Tag: Books (Page 5 of 7)

Celebrating Children’s Book Week 2013

May 15, 2013 / Katie L. Carroll

The 2013 CBW poster, illustrated by Brian Selznick.

It’s Children’s Book Week and I’m celebrating over here at the Observation Desk (which for those who don’t know is the official name of this blog)! In the words of the CBW website, “Established in 1919, Children’s Book Week is the longest-running national literacy initiative in the country. Every year, commemorative events are held nationwide at schools, libraries, bookstores, homes — wherever young readers and books connect!”

Honestly every week feels like Children’s Book Week in my house because pretty much everyday I do some combination of writing books for teens and kids, editing book for teens and kids, and reading to children. And there’s no doubt that reading and being read to as kid has shaped not only who I am as a reader and writer but as a person.

I can remember my mom reading to me and my siblings before bed. I’m sure she read us picture books (we had many, many, many Golden Books on our shelves), but it’s the novels that stand out in my mind, particularly the Little House books, the Anne of Green Gables books, and Little Women. These books were full of strong girl characters, family relationships, love and friendships, hard work and hardships.

My well-worn copies of Little Women and the Little House books.

It’s the values of these books that have had a huge influence on the way I strive to live my life and the kind of books I write. And no book I read as an adult can really have that same impact on me. So of course I feel the need to celebrate Children’s Book Week…I hope every child can learn to love books and like me find new worlds, people, and loves through them.

What books influenced you when you were a kid?

New England SCBWI 2013 Conference Gems

May 10, 2013 / Katie L. Carroll

The 2013 New England SCBWI conference was amazing (of course it was…these conference are always amazing)! Caught up with old friends, including the very talented Kimberly Sabatini and Jodi Moore, and met some new ones. Left feeling inspired and exhausted, and I’m still brimming with creative juices.

One of the highlights for me was seeing my book covers up on the screen in the ballroom during the downtime/announcements/mealtime in the ballroom!

I’ve collected a few conference gems that resonated with me. A quick note about why I use italics instead of quotation marks…these are not necessarily direct quotes, some may be close to what the speaker actually said and others are my own rewording/interpretation as I scrambled to take notes during the speeches and presentations. So without further ado, here they are:

We should meet the world with all our senses. (Jeannine Atkins)
What’s outside in the setting can reflect what’s going on in the inside of a character, but it can also be in contrast to what’s being felt. (Jeannine Atkins)
How do we access that which we are trying to recreate when we’re sitting at our desks or computers? Sometimes we need a sensory kick in the pants. (Dawn Metcalf)
We work with art and it can evoke an objective response. (Ruben Pfeffer)
It was as if someone else’s words had opened up a whole host of words in me. (Sharon Creech)
As writers we want company; we need company. You come along too, please. (Sharon Creech)
Revision is finding and strengthening the heart of a story, and revision is messier than people want it to be. (Kate Messner)
Maybe I had to stop trying to prove to people I was good enough and just had to do the work I was passionate about. (Grace Lin)
Every story has a message, whether or not the writer was aware of it or intended it. (Chris Eboch)
I come to one little detail that sort of wakes up my mind and then start amassing details like constellations. (Jeannine Atkins)
Writers are somewhat schizophrenic; we hear voices in our heads; we listen instead of conversing. (Padma Venkatraman)
Go down the rabbit hole. (Greg Fishbone)

Personally, I feel like I stretched myself not only as a writer but as a person. I jumped headlong into any writing activities that came up in the workshops I attended, even braving to share some of my raw work in front of others. I dared to act out an emotion for others to write about (and I have terrible stage fright when it comes to acting anything). I drove to the train station by myself in a city I’d never been to and picked up another author. So all in all, a fantastic weekend!

Meet Tammy Lowe Author of The Acadian Secret

April 10, 2013 / Katie L. Carroll

Please welcome fellow Muser Tammy Lowe and her tween adventure The Acadian Secret to the blog today.

Thanks for having me on your blog Katie.

What made you want to become a writer?

Oh, this will no doubt illustrate what a dork I am.

As a kid, I loved to read books and watch shows like Little House on the Prairie and Anne of Green Gables. I loved anything set in the “olden days”.

When I was about ten years old, I began to wonder about time travel. My biggest wish was that I’d end up back in the pioneer era. I wanted to go and hang out with spoiled Nellie Olsen. I don’t remember why I wished for Nellie over Laura Ingalls, but I think it had something to do with the fact that her parents owned the candy shop.

