Tag: Elixir Bound (Page 7 of 15)

September #InkRipples: Building a Fictional World

September 8, 2017 / Katie L. Carroll

What exactly is world building (or worldbuilding if your prefer is as one word)? Basically, it’s the creation of a fictional world. More than that, though, it’s how that world is explained within the confines of a story. The imagining and creating is the easy part (in my opinion). It’s choosing which pieces to include in the story and how to include those pieces with out a big info-dump that is the tricky part.

The reader must be grounded in the world and be able to feel like they are immersed in it, but you don’t want to bore them with too many details and world-building elements that aren’t essential to the plot and character development. It’s highly subjective, too. One reader may love lavish descriptions and explanations of how one aspect of your fictional world works, while another may skim through all that to get to the action.

And world building isn’t just for fantasy or sci-fi writers. Even if a story takes place in a high school and most of your readers are in high school or have been to one, you still need to establish the world of your high school. There’s a lot already written on ways to execute world building, so instead of me blathering on with tips, I’ll leave some links at the end of the post for you to peruse at your leisure.

Some of my favorite world building exercises have been making a map for the ELIXIR BOUND (see the picture at the beginning of the post and the entry “Exploring the world of Elixir Bound”). For PIRATE ISLAND, part of my world building included creating a chart with realistic tides and moon cycles. So much of my world building goes on behind the scenes, but having all that information in my head makes for a rich world on the page, even if the reader only sees a small portion of what the world entails. Plus, those elements that don’t make it directly into the story are great for things like blog posts and bonuses for readers.

Okay, before we get to the links, I’d love to hear some of your world-building techniques in the comments!

“Tips on World Building for Writers — How to Make Your Imaginary World Real” by Chuck Sambuchino

“The Ultimate Guide to World-Building: How To Write Fantasy, Sci-Fi, And Real-Life Worlds” by Claire Bradshaw

“25 Things You Should Know About Worldbuilding” by Chuck Wendig

(Apparently people named Chuck have a lot to say about world building!)

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (September is all about world building), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

June #InkRipples: Utilizing Blurbs in the Drafting Process

June 7, 2017 / Katie L. Carroll

When I first found out I was expected to write my own blurb for ELIXIR BOUND, I was kind of terrified. The blurb is one of the most important selling tools of a book, probably only second to the cover. If a cover and title draw in a reader, chances are the next thing they’ll look at is the blurb in order to decide if they’re going to read the book.

What exactly is a book blurb? It’s what some call jacket copy, and it’s the brief description of the story you find on the back or inner jacket of a print book and in the book’s listing online. Some big publishing companies will write the blurbs for their authors (though they may take phrases from the author’s or agent’s original pitch of the book), but small presses often look to authors to provide one. And in self-publishing, of course, it’s up to the author to write a blurb or hire someone to do it for them.

Here’s what I came up with for ELIXIR BOUND.

Katora Kase is next in line to take over as guardian to a secret and powerful healing Elixir. Now she must journey into the wilds of Faway Forest to find the ingredient that gives the Elixir its potency. Even though she has her sister and brother, an old family friend, and the handsome son of a mapmaker as companions, she feels alone. It is her decision alone whether or not to bind herself to the Elixir to serve and protect it until it chooses a new guardian. The forest hosts many dangers, including wicked beings that will stop at nothing to gain power, but the biggest danger Katora may face is whether or not to open up her heart to love.”

I have actually started writing blurbs for stories as part of my drafting process. Sometimes I do this right at the beginning of the first draft and other times I’ll use the blurb writing as a tool to get me unstuck when I reach a tricky part of the drafting process that has me stalled.

I don’t generally outline a story before I write it (I’m what’s referred to as a panster vs. a plotter, who will outline the entire story before starting to write it), though I do usually know what the end point of the plot will be and at least some of the main plot points along the way (I do this all in my head in the beginning). I’ve found the blurb is a good tool to help me shape the story as I move along with it, and it also serves as a good reminder of what my original intentions were.

A blurb is not as rigid or detailed as an outline, so there’s plenty of room to move and change the story. It generally doesn’t take too long for me to whip up a blurb these days, so it’s not something that requires a huge time investment. That way I don’t feel like I’ve wasted time if I end up throwing the whole blurb out at the end and starting over once the draft is finished. As opposed to having a whole outline already written out and then having the book take an unexpected turn and having to rethink the entire outline. (I’m not disparaging plotters…I think we all work in the best way we can and every writer needs to do what works for them.)

Since writing that first blurb for ELIXIR BOUND, I’ve had a lot more practice with them, both for my own stories and as an editor for other writers’ stories. If I could do it all over again, I’d probably make some changes to the ELIXIR BOUND blurb, but it’s sufficient enough to leave as is…for now anyway!

