Tag: creativity (Page 3 of 4)

New England SCBWI Past Conference Gems

April 20, 2016 / Katie L. Carroll

Whenever I’m preparing to head off to a writing conference, I always find it fun and inspirational to look back on past conferences. I’m in kind of a discouraged state of mind about my writing. I’m waiting on one thing, I pulled another out of publication, and I have no major projects scheduled to be published right now. I’m trying not to focus on all the negatives in my writing career and instead plug away at my WIP, but I’ve got to admit I’ve been feeling a little low.

But I’m off to the 2016 New England SCBWI conference a week from Friday. I’m heading up early to get in some writing time before the conference starts that afternoon, and then I’ll be attending workshops, keynotes, and panels all weekend. And catching up with old writing buddies and hopefully meeting some new ones. Anyone else attending? Make sure to say “hi” if our paths cross. To keep us all inspired here are my conference gems from 2013 and 2015 NESCBWI conferences.

From 2013:

We should meet the world with all our senses. ~Jeannine Atkins
What’s outside in the setting can reflect what’s going on in the inside of a character, but it can also be in contrast to what’s being felt. ~Jeannine Atkins
How do we access that which we are trying to recreate when we’re sitting at our desks or computers? Sometimes we need a sensory kick in the pants. ~Dawn Metcalf
We work with art and it can evoke an objective response. ~Ruben Pfeffer
It was as if someone else’s words had opened up a whole host of words in me. ~Sharon Creech
As writers we want company; we need company. You come along too, please. ~Sharon Creech
Revision is finding and strengthening the heart of a story, and revision is messier than people want it to be. ~Kate Messner
Maybe I had to stop trying to prove to people I was good enough and just had to do the work I was passionate about. ~Grace Lin
Every story has a message, whether or not the writer was aware of it or intended it. ~Chris Eboch
I come to one little detail that sort of wakes up my mind and then start amassing details like constellations. ~Jeannine Atkins
Writers are somewhat schizophrenic; we hear voices in our heads; we listen instead of conversing. ~Padma Venkatraman
Go down the rabbit hole. ~Greg Fishbone

From 2015 (Wow! There are a lot here, but well worth the read.):

If I like something, I will Internet stalk you. ~Carter Hasegawa
Don’t be crazy on the interwebs. ~Jill Corcoran
Things take a long time because they take a long time. ~Jennifer Laughran
Often what I don’t think I’m looking for is what I fall in love with. ~Alison Weiss
I was led to believe that social media was key to making you great. There are things that can work, but it has to be what works for you. ~Carter Hasegawa
You are my tribe. ~Jane Yolen
Books make the world a little smaller for people to reach out to each other. ~Jane Yolen
Protect yourself so that there’s room to create. ~Carter Hasegawa
Taking a chance, isn’t that what all of us do when we send out a manuscript? ~Stephen Mooser
Taste–the one word to leave this conference with. ~Dan Santat
“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit…” Ira Glass quote referenced by Dan Santat (See the full quote on Goodreads.)
Don’t be biased or censor yourself in what you like and read and how you form your taste. ~Dan Santat
Be aware of your tastes and interests. This is your voice. Your voice is you writing on a piece of paper uncensored. ~Dan Santat
Trust yourself; know that you have something inside of you. Trust that what you have to say has value. ~Dan Santat
The hardest part of finding your style is trusting your own instincts. ~Dan Santat
My skin needs to be thin because I don’t want to protect myself from feeling things. ~Deborah Freedman
I’m just a guy who writes poetry. I’m just a dude. This is not happening (on winning the Newbery). ~Kwame Alexander
You never expect to win, but somewhere in the deep crevices of your mind, you’re always hopeful. ~Kwame Alexander
The answer is always yes! If I say yes and walk through the door, I will figure it out. ~Kwame Alexander
I believe we have to get the nos out of the way to get our yes. ~Kwame Alexander
Everyone has a story. It’s the reason why everyone acts the way they do. I saw my world differently and I was different (after reading THE CHOCOLATE WAR by Robert Cormier). ~Jo Knowles
The more I read, the bigger my world became. ~Jo Knowles
Even if I was afraid to use my voice out loud that didn’t mean I didn’t have one. ~Jo Knowles
Kids understand love…hate and discrimination are what they learn from adults. ~Jo Knowles
The moment we open a book and start reading, we change. ~Jo Knowles
Your book does not belong in a box. Allow yourselves to find the truth and tell it. Open the box and tear down the sides. ~Jo Knowles
People think diversity is a fad and that’s really offensive. I’ll still be brown tomorrow. ~Justina Ireland
Authenticity is hard. Once a book is with a reader, it may not feel authentic to them. Make something that is authentic to you and make it universal. Make things that feel real. ~Grace Lin
Build from an emotional core and that is what is authentic. ~Dhonielle Clayton
Even in a family that is entirely Hispanic, each one of them is different. You still have a lot of work to do to make it real, even if you have a diverse background. ~Cindy L. Rodriguez
Every kid wants to be the hero. ~Sona Charaipotra
Be brutal with your work, but kind to yourself. ~Katie L. Carroll
Write with your heart and soul, but revise with your head. ~Katie L. Carroll
There’s no silver bullet to making your manuscript better. You have to put in the hard work. ~Katie L. Carroll
Go beyond the Cinderella story when searching for inspiration. Think and read outside your comfort zone, and find what resonates with you by mining your own mind and heart. ~Katie L. Carroll