I had it all figured out. I didn’t want to live in the 18th or 19th century; I’d miss my family too much. And I can’t live without modern comforts. I wanted the freedom to travel back and forth through time.

My wish to time travel was so strong; I even dressed the part, as much as I could, without raising anyone’s suspicions. I wore dresses to school every day, when all my friends wore jeans and t-shirts. I had to be prepared just in case it worked and I was whisked through time. That summer, I even begged my mom to buy me a bonnet. She did. I wore that white bonnet everywhere. If I ended up in Walnut Grove or Avonlea, I was prepared.

By the sixth grade I was old enough to realize that time travel probably wasn’t going to be a reality for me, so I decided when I grew up, I’d write a story about a girl who could travel back and forth through time.

What books had the most influence on you while you were growing up?

I remember reading Judy Blume books under the blankets with a flashlight, well past my bedtime. I felt like such an adult as I read, Are You There God? It’s Me Margaret.

So many authors influenced me when I was a young girl, from Roald Dahl and L.M. Montgomery to Stephen King and Sidney Sheldon.

If you were stranded on a desert island and could only bring two books and one movie, what would you bring?

Easy question! My two books would be Anne of Green Gables and Jane Eyre. The movie would be The Sound of Music.

And, if you weren’t peeking…I’d try and sneak in a copy of The Hunger Games too.

What is your favorite part of the writing process? What is your least favorite part?

The first draft is my least favourite part of the writing process. I find it hard trying to get the ideas out of my head and onto the page. I love to go back and polish it up in the editing stages.

What is the single best piece of advice you have for aspiring authors?

When you “think” you are finished your novel, put it away for at least six weeks and forget about it. When the time comes to take it out again, sit back and re-read the entire manuscript. Take notes. You will see a million mistakes and plot holes. Everything that isn’t working will jump out at you. It will be a cringe-worthy read, but you’ll be glad you put it away instead of sending it out.

If you could have one superpower, what would it be?

I’d love to be able to time travel.

And fly.

And have an invisibility cloak.

And…oh, just one? *grin*

What is something funny/weird/exceptional about yourself that you don’t normally share with others in an interview?

In a scene out of a rom-com, I was on a date with my boyfriend (who is now my husband). One summer afternoon, he took me out on his boat and down the Niagara River. We stopped for a romantic little lunch on the patio of a restaurant overlooking the water.

He tied his boat up to the dock, held out his hand and helped me climb out. We walked up to the patio, took a seat, and ordered lunch. Everything was perfect.

Little did we know there was police surveillance on the fancy boat we had parked next to.

And little did we know police thought WE had just walked off of that boat.

So, we are enjoying lunch, when I clue in that all around us, something is going on. I watch unmarked police cars pull up. They are looking at the boats. They are looking up at us. I then go into full panic mode as I realize they are doing a stake-out on us!

The way we were seated, I was watching it all unfold, but my boyfriend had his back to it. Not seeing what was going on, he of course thinks I’m completely off my rocker.

Crazy new girlfriend alert!

So, I have to convince him that this is all true. I’m not nuts and he needs to go and fix the situation. I’m shaking like a leaf and in tears. My boyfriend walks down to where the police officers are and returns about five minutes later.

Yup. I was right. They were doing a stake-out on us, thinking we arrived on the other boat.

We finished our meal and left. We have been married for twenty years now, but that was probably our most memorable lunch date.

The Acadian Secret blurb:

Elisabeth London is keeping her new friends a secret from her parents. Not only do they live on the other side of the world in the Scottish Highlands, they lived more than three hundred and fifty years ago. Her mom and dad would never allow her to go gallivanting about seventeenth century Scotland. They won’t even let her go to the mall by herself yet.

Twelve-year-old Elisabeth is old enough to know there is no such thing as magic, but when her quartz crystal necklace has the power to transport her back and forth in time, she no longer knows what to think. The only thing she is certain of is that she loves spending carefree days with Quinton, the mischievous nephew of a highland warrior, and sassy little Fiona, a farmer’s daughter.

However, Elisabeth’s adventures take a deadly turn when she is charged with witchcraft. At a time and place in history when witch-hunts were common, those found guilty were executed, children included. Elisabeth must race to find her way back home, while trying to stay one step ahead of the witch-hunter determined to see her burned at the stake.

A little more about the author:

When she isn’t writing, you will either find Tammy Lowe surrounded by little children and covered in glitter and glue, or on some grand adventure: inside an Egyptian pyramid, twirling on an Alp or climbing the Great Wall of China. She’s part Mary Poppins, part Indiana Jones.