Recently I revealed the cover and blurb for PIRATE ISLAND. I decided to do a tagline teaser at the beginning before launching into the summary part of the blurb. One difference between writing a blurb for a YA or adult book vs. one for a middle grade book is that many middle grade books are bought by parents for their kids, whereas YA and adult books are primarily bought by the person who is going to read it. So that’s an extra layer of audience that needs to be kept in mind. I’m hoping young readers and their parents will be drawn in to the story based on what I came up with for PIRATE ISLAND:

A thrice cursed island, a legendary pirate treasure, and one not-so-brave boy. What could possibly go wrong?

For centuries, the whereabouts of Captain William Kidd’s lost pirate treasure has remained a mystery. When Billy’s best friend, Andy, proposes they look for it on nearby Pirate Island, Billy thinks it’s just another one of their crazy adventures. It’s usually Billy who ends up in trouble as a result, but he goes along for the ride…like always. The more he delves into the life and death of Kidd, the more he thinks the treasure is real and that it might be buried on the small island in Long Island Sound. Billy—nope, call him William—becomes obsessed with the captain of the same first name. He even believes he’s possessed by Kidd’s restless soul. Now he and the spirit of a long-dead pirate are leading the crazy adventure on Pirate Island. And what they find is far bigger than the treasure they imagined.”

A lot of blurb writing is about finding the right balance between giving enough specifics to entice a reader in while also not giving away too much of story to spoil it. You also want to make the writing interesting and not read like a plot summary (because that’s boring). It’s tempting to be all movie trailer dramatic in a blurb and be too generic. I find phrases like “must save the world” or “will the star-crossed lovers ever be together?” to be far less effective than something more specific to the actual story. Hooky sound-bites are great, so long as they offer something unique to the story.

What kinds of blurbs have your read that made you just have to pick up a book?

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (June is all about book blurbs), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

Why Is It Taking Me So Long To Write The Second Elixir Book?

March 24, 2017 / Katie L. Carroll

It’s been over four years since the ebook version of ELIXIR BOUND came out and over three years since the paperback version released (so forever in terms of publishing a companion novel). I’m sad to report that I’m only about 2/3 finished with the draft of the companion novel ELIXIR SAVED. And even once the draft is done, I’ll still need to revise and such. So why exactly is it taking me so long to write the second Elixir book?

Well, it’s complicated (isn’t everything!?). For starters, there are the less-than-stellar sales stats of BOUND. I wasn’t expecting a best-seller or anything, but it’s been hard to press on with a second book when the first has low sales. So, yeah, I’ve worked on other projects in between. And, no, I don’t write for the sales or the money, but the validation of selling books doesn’t suck.

There’s also life. I have kids and do freelance work (and blog). I like reading books and watching TV and getting out every once in awhile to do grown-up things. Writing novels is an important part of my life and I’ve gotten more consistent with actually, ya know, writing, but it doesn’t always take top priority.

Then there’s the fact that I’m not a very fast writer. Even when I’m in a good flow and I’ve been writing consistently, my word counts are just not that high. I’ve done a lot of things with the drafting of SAVED to try and speed up the process. I mapped out all the scenes I still need to write. I’ve set timers in order to write without editing myself for that set amount of time. I did a modified NaNoWriMo in November to try and finish this draft.

And now I’m here on the blog writing about how I’m not writing the book. Blah, blah, blah, wah, wah, wah! I know…but all those reasons I mentioned above are not the main reason why it’s taking me so long to write ELIXIR SAVED.

The real reason why it’s taking me so long to write the second Elixir book is because one of the main characters is based on my sister Kylene, who passed away at the age of 16. My intention when I wrote BOUND was to give Kylene a fantasy adventure of her own. I started the book in her POV (point of view), but it was too damn hard to write, so it ended up in the POV of her sister. It’s been almost 15 years since she passed away and it’s still hard to write this story, her story. It feels so presumptuous and impossible to do her justice in what are ultimately my words. It’s emotionally draining and terrifying.

But it’s a story I know I have to tell…eventually. It would be far worse for me to never tell it than to have a hard time doing it.

So I keep reminding myself that I’m not writing from Kylene’s POV. That’s impossible. Only she could do that. Instead, I’m writing from the POV of a character that’s inspired by Kylene. It may seem like a small distinction, but it makes all the difference in be being able to persist in drafting this novel. Though it doesn’t necessarily make it easier.

It’s a process that refuses to be rushed. I do my best to push myself to continue the task, but I’ve come to realize it’s just gonna take time. I’ll keep slowly working on it (while I also work more efficiently on other novels) and one day it will be done. Well, as done as any book ever is.

Thank you to anyone who’s read ELIXIR BOUND and/or inquired about a follow up book. It coming…one of these years!

January #InkRipples: The Cover Process for ELIXIR BOUND by Katie L. Carroll

January 9, 2017 / Katie L. Carroll

I originally wrote this post back when I did the blog tour for my YA fantasy ELIXIR BOUND. I don’t think I’ve ever posted it on my blog, and I thought it would be fun to highlight the cover process of my book during the January #InkRipples theme of book covers.

