Books for kids, teens, & those who are young at heart

Tag: Creative gap

Avon Library YA/Teen Author Night Wrap-Up

Had a inspiring evening at the Avon Free Public Library’s Local Author Festival Teen/YA Night where Steven Parlato, Cindy L. Rodriguez, Anissa Zucker, and I dished on the “Reader Experience.”

20150630_204006 - CopyDue to an unfortunate wrong turn, my mother-in-law (who graciously kept me company during the hour-long rive to Avon) and I barely made it in time for the event. Which was important because I was the first one to speak!

I discussed what I like to call the creative gap (something I’ve blogged about before here), in which I confessed that I’m a failure as a writer (I’m not really a failure…read the blog post to see what I mean). Basically, there is a gap that exists between a writer’s creative vision and what ends up on the page, a failure of the medium of the written word, but the reader is there is fill in that gap with their own imaginations. I ended my talk20150630_202130 by reading a short excerpt from my YA fantasy ELIXIR BOUND.

Then Steven took over with a short excerpt from his YA novel THE NAMESAKE. He shared his thoughts on writing dark material for young readers and the importance of infusing humor into it. He shared “the good, the bad, and the ugly” of20150630_195957 what readers have said about his book.

Cindy, who teaches reading to middle schoolers, very eloquently spoke about reluctant readers. She included a passage from her YA novel WHEN REASON BREAKS, in which students are reading and discussing one of Emily Dickinson’s poems. She introduced us to the “Reader’s Bill of Rights” created by Daniel Pennac, which I had never heard of but will definitely be thinking about as I read and write in the future.

Finally, Anissa rounded out the evening by asking 20150630_200344attendees what their favorite books were growing up. She talked about how THE LITTLE PRINCE by Antoine de Saint-Exupéry what stories had a huge influence on her as a child and also when she started writing as an adult. She read from both her blog and her YA novel THE TRUE STORY OF SANTA CLAUS.

Then we had time to hang out, sign books, and talk with attendees. I caught up with a few new writer friends I connected with at the New England SCBWI Conference in April, and found out that one of them who attended my revision workshop has brought the techniques I taught back to her writing group (yay!). I also sold a few books (another yay!) and talked with a few new readers.

TeenYAAUthors2015

The librarians at the Avon Library were so super organized that all us authors had to concentrate on was our presentations, and I think we nailed it. The librarians said they were going to tell the authors in the other groups that we held the audience captive and were the group to beat. Thanks so much to librarians Tina Panik and Cyndi Larsen and to my fellow authors for an amazing evening!

 

Confessions of an Author: Creative Gap

I’ve had some wonderful event and workshop opportunities come up for this year (more details to come on those!). With preparations for those in full swing, plus a couple of sick kiddos, a crazy blizzard on the way, and my regular writing and editing duties (Does anyone else snicker when they see the word “duty”? …No, just my infantile mind.), I’m dipping into the archives for today’s post. Stay safe all of you who are in the path of the storm!

Confession #7: The creative gap that exists between what an author imagines in her head and what ends up on the paper inevitably leads to a certain level of failure.

As a writer, I have certain images, ideas, nuances, themes, characters (and any number of other things) in my head when I create a piece of writing. It’s not that I necessarily have a set agenda–this is especially true when drafting and the story and characters are still taking shape–it’s more that I have a clear vision for a piece. I wouldn’t call it a message (because who wants to read a message-heavy piece of writing)…for a lack of a better way to describe it, let’s call it a creative vision.

Inevitably, the words I use to try and achieve my creative vision never quite live up to what I see in my imagination. This has nothing to with my ability as a writer; it’s more a failure of the medium of the written word. Writers have to rely on words to paint a physical and emotional landscape for a reader. We create not only worlds and characters, but ideas and feelings that need to come alive through words because a reader can’t see into a writer’s head.

Even now, trying to explain this creative gap is a frustratingly futile attempt. The words you read here are not exactly what is going on in my head. There is a creative gap between my brain and what you’re reading.