Tammy lives in Cambridge, Ontario with her husband and their teenage son. Find her at www.tammylowe.com and her book at the MuseItUp bookstore.

Meet Stacey Marie Brown Author of Darkness of Light

March 25, 2013 / Katie L. Carroll

I’m over on the Muse blog contributing to the March theme of writing pet peeves with a post about e-books I ran on this blog last year. While I’m off ranting, please welcome Stacey Marie Brown, author of the new adult novel Darkness of Light, as she gets candid about her writing process.

No Pants Required

by Stacey Marie Brown

The writing process—every writer has one, if not several, for the different types of writing they do. There is the Type-A personality out there who would look at my “process” as more of a “hot mess” rather than an actual method. At closer inspection, though, even I have one.

I learned quickly that, if I was truly serious about writing, I had to leave my house. Yes, I said leave the house—I just heard an outcry of pajama-clad authors around the world rejecting this scenario. Leaving the house means having to get dressed. The horror! I know that half the point of being an author is the fact you can stay in your pajamas and fluffy slippers all day. It’s the little things like hearing the doorbell ring and having no pants on that gets the author’s blood moving. My UPS man is convinced I’m a hermit who doesn’t own any real clothes besides my favourite penguin flannel bottoms my mother made me. I know guys—shocker—this girl is still single. But, some days this is my life, especially if I’m focusing on the marketing aspect of my job. Two o’clock comes around and I haven’t even brushed my teeth yet. Ah, yes, the glamorous life of a writer.

If I want to concentrate on writing, I found being home consists of very little writing and more of my money being spent buying books on Amazon. I am vastly creative on finding distractions. I mean, seriously, how many times do I need to pee in 20 minutes? I certainly don’t go that much when I’m out at a café. And, how many times have I sat at my computer to write when I decide I have to clean my desk. Now, I hate to clean and find every excuse not to do it; but, suddenly, when I should be writing, it MUST be taken care of NOW.

The Internet is the biggest seductress. She is an alluring temptress who could put a Siren out of a job. She certainly has led me down the endless labyrinth of diversion. The hours an author spends “researching” a day, especially on topics that probably have them on some FBI watch list, is astronomical. The Internet is another vice that, for me, must be left at home. Every once in a while, when I really need to know something to carry on a scene, I will break my rule. This is one part of my process, however, I actually try to stick to. I have to—the internet is just so sparkly!

Carrying around a notebook is not really a process but more of a must for a writer. Ideas come at the most inconvenient times: showering, right before falling asleep, driving, or standing in line at the post office. My mind loves doing this. It finds it funny to mess with me. It comes up with those brilliant ideas that only flutter there for a moment before vanishing from my memory forever. If I don’t write it down right then . . . well, tough. I will spend the rest of the day driving myself crazy trying to remember that mind-blowing, hilarious comment my character was going to say. Evil, evil brain.

All writers have different ways in which their characters speak to them. Some authors say they have full control over their characters and what they’re going to say. I’d like to say I was the one in control of the voices in my head. I’m not. Mine seem to have a mind of their own and usually tell me how a scene is going to come out. I’ve gone into a scene wanting the outcome to be one way and, by the end of my writing session, they have taken it in a completely different way. Most of the time they make it better. Maybe it is my acting background that allows me let my “actors” improvise. As their director, I allow them to play out a scene organically, and if I have to pull them back, I do. Most of the time I just let them go. The characters have their own way of speaking each with their own little quirks. I see them playing out the scenes in my head like a movie. This, I’m sure to an outsider, makes me look nuts. Years of having these voices argue in your head . . . is there a writer out there hasn’t become a little nuts?

A new author first feels every word they compose across the page is literary gold and cannot be cut or the entire novel will suddenly make no sense. The truth is that barely half of the words in your first or even fourth draft will make it into the actual novel. This was a hard lesson for me, like being thrown into a gladiator pit. You fight valiantly and brutally for every scene and character and then some editor comes along and mercilessly guts your novel. I felt like giving a funeral to those I had to kill off or cut from existence.

When writing for yourself you can keep every tedious detail intact. But, if you want the story to be published and enjoyed by others, you need to understand that your editor and B-readers are only trying to make your story better. They are not saying you suck, well, at least not directly to your face. Once I let go and got over this, cutting and editing was easier for me. Then I became obsessed with changing, editing, and cutting. I could have continued to work on my book for the next two years, altering and re-writing every line.

There comes a time, though, you have to let go and put it out into the world. And that is like standing naked on burning coals in front of millions of people. Scary, exhilarating, can hurt like hell, and you’d do it again in a heartbeat.