I was lucky enough as a MuseItUp author to have a little input (mostly in the form of an author questionnaire) when it came to the cover of ELIXIR BOUND. That’s not to say that I can take any credit for how gorgeous it is. All that credit goes to my cover artist C.K. Volnek.

The beauty of what she did was to take some of my thoughts on what types of covers I like (I happened to cite the American cover for Melina Marchetta’s Froi of the Exiles as one that caught my eye of late) and a few key elements of the story and integrate them into an engrossing and detailed cover that in no way looks crowded or busy. If I knew how she was specifically able to do this, I would probably quit writing and become a cover artist myself (not really, I would never quit writing).

What I can tell you are some of the details I gave her and how they showed up in the cover. (I’ll be honest, this post is really just an excuse to let me point out all the cool things on the cover!) ELIXIR BOUND is essentially about Katora’s quest to retrieve the main ingredient to her family’s secret healing Elixir so she can take over as guardian.

Let’s start with character. Katora is definitely the central element on the cover. I expected to be asked about how she looks, but what I didn’t expect was to be asked about her personality. The three words I chose to describe her: stubborn, confident, independent. I think the model depicting Katora was a great fit. Her expression and body language were just right. So character: check!

Let’s move onto plot. The subject of the quest is the Elixir, which is prominently represented in the left-hand corner near the title. The objective of the quest is to find the Elixir’s main ingredient, which just happens to come from the tiny white flowers vining their way along the edges. So plot: check!

Next let’s discuss setting. Most of the journey takes places in a forest. The background gives you a sense of the rustic setting with the tree to the right and the mysterious doorway-type thing behind Katora (is it a cave, the entrance to a tomb?). I like how it sets a mood, but doesn’t get too specific because when I read, I like to let my own imagination fill in those details. Have you noticed the mountain range at the bottom of the cover? Did you notice its shape? The mountain range is aptly called The Sleeping Giant and I was so thrilled to see it included on the cover. So setting: double check!

And finally, my favorite aspect of the cover…my name, of course! It’s been my dream for so many years to see my name on the cover of a book and I couldn’t be more pleased with the result.

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (January is all about book covers), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

January #InkRipples: The Allure of a Book Cover

January 2, 2017 / Katie L. Carroll

Welcome to #InkRipples 2017! It looks like it’s going to be a big year for #InkRipples with lots of new bloggers joining Kai Strand, Mary Waibel, and me (Katie L. Carroll) in our monthly meme. We’re starting off the year by talking about book covers.

The rise of online shopping and ebooks have changed the way I view a book cover. It’s a much less tactile experience than it used to be. Often my first exposure to a book is a small picture of the cover on a screen. Any kind of texture it might have is not evident, and the small details are hard to discern.

This creates a new challenge for cover designers. How do you simultaneously create a cover that pops on a bookshelf and stands out in a small picture on a screen? Well, I’m no cover designer, so that’s not a question I can answer. I can, however, share some of my favorite book covers and why I like them.

Silver Phoenix (Kingdom of Xia, #1) The hardcover of Cindy Pon’s YA fantasy SILVER PHOENIX immediately grabbed my attention the first time I saw it. The colors are bold and gorgeous (something about the combo of the pink and blue hit all the right aesthetics for me), and the yellow/gold color in the background makes it looks like the cover is glowing. I get a strong sense of character from the cover model and hints of the fantasy world I’m about to delve into.

Froi of the Exiles (Lumatere Chronicles, #2) Another favorite YA fantasy cover is Melina Marchetta’s FROI OF THE EXILES. The colors are subtle, but, again, the use of color to convey light is so effective in catching my eye. The somber expression of the cover model and the sword hilt in layered in front of his face give it a dangerous feel, and the mountains at the bottom provide a sense of mystery. Looking at these two first examples, I’m noticing they both have clouds and a sunset (sunrise?) in them. Not sure what to make of that similarity, but felt worth pointing out.

Harry Potter and the Sorcerer's Stone (Harry Potter, #1) I have the Harry Potter books in the British and U.S. versions, but for me, nothing tops the covers of the U.S. hardcover editions. The illustrations of Mary GrandPré are superb. It’s hard to pick a favorite (maybe Half-Blood Prince), but the first book serves as a beautiful example of a magical middle grade cover. The movement of Harry, the sense of wonder every detail evokes, the magical elements to it, the iconic font of Harry’s name…I could go on, but let’s just say these covers are among my all-time favorites.

So many of my favorite covers are fantasy ones, but I wanted to include something more contemporary. Nova Ren Suma’s IMAGINARY GIRLS has fantastical elements to it but is also deeply rooted in a more contemporary world. The calmness of the girl underwater creates so much drama and intrigue. Is she drowning? If she is, why is she so calm? And again, it comes back to color. The tranquil blue juxtaposed by the pop of red ribbon, and the utter paleness of the girl. Well, this cover totally made me want to read the book!

What aspects of a book cover grab your attention? What are some of your favorite book covers? Next week, I’ll be posting about how the cover of my YA fantasy ELIXIR BOUND came to be.