School Visits, a Book Launch, and Dr. Seuss’s Birthday!

March 2, 2016 / Katie L. Carroll

What better day than Dr. Seuss’s birthday than to celebrate how I’ve been living a creative life? And though I haven’t been writing in the drafting-a-new-book sense (my favorite kind of writing), I’ve been immersing myself in the creative life in other ways.

The reign of school visits ended last week. In less than three weeks, I taught eight writing workshops to more than 200 students, ranging from grades 4 to 7. This particular workshop is about where story ideas come from and includes a guided writing/thought exercise where the kids come up with their own story ideas. They never cease to amaze me with their thoughtfulness and creativity. The workshop is about inspiring kids, but I always come out inspired by them!

After one session, a 6th-grade girl walked down the hallway with me and shared a poem she had written about herself. It was lyrical, had a great cadence, and optimistic, a beautiful portrayal of herself. After another, nearly the entire 4th-grade class lined up with their scraps of papers and waited in line for my autograph, totally making me feel like a celebrity. Connecting with young readers and writers is 20160302_132004 magical! Plus, talking with the librarians and teachers who teach these kids everyday is informative and inspiring.

Monday the Connecticut Humanities and the authors and illustrators of THE GREAT CONNECTICUT CAPER celebrated the hardcover and audio release of the book at a local library. It’s always fun to catch up with my Caper collaborators. I haven’t listened to the whole audio version yet, but what I did listen to was brilliantly narrated (listen to the Caper audiobook here).

Of course, I’ve been reading a lot. In particular, I’ve been stepping out of my comfort zone of YA and reading adult books and non-fictions. And always, always, always reading to the boys. Last week I squeezed in visiting The Boy’s pre-school class for World Read Aloud Day. I’ll leave you with some of our favorite Seuss books.

Time to Fill the Creative Well Again

January 18, 2016 / Katie L. Carroll

I finished the big revision I had been working on and then made it through the holidays. Now I find myself on this side of the New Year with a need for a creative recharge. This isn’t the first time I’ve been here, and I’m sure it won’t be the last.

The creative life can be draining when you’re constantly putting words, thoughts, and ideas out there, so I tend to go through periods where I’m in need of replenishment. I’ve written about the idea of a creative well (see the full post here) here on the Observation Desk before. Here’s a snippet:

The well is where ideas come from.

Some ideas are a tiny trickle dripping from the bucket. Others a deluge as the bottom of the bucket falls out, gushing water over my head.

I’m not the only one with access to the well. An intricate labyrinth of tunnels connects other writers, artist, dreamers, and musicians to the well. But it’s not only for artsy types. Mathematicians calculate numbers and equations there; astrophysicists explore the stars and galaxies; doctors find cures for disease.

The well connects us all.

I mistakenly think I write to make connections, take the thoughts and stories in my head and share them with readers, giving them thoughts and stories of their own. I actually write to explore the connections that already exist through the well.”

I feel like I’ve been putting a lot into the well lately. So it’s time for me sit quietly and soak up all the well has to offer. I’ve been reading a lot (something I didn’t do as much last year), watching TV (sure some programs are more mindless than others, but it does help to fill me up creatively), and paying attention to life and nature.

And thinking…lots and lots of thinking. Part of my writing process is to think about a new project for awhile before I dig into writing it. More than thinking about what I’m working on next, though, I’ve also been pondering my career as an author and where I’m headed next. Part of that depends on other people as I’m currently querying agents with a manuscript, but much of it is internal.

