Tag: authors

Conference Panels Writing and Publishing Advice #LA18SCBWI (Bonus Jane Austen and Salt-N-Pepa)

September 10, 2018 / Katie L. Carroll

Last #LA18SCBWI post was devoted to the amazing (and many!) keynotes, so this post is devoted to the panels. Where the keynotes are largely inspirational, the panels tend to get more into the nitty-gritty of publishing and the craft of writing. These are snippets from each panel, which are done in a Q&A style and often turn into conversations, so these are simple highlights I’ve pulled out and tried to keep in context as much as possible. (And make sure you get all the way to the end to see me dressed as Jane Austen!)

Editor Panel with Laura Godwin, Elizabeth Law, Amanda Maciel, Krista Marino, Francesco Sedita, and Namrata Tripathi:

Question: What makes you keep reading on when considering a manuscript?

A pulsing heartbeat throughout the story. – Francesco Sedita (president and publisher of Penguin Workshop at Penguin Young Readers)
You can tell when a writer has a deep investment and curiosity about a topic. She takes notice when she doesn’t care about a thing and she is transformed to care about that thing by the writing. – Namrata Tripathi (VP & publisher of Kokila, a newly-formed imprint of Penguin Young Readers dedicated to centering stories from the margins)

Question: What do you see too much or or can’t see enough of?

It’s super exciting to see something that’s been done a million times and it’s done in a new way. – Krista Marino (senior executive editor at Delacorte Press, part of Random House Children’s Books)

Question: What is the most important skill a writer for children can possess?

Persistence. Have passion and stay in the game. – Elizabeth Law (editor at Holiday House)
An endless curiosity about the world and yourself. You need a great idea and to keep asking questions and developing that idea. – Amanda Maciel (executive editor at Scholastic)
A curiosity and drive to satisfy it in an endless loop. – Laura Godwin (vice president and publisher of Godwin Books, an imprint of Macmillan publishers)

Panel “Truth vs. Innocence in Children’s Books” with Elana K. Arnold, Brandy Colbert, Erin Entrada Kelly, Carolyn Mackler, and moderated by Linda Sue Park:

Question: How go you define dark in literature?

It’s what I have. When the well has filled us and whatever we’re filled with we have to work with. – Elana K. Arnold
Dark is part of life. Leaning into the sadness of life, as I also lean into the the light and find humor in sadness. – Carolyn Mackler
The further away from hope, the more interesting the road to coming back. – Erin Entrada Kelly

Question: Tell us the initial spark or kernel for one of your books.

After my first two books, I had emptied the well of shame. New water had filled the well, and it was rage. I’m not holding back and saving anything for the next book. – Elana K. Arnold (on her upcoming book DAMSEL)
It’s wish fulfillment in an alternate universe. – Brandy Colbert (on her book LITTLE & LION)

Question: How do you respond to critics who say your books are too dark?

One of the greatest disservices we do to young people is to underestimate them. – Erin Entrada Kelly
I pull out the letters from young readers to show me how important my books are to them. – Carolyn Mackler
Children are whole people. Book are a wonderful way to practice saying no. It’s good practice to recognize when they feel uncomfortable or unsafe. – Elana K. Arnold
I get really angry because I think of the kids going through those things. It’s telling those kids their lives or experiences are too dark. – Brandy Colbert

Panel “Culture, Identity, and Writing: Where do they intersect?” with Malinda Lo, Dashka Slater, Aida Salazar, Ibi Zoboi, and moderated by Arthur Levine:

Question: Was there a time during the writing that you felt the joyful intersection of culture, identity, and the work at hand?

I was writing about my own identity but not my own experiences. When I was telling a complete truth, my own truth, about my culture. – Ibi Zoboi
I was proud and joyful to rescue my story from obscurity. It’s a revolutionary act. – Aida Salazar

Question: What are the talismans of power in your writing?

I use my writing as a tool for social change. My characters have emotions in spite of white narrative and hostility. – Aida Salazar
Having to think of yourself and having to think about how you are being perceived by others in a white space. I always feel like I’m on the outside looking in. I can’t help but having a worldwide perspective. – Ibi Zoboi
Using gender and race and performance. The point is to center the Chinese-ness of the character and the point isn’t to be concerned about making sure others get it. – Malinda Lo

Question: As part of a minority culture, do you ask “Is there part of me that I shouldn’t show because it will be too scary?” Do you feel that way in your writing, that you’re censoring a part of yourself?

I definitely did. I imagined the characters in ASH as Asian. The gay thing was enough of a problem, so I did not include any Asian-ness in the book. You don’t see these stories that represent you. You have to imagine they exist in the first place. The message is everywhere, no one has to outright tell you. – Malinda Lo
Self-censoring comes in telling the truth. It comes when we’re afraid of telling these truths and thinking about who will be mad. – Ibi Zoboi
Authenticity is marginalizing. It centers the mythological one story line. – Malinda Lo

Agent Panel with Jenny Bent, Tina Dubois, Kirsten Hall, Kevin Lewis, Ammi-Joan Paquette, and Tanusri Prasanna, and moderated by Alexandra Penfold

Question: What’s strong in the marketplace right now?

