learning young humans. (No direct quotes because I tend to not worry about getting direct quotes while taking notes during conferences. Check out the SCBWI Conference Blog for a great overview of not only Libba’s keynote but the whole conference.)

Libba ended with the thought that if anyone asks about your brand, say that it’s a commitment to craft and a deep respect for my audience. This thought–and the whole keynote really–sparked an idea of what I’m all about as an author of books for young people. I’m not calling it a brand because yuck, hence the term I use in the title of this post “author theme.” Where a brand would be about selling myself or my books, my author theme is about what I think I bring to the table as a creator, writer, teacher, and human being.

I know authors who essentially say all their writings–no matter what form, genre, or intended audience–come back to some central theme or idea. I’ve always struggled to come up with any one thing that ties all my work together, never mind one thing that ties together who I am with my work. The spark that came to me during this keynote pulled together my writing, my talks about writing and the creative process, and my philosophy on life in a way that I had never been able to do.

Now that I’ve thought of it, it seems painfully obvious that this is what I’ve been writing about and thinking about. It ties in the ubiquitousness of my sister’s death with my career. It’s the thing I’ve been inscribing in ELIXIR BOUND when I sign copies for readers. (Are you screaming at the screen yet for me to just tell you already?!) Alright, alright…here it is in all it’s simple glory:

Find Your Magic.

That’s it. It’s as simple as that. My sister’s death helped me see the thing I was supposed to be doing in this world, the magic of writing for kids and teens. It’s the thing I try to bring to kids when I talk to them at book events and school visits. I know they won’t all grow up aspiring to be writers (though I always emphasize the importance of having the skills of being an effective reader and writer), but I want them all to pursue, in some way, the thing that feels like magic to them. It’s the thing my characters are always trying to find as well, their magic. And it’s kind of been there all along, staring me in the face. I was finally able to see it and grasp on to it.

Find Your Magic.

As simple as it seems, it’s not always simple to do it, to live it. You have to first figure out what your magic is, which is no easy feat. It took me 20+ years of life and a major life event to figure it out myself. Then once you do know what your magic is, you have to figure out how to pursue it while also, ya know, feeding, clothing, housing yourself and any independents.

But when you can figure out a way to actually do it (even if it’s not the way you make your living), when you actually find your magic and live your magic. Wow, that’s some pretty amazing stuff.