Speaking of querying, this part of being a writer is one of the hardest for me. It’s makes me feel intensely vulnerable, and I really, really, really hate feeling vulnerable. I’m in need of lots of tea and chocolate, and maybe some hugs!

Hopefully soon, I’ll have a better sense of this next book I plan on writing and I’ll be able to immerse myself in it, which helps to desensitize me to the querying process. A new project brings excitement, direction, and hope.

What have you all been up to lately?

Meet Beth Lovell Illustrator for THE GREAT CONNECTICUT CAPER

February 6, 2015 / Katie L. Carroll

Have you check out chapter three of THE GREAT CONNECTICUT CAPER yet? You’ll definitely want to after reading this interview to see what Beth Lovell has created as an illustration for the Caper. All the beautiful artwork on this post was graciously provided by Beth. Let’s give her a big welcome!

What is your typical approach when sitting down to start a new project?

I draw or paint every day and usually my work is completed in one fell swoop. I work anywhere from 5 minutes to an hour or longer on a particular piece, usually.

Did your approach differ at all for creating your illustration for the Great CT Caper?

Yes, I did multiple sketches for the different characters imagining how they might look, and I sketched and took loads of photos on site at the locations that were mentioned in my chapter and at Gillette Castle itself. I wanted to have as many resources in my own hand as possible for completing the assignment and I prefer if possible to work from observation rather than photos. I did have to Google search for some character ideas however. I scanned all the drawings and paintings and sketches and made a collage in Photoshop laying everything out like I wanted. I printed and re-drew on the prints, and rescanned and re-collaged everything several time before I was happy with it. My husband is a Photoshop expert so he had a hand in it as well.

What was your biggest challenge for creating a piece of artwork for the Great CT Caper?

Working under the deadline of a week was exhilarating and frantic. I think artists secretly like the pressure of a deadline because it focuses you like nothing else can!

Did you do any particular research for this project?

I sketched on location at many of the parks mentioned in the chapter. It was fun to see a few places in Connecticut that I had not yet visited. Connecticut offers quite a bit of variety in terms of terrain, there is the shoreline, beaches, wooded hiking trails, really interesting and unusual architecture like Gillette Castle.

I did Google searches to come up with a couple of characters in my illustration and that was loads of fun. If you have something particular in mind when you start your image search it is fun to see how close you can get to that idea, but also there is a random element there.

How did you get started in illustrating?

I have been doing a drawing or painting every day as challenge to keep art a significant part of my life since 2009. I was trained as an oil painter, but I seriously love drawing, it is so fun and direct, it seems so much more natural of a way of making things for me and I just cannot stop doing it. My drawings have a kind of illustrative quality so I have just been going in that direction more and more. I would love to illustrate more professionally but I have only done a few published things, if you count web venues. I would love to illustrate a graphic novel.

What is your work space like? Do you have any other places you like to work?

I work at home, in our dining room which has my computer desk and scanner, and a large table made from a wooden door. It is a fabulous workspace that everyone in the family uses for various projects, homework, and whatnot.

I also have a small field kit of art supplies that travel with me at all times so I can sketch in the supermarket, or out and about whenever I see something that is visually interesting. I love sketching on location and have drawn many times at the Peabody, and coffee shops, and the New Haven green and around.

What artists inspire you?

This is a big question, and for this interview, I will focus just on illustrators. Before I had children, most of my influences were people who made paintings, but since my kids were little I have just gone mad for children’s book illustrators, cartoonists, and people who make graphic novels. A few who I admire greatly are Mimi Grey whose collaged children’s books are just fabulous and funny she did Traction Man, Kate Beaton who draws Hark a Vagrant, Lucy Knisley whose graphic novel Relish is just fabulous, and Isabel Greenberg who drew Encyclopedia of Early Earth.

Besides chapter three of the Great CT Caper, where else might people find your work?

I have work at www.bethlovell.com. I have a Facebook group for anyone who’d like to share their own daily drawings. https://www.facebook.com/groups/cawdailydrawing/

It goes along with a course I am teaching at Creative Arts Workshop in New Haven, but the Facebook group is open to anyone to join. The more the merrier!

Any upcoming projects you’d like to mention?