Books addressing complicated and ugliness of our world. – Kirsten Hall
Fiction that digs deep into the personal experience, the heart coming through in a deep way. – Ammi-Joan Paquette

Question: Should you write a book outside your own identity?

If you want to write a book outside your culture, if it’s in your heart, then do it. But realize you have to take what comes with that. Actions have consequences. – Kevin Lewis
Look internally. Ask yourself why you want to write this book. If you’re writing it just to be diverse, then don’t do it. If you feel it in your loins, then do it. – Tanusri Prasanna

Question: What is your best advice for writers?

Be you and do you. Spend a lot of time on your work. – Kirsten Hall
Take risks and do something different. – Ammi-Joan Paquette
Celebrate any victory. Celebrate yourself. – Jenny Bent

Panel “The Secret of Crafting Engaging Non-fiction” with Jason Chin, Candace Fleming, Deborah Heiligman, and Barbara Kerly, and moderated by Melissa Stewart

I believe people’s lives have themes. Look for things in people’s lives that has those themes. – Barbara Kerley
A life is a story. It has a beginning, middle, and end. This is why narrative non-fiction works for biographies. – Deborah Heiligman
The difference between fiction and non-fiction is like cake. In fiction, I get to buy the ingredients for the cake, bake it up, and gobble it down. In non-fiction, I don’t do the shopping. The ingredients are all crazy, but I still have to make delicious cake. – Candace Fleming

No L.A. conference would be complete without the Saturday night gala. This year’s theme was a tribute to writers and artists. There were tacos and dessert food trucks and dancing. I chose to go as the incomparable Jane Austen. This may or may not have been a tweet about me that night (I’m pretty sure I saw at least one other Jane Austen, but I’m not sure I saw any others dancing to this particular song), “You haven’t lived ‘till you’ve seen Jane Austen dance to Salt-N-Pepa.” @jennymontyinSD

Meet Margay Leah Justice Author of Sloane Wolf

August 16, 2013 / Katie L. Carroll

So my big news of the week is that I’m on Twitter now (@KatieLCarroll). I’m working on organizing who I follow and figuring out the best way to use it, but I’d love some more followers. But enough about me, let’s give a warm welcome to fellow Muser Margay Leah Justice, author of Sloane Wolf, as she discusses beginnings.

Beginnings

by Margay Leah Justice

The story begins in a small New England town where a little girl with a big imagination learns how to put words on paper. From the first moment the girl picks up a pencil, she beholds its magical powers and her eyes light up with wonder. With just a few strokes of her hand, she is able to transfer the words swirling around in her head onto a piece of paper. A story! She can write a story. So she does. Many years later, she is still beholding the wonder of the words swirling around in her head making their way onto paper, only now it is through the magic of computers, not pencils. And the “paper” is sometimes virtual or neatly gathered into a nice cardboard binder with a pretty picture on the front and not the blue-lined medium of her youth. She is a writer.

So began my humble journey. From my imagination to my reality, it all began with a love of words – and the desperate desire to get them out of my head and onto paper. Long before I realized that there was a word for what I was doing – writing – I put pencil to paper and let my imagination have free reign. Whether it was in pictures or words, I felt compelled to put it on paper. Everywhere I went, I carried a notebook and pen. Every place I visited, I hoarded brochures that inspired my imagination. My favorite place to hang out was the local travel agency whose employees indulged my habit of collecting pamphlets advertising trips to faraway places. I was always planning, researching, writing and rewriting. For me.

In the beginning, I wrote for my own pleasure. Even my friends and family had to fight to get a peek at what I was doing. It was a private thing and I didn’t want anyone sharing in it. Perhaps I was afraid that they would get an intimate glimpse into who I really was as a person and wouldn’t like what they saw. Perhaps I was afraid that they would laugh at me because I really didn’t have the talent to write. Or maybe I was just stingy and wanted to keep it all to myself. Whatever the case, I didn’t start out thinking that I was going to publish some day. I just wrote because I was driven by some unknown need to do so. It wasn’t until junior high school, at the encouragement of my English teacher, that I began to realize I had some talent for this. If an English teacher thought I had promise, then surely I must – right?

Still, I kept my writing mostly to myself. My friends and family still had to fight for a peek at what I was working on, even when I was half-heartedly sending out submissions to publishers. I think, in the beginning, I sent them out expecting to be turned down to justify my suspicions that I wasn’t good enough to be published. With that knowledge in hand, I could go back to writing for my own pleasure and stop the nagging of others who thought I should publish what I wrote. For me, then, writing was still a very intimate thing that I wasn’t ready to share with the world for fear of exposing myself to it – and coming up short. After all that time, I was still worried that I wasn’t good enough.