Darkness of Light blurb:

Freak. Witch. Crazy. Schizo.

Ember Brycin has been called them all. She’s always known she’s different. No one has ever called her normal, even under the best circumstances. Bizarre and inexplicable things continually happen to her, and having two different colored eyes, strange hair, and an unusual tattoo only contributes to the gossip about her.

When the latest school explosion lands her in a facility for trouble teens, she meets Eli Dragen, who’s hot as hell and darkly mysterious. Their connection is full of passion, danger, and secrets. Secrets that will not only change her life, but what and who she is—leading her down a path she never imagined possible.

Between Light and Dark, Ember finds a world where truth and knowledge are power and no one can be trusted. But her survival depends on finding out the truth about herself. In her pursuit, she is forced between love and destiny and good and evil, even when the differences between them aren’t always clear. At worst, she will incite a war that could destroy both worlds. At best, she will not only lose her heart but her life and everyone she loves. Once the truth is out, however, there will be no going back. And she’ll definitely wish she could.

Darkness of Light is available on Amazon, Barnes & Noble, Smashwords, and iBooks.

About the Author:

I work by day as an Interior/Set Designer and by night as a writer of paranormal fantasy, adventure, and literary fiction. I grew up in Northern California, but have traveled and lived around the world before coming back and settling in San Francisco. Even at an early age I was creating stories and making up intricate fantasies. I acted in Los Angeles for many years before moving abroad, living in England, Australia, Caribbean, and New Zealand. I came back to San Francisco and went to school for Interior Design. During that time I never stopped writing, moving back to San Francisco brought it to the forefront, and this time it would not be ignored. It’s my passion and my love. When I am not writing, I’m usually out hiking, spending time with friends, traveling, listening to music, or designing.

For more about Stacey and her book visit her website, Facebook author page, and Facebook book page.

Meet Philip Coleman Author of The Master’s Book

March 11, 2013 / Katie L. Carroll

I’m guest posting over at Meradeth Houston’s blog with tips and techniques for keeping continuity between books in a series; a topic close to my heart as I’m currently writing the second Elixir book, Elixir Saved.In my stead Muse author Philip Coleman, author of The Master’s Book, which comes out this Friday (check out my Goodreads review), is holding down the blog fort. (And I haven’t forgotten about making my big announcement about Elixir Bound. Stay tuned later this week for it, along with a giveaway!)

What made you want to become a writer?

I suppose it started in the beginning with reading. Even as a child I used to narrate to myself how I felt in certain situations, or imagine stories based on my favourite fictional characters. Then the cares of adulthood put it to the back of my mind for a long time until…well, you’ll see further on.

What inspired you to write The Master’s Book?

I had had a couple of attempts at writing fantasy with only partial success and decided I wanted to try writing a contemporary young adult novel with a real setting for a change. Brussels was the obvious choice for me, despite its reputation for boring EU bureaucracy. I lived there for three years when my children were around the ages of Sean and Maeve in my story. This isn’t to say that Sean and Maeve are modeled on my children; simply that being in Brussels with my son and daughter gave me a glimpse of the city through their eyes. It was a very rich and formative time in their lives, when they were exposed to a lot of new experiences. Among these was the experience of interacting with (stunningly beautiful) children of racially mixed marriages in their school. This was the inspiration for Stephanie, the other main character in the book. And, finally, Brussels and its hinterland are such a rich mix of the modern, the medieval and just about every era in between. This factor became the other big piece in the jigsaw of ideas.

What one book do you wish you had written?

Definitely Philip Pulman’s His Dark Materials trilogy. Not that it’s my favourite book (I have lots of favourites). It’s just that it’s such a rich story, with so many moments of action, horror and high emotion, all held together by one of the most wonderful characters ever created in children’s literature. In fact, the last chapter, which takes place in the Oxford Botanic Garden, inspired my first attempt at writing a novel: a fantasy set in an imaginary botanic garden. Maybe I will return to that idea some day, now that I know much more about the craft of writing!

At what moment did you truly begin to feel like an author?

I suppose it was when my second attempt at a novel got to a second reading with Usborne (and then with Chicken House). It didn’t get any further (and probably shouldn’t have) but it encouraged me to keep going.

What is your favorite part of the writing process? What is your least favorite part?