I recently had some sketches of Occupy New Haven in the CT Bound flatfile show at Artspace, which is a small show accompanying the CT(un)bound Book Art show going on there right now. The show was up through January 31st. http://artspacenh.org/include/404.asp?404;https://artspacenh.org:443/galleries/gallery5/

And finally, please share something silly/unusual/interesting that you don’t normally share in interviews…

This does not really fit your question, but here goes:

One of my favorite young adult novels is serially written collaboratively by a bunch of different fabulous authors, it is called Click! and it includes Nick Hornby (Author), David Almond (Author), Eoin Colfer (Author), Roddy Doyle (Author), Deborah Ellis (Author), Margo Langan (Author), Gregory Maguire (Author), Ruth Ozeki (Author), Linda Sue Park (Author), Tim Wynne-Jones (Author).

click

So when I heard about the collaborative CT Caper project, I really wanted to try for it. I was so excited to be chosen as one of the illustrators on this project. I’ve always wanted to work on a graphic novel so this seemed like a good step in that direction.

The thing I want to say is that my sketch that I submitted was really sketchy and fast and I had wanted to make a whole perfect ink drawing or graphic novel spread out of it, but procrastinating artist that I was, the deadline approached, and I had to decide if I thought my sketch was good enough to submit. In my heart of hearts I knew I could do better, but in my heart of hearts I knew I also really really wanted to participate so at 11:45 pm I uploaded what I had and I am so glad I did. I want to share that with any and all artists, writers and students, go ahead and try, please don’t wait til you feel like everything is perfect, you are good enough exactly as you are, right this minute!

About the Illustrator:

Beth Lovell is a Connecticut artist who has posted a daily drawing or painting online since 2009, a practice that began as a New Year’s Resolution. Beth has an MFA in Painting from Yale School of Art and a BFA from Indiana University, Bloomington. You can find her work at www.bethlovell.com and littlewolfpress.etsy.com.

Confessions of an Author: Creative Gap

January 26, 2015 / Katie L. Carroll

I’ve had some wonderful event and workshop opportunities come up for this year (more details to come on those!). With preparations for those in full swing, plus a couple of sick kiddos, a crazy blizzard on the way, and my regular writing and editing duties (Does anyone else snicker when they see the word “duty”? …No, just my infantile mind.), I’m dipping into the archives for today’s post. Stay safe all of you who are in the path of the storm!

Confession #7: The creative gap that exists between what an author imagines in her head and what ends up on the paper inevitably leads to a certain level of failure.

As a writer, I have certain images, ideas, nuances, themes, characters (and any number of other things) in my head when I create a piece of writing. It’s not that I necessarily have a set agenda–this is especially true when drafting and the story and characters are still taking shape–it’s more that I have a clear vision for a piece. I wouldn’t call it a message (because who wants to read a message-heavy piece of writing)…for a lack of a better way to describe it, let’s call it a creative vision.

Inevitably, the words I use to try and achieve my creative vision never quite live up to what I see in my imagination. This has nothing to with my ability as a writer; it’s more a failure of the medium of the written word. Writers have to rely on words to paint a physical and emotional landscape for a reader. We create not only worlds and characters, but ideas and feelings that need to come alive through words because a reader can’t see into a writer’s head.

Even now, trying to explain this creative gap is a frustratingly futile attempt. The words you read here are not exactly what is going on in my head. There is a creative gap between my brain and what you’re reading.

English users even try to steal words from other languages to help overcome the creative gap. A word like “umami”, taken from the Japanese, is roughly a pleasant savory taste (tomatoes are said to possess this quality), but really it’s a taste or sensation that can’t really be expressed in our language.

Then there are words that are so complex and subject to a person’s individual experiences and emotions. Success. Peace. Love. A writer can use these words, but has no control over how a reader will interpret it. Words are simply an inadequate form of communication sometimes.

And this creative gap isn’t unique to writers; it crosses all types of creative media. Films, though more visual, lack in different areas than books. When watching a film, a viewer can’t be in a character’s head and hear his/her direct thoughts (except for the occasional voice over). Artists can paint or draw what they see in their head, but there is no commentary to go with it. A person looking at a painting has to draw his/her own emotional context out of it.

So what’s a writer or creative person to do? Give up because our creative vision will never be fulfilled. Create a failure and despair over it. Nope! We accept that the creative gap exists and use all the tools we possess to convey our creative vision to the best of our ability.

Because something magical happens when our (inadequate) words are read. The creative gap works in reverse. Readers brings their own creative visions to the writer’s words. And they fill the gap, not as the writer would have filled it, but with their own imaginations.

In the end, the creative gap does not create a failure, but a piece of work that is unique to each individual who consumes it. A work that is full of images, ideas, nuances, themes, characters (and any number of things) the creator never could have imagined. And that is certainly a wonderful exchange.