In the beginning, I didn’t have the confidence in myself – as a person or a writer – to pursue the dream in earnest. It did smolder in the back of my mind, a little ember lit by my first feeble attempts at getting published, but it didn’t begin to burn up my misgivings until I’d learned to believe in myself. I realize now that I had lived in something of a cocoon back then and didn’t have enough life experiences behind me to instill the confidence I would need to pursue this career. And one thing I have learned on this journey is that you need a lot of confidence – in yourself as well as what you write – in order to achieve any level of success. If you don’t believe in yourself, who will?

So it begins with a dream. It is sustained with belief. And it is achieved with perseverance. Whether it is an epic tome or just a flash, it all begins with the same things: A blank page, a big imagination, and you.

Sloane Wolf blurb:

For more than a hundred and fifty years, the gray wolf has failed to roam the hills of Massachusetts, leading to the belief that they are extinct. But with a spattering of sightings across the Berkshires, the legend of the gray wolf comes to fruition. The product of that legend, Micah Sloane will go to great lengths to protect his kind from the threat of outsiders, who seek to exploit the legend for their own interests. One thing he didn’t count on, however, was finding his soul mate in the company of such men.

From the first time she predicted a stranger’s imminent death when she was little more than a child, Shiloh Beck knew she was different. Wishing to cultivate her gift, her parents made the fateful decision to enroll her in a private school for paranormally gifted children. Unbeknownst to them, the school was just a front for a research facility simply called the Institute, whose secret board members weaned gifted children from their families to exploit their gifts. Shiloh has spent the better part of her life trying to escape the Institute and reunite with the family she was told had abandoned her.

From their first meeting, Micah and Shiloh share a connection that goes beyond the normal to bond them in a way that love alone cannot. But before they can build a life together, they must deal with the fall-out when the legend of the wolves collides with the men behind the Institute.

Sloane Wolf can be purchased at the MuseItUp bookstore, Amazon, Smashwords, and other e-book retailers.

About the Author:

Descended from the same bloodline that spawned the likes of James Russell, Amy and Robert Lowell, Margay Leah Justice was fated to be a writer herself from a young age. But even before she knew that there was a name for what she was doing, she knew one thing: She had a deep and unconditional love for the written word. A love that would challenge her in times of need, abandon her in times of distress, and rediscover her in times of hope. Through her writing, Margay has learned to cope with every curve ball life has thrown her, including the challenges of single parenting, the harsh realities of living in a shelter, coping with the diagnosis of Multiple Sclerosis, and the roller coaster ride of dealing with a child who suffers from bipolar disorder. But along the way she has rediscovered the amazing power of words.

Margay currently lives in Massachusetts with her two daughters, two cats, and a myriad of characters who vie for her attention and demand that their own stories be told. In her spare time, she is an avid knitter, knitting her way through a stash of yarn that almost rivals her tbr pile! For about Margay see her author blog, the Moonlight, Lace, and Mayhem blog, Twitter page, or Facebook page.

New England SCBWI 2013 Conference Gems

May 10, 2013 / Katie L. Carroll

The 2013 New England SCBWI conference was amazing (of course it was…these conference are always amazing)! Caught up with old friends, including the very talented Kimberly Sabatini and Jodi Moore, and met some new ones. Left feeling inspired and exhausted, and I’m still brimming with creative juices.

One of the highlights for me was seeing my book covers up on the screen in the ballroom during the downtime/announcements/mealtime in the ballroom!

I’ve collected a few conference gems that resonated with me. A quick note about why I use italics instead of quotation marks…these are not necessarily direct quotes, some may be close to what the speaker actually said and others are my own rewording/interpretation as I scrambled to take notes during the speeches and presentations. So without further ado, here they are:

We should meet the world with all our senses. (Jeannine Atkins)
What’s outside in the setting can reflect what’s going on in the inside of a character, but it can also be in contrast to what’s being felt. (Jeannine Atkins)
How do we access that which we are trying to recreate when we’re sitting at our desks or computers? Sometimes we need a sensory kick in the pants. (Dawn Metcalf)
We work with art and it can evoke an objective response. (Ruben Pfeffer)
It was as if someone else’s words had opened up a whole host of words in me. (Sharon Creech)
As writers we want company; we need company. You come along too, please. (Sharon Creech)
Revision is finding and strengthening the heart of a story, and revision is messier than people want it to be. (Kate Messner)
Maybe I had to stop trying to prove to people I was good enough and just had to do the work I was passionate about. (Grace Lin)
Every story has a message, whether or not the writer was aware of it or intended it. (Chris Eboch)
I come to one little detail that sort of wakes up my mind and then start amassing details like constellations. (Jeannine Atkins)
Writers are somewhat schizophrenic; we hear voices in our heads; we listen instead of conversing. (Padma Venkatraman)
Go down the rabbit hole. (Greg Fishbone)

Personally, I feel like I stretched myself not only as a writer but as a person. I jumped headlong into any writing activities that came up in the workshops I attended, even braving to share some of my raw work in front of others. I dared to act out an emotion for others to write about (and I have terrible stage fright when it comes to acting anything). I drove to the train station by myself in a city I’d never been to and picked up another author. So all in all, a fantastic weekend!