Some scenes just spring from the page with very little effort and this is always exciting. You know what the characters are going to say and you can imagine all the little gestures that bring the scene to life. Such a scene in my story was the one in the Museum of Musical Instruments. This is when writing is most rewarding. As for the least favourite part of the process, that’s probably when you’re trying to bridge from one pivotal scene to the next without losing the pace of the story; that’s really hard work. And then, of course, there’s proofreading, at which I am so bad.

What is the single best piece of advice you have for aspiring authors?

Can I have two? They would be: (1) don’t be shy about you’re writing – put it out there for praise and criticism; and (2) don’t give up on any account.

What is next for you in your writing career?

I started a sci-fi novel before I got the contract from MuseItUp for The Master’s Book and I would like to come back to that at some stage. However, right now I am working on a sequel to The Master’s Book. Not that I’ve been asked to or anything; it’s just that I had an idea for a sequel that would centre around Belgium’s connection with the Rwandan genocide.

What is something funny/weird/exceptional about yourself that you don’t normally share with others in an interview?

Oh gosh! Isn’t writing fiction crazy enough? Well, I was asked something similar at a workshop I attended a few weeks ago and the best I could come up with was that I was involved in the location hunt for Saving Private Ryan (which is true – that very violent opening scene was, in fact, filmed in Ireland and not in Normandy).

And here’s the fun part…below are three list of words from the magnetic refrigerator poetry set…if you so choose, please write up a little piece of poetry or prose from these words. You can also do this from the perspective of one of your characters!

That’s a great idea for a workshop exercise! Tricky! In the end, I chose to write this as an episode in my story.

I reached out for my phone. The screensaver read 3.16 a.m. I rubbed my eyes and tried to get back to sleep but I couldn’t.

Sean, what’s nagging you?

Then I remembered. Yesterday I’d asked Stephanie to a movie and she’d said “Yes”…

And then what? How should I behave? Will she let me kiss her?

My mouth felt dry, with a bitter taste. I needed a drink. I pushed off the duvet, put my feet into my slippers and headed down to the kitchen, where I flicked on the light and went to open the fridge.

Those word magnets were there, the ones Dad was always messing with. Sometimes I liked playing games with them myself. When no-one was around I’d make up cheeky sentences with them and then play dumb afterwards when Mam asked who’d done it.

The magnet with the word “girl” had been placed a little separate from the rest. Was that Dad’s idea of a joke? Or Maeve’s? Whoever hed done it, they made me think of Stephanie again.

I placed it even further apart from the others. I ran my finger down the vertical lines of the other word magnets. Stopping at the word “beautiful”, I put that beside “girl”. Then I saw the word “hot”. Maybe that was a better description, even though I blushed at the thought. Still, I put it to one side as well.

I picked out more magnets: “black” (of course), “strong”, “funny”, “precious”, “sweet”…

My finger paused at “gentle”. No way! What about “angel”? Certainly no way!

Somebody had put “love” and “sex” side by side – maybe Dad again? I hesitated over them, blushing even more. I couldn’t screw myself up to put them beside the others.

I pushed all the magnets I’d separated out into a tight cluster and stared at them for few seconds. Then, just as I went to open the fridge I saw the magnet with the word “cliché”, buried in a long row of others. I blushed yet again.

What are you doing Sean? What do you think Dad’ll say if he sees what you’ve done? Get a grip.

Hastily, I jumbled all the word magnets into one big messy cluster, then opened the fridge, seized a water bottle and went upstairs.

The Master’s Book blurb:

In 1482 Mary, the last Duchess of Burgundy, lies on her deathbed in a castle in Flanders. She is only 24. In her final moments she makes a wish that, 500 years later, will threaten the lives of a boy and a girl living in Brussels.

The Master’s Book is the story of Sean, an Irish teenager, just arrived in Brussels to a house that is also a crime scene. Together with Stephanie, his classmate, he finds an illuminated manuscript, only for it to be stolen almost at once.

Where did this manuscript come from? Who was it originally made for? Is there a connection with the beautiful tomb Sean has seen in Bruges? Above all, why does someone want this book so badly that they are prepared to kill for it?

Part thriller and part paper-chase, this book is aimed at boys and girls of twelve and over. The Master’s Book is available for pre-order at the MuseItUp bookstore.

About the Author:

Philip Coleman has worked as a biologist for most of his life—in Ireland, Belgium and now in Switzerland. Having been an avid reader all his life, he took up writing only in 2006. This is his first published novel. He drew his inspiration for the story from the period he spent working for the EU in Brussels. He has a grown-up son and daughter (who were roughly the same ages as Sean and Maeve during the time in Brussels but otherwise aren’t a bit like them at all!). He now lives in France.