English users even try to steal words from other languages to help overcome the creative gap. A word like “umami”, taken from the Japanese, is roughly a pleasant savory taste (tomatoes are said to possess this quality), but really it’s a taste or sensation that can’t really be expressed in our language.

Then there are words that are so complex and subject to a person’s individual experiences and emotions. Success. Peace. Love. A writer can use these words, but has no control over how a reader will interpret it. Words are simply an inadequate form of communication sometimes.

And this creative gap isn’t unique to writers; it crosses all types of creative media. Films, though more visual, lack in different areas than books. When watching a film, a viewer can’t be in a character’s head and hear his/her direct thoughts (except for the occasional voice over). Artists can paint or draw what they see in their head, but there is no commentary to go with it. A person looking at a painting has to draw his/her own emotional context out of it.

So what’s a writer or creative person to do? Give up because our creative vision will never be fulfilled. Create a failure and despair over it. Nope! We accept that the creative gap exists and use all the tools we possess to convey our creative vision to the best of our ability.

Because something magical happens when our (inadequate) words are read. The creative gap works in reverse. Readers brings their own creative visions to the writer’s words. And they fill the gap, not as the writer would have filled it, but with their own imaginations.

In the end, the creative gap does not create a failure, but a piece of work that is unique to each individual who consumes it. A work that is full of images, ideas, nuances, themes, characters (and any number of things) the creator never could have imagined. And that is certainly a wonderful exchange.

Confessions of an Author: Creative Gap

Confession #7: The creative gap that exists between what an author imagines in her head and what ends up on the paper inevitably leads to a certain level of failure.

As a writer, I have certain images, ideas, nuances, themes, characters (and any number of other things) in my head when I create a piece of writing. It’s not that I necessarily have a set agenda–this is especially true when drafting and the story and characters are still taking shape–it’s more that I have a clear vision for a piece. I wouldn’t call it a message (because who wants to read a message-heavy piece of writing)…for a lack of a better way to describe it, let’s call it a creative vision.

Inevitably, the words I use to try and achieve my creative vision never quite live up to what I see in my imagination. This has nothing to with my ability as a writer; it’s more a failure of the medium of the written word. Writers have to rely on words to paint a physical and emotional landscape for a reader. We create not only worlds and characters, but ideas and feelings that need to come alive through words because a reader can’t see into a writer’s head.

Even now, trying to explain this creative gap is a frustratingly futile attempt. The words you read here are not exactly what is going on in my head. There is a creative gap between my brain and what you’re reading.

English users even try to steal words from other languages to help overcome the creative gap. A word like “umami”, taken from the Japanese, is roughly a pleasant savory taste (tomatoes are said to possess this quality), but really it’s a taste or sensation that can’t really be expressed in our language.

Then there are words that are so complex and subject to a person’s individual experiences and emotions. Success. Peace. Love. A writer can use these words, but has no control over how a reader will interpret it. Words are simply an inadequate form of communication sometimes.

And this creative gap isn’t unique to writers; it crosses all types of creative media. Films, though more visual, lack in different areas than books. When watching a film, a viewer can’t be in a character’s head and hear his/her direct thoughts (except for the occasional voice over). Artists can paint or draw what they see in their head, but there is no commentary to go with it. A person looking at a painting has to draw his/her own emotional context out of it.

So what’s a writer or creative person to do? Give up because our creative vision will never be fulfilled. Create a failure and despair over it. Nope! We accept that the creative gap exists and use all the tools we possess to convey our creative vision to the best of our ability.

Because something magical happens when our (inadequate) words are read. The creative gap works in reverse. Readers brings their own creative visions to the writer’s words. And they fill the gap, not as the writer would have filled it, but with their own imaginations.

In the end, the creative gap does not create a failure, but a piece of work that is unique to each individual who consumes it. A work that is full of images, ideas, nuances, themes, characters (and any number of things) the creator never could have imagined. And that is certainly a wonderful exchange.

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