Tag: #amwriting (Page 5 of 6)

April #InkRipples: 5 Tips for Revising that Manuscript

April 12, 2017 / Katie L. Carroll

Now that you all know from my earlier April #InkRipples post that revision isn’t my favorite part of the writing process, I’ll share some tips on how I try to make it easier on myself. Some of these work for my particular process and some are more general, but I hope you find them helpful. And as with so many things in writing, if they don’t resonate with you, then feel free to ignore them!

Take Time Away (But Not Too Long)

So you’ve finished that first draft and celebrated (and, yes, you should always celebrate such a milestone). Now what? File said manuscript away and take a break from it. Get outside and enjoy some fresh air, take a shower, go on vacation, start a new project…do something other than think about that newly finished draft.

I’m not going to give a set timeline for how long to stay away, but I’d say at least two weeks. Do set a deadline, though, for coming back to it; otherwise you might just find yourself in a perpetual state of procrastination (this from the girl who procrastinates so well on revision that she procrastinated on writing her blog posts about revisions!). The key is to come back to it with fresh eyes so you can have some semblance of objectivity but not wait so long that it feels like old news.

Have a Plan (But Be Flexible)

I find starting revisions to be incredibly overwhelming and having a plan is one way to make it feel more manageable. It breaks down the process of revision into measurable tasks that can be checked off, so you can see you’re actually making progress.

I have actually started creating my revision plan while I’m drafting. I keep a document in my project folder (or take notes in my notebook and transfer them to the document) with a list of things to tackle in revisions. This helps keep me from going back and revising while I’m still drafting (more on this in the next tip). Some notes are as simple as filling in a detail I didn’t want to stop and research in the moment. Others are big, like fix that giant plot hole you’ve written yourself into. One task that inevitably shows up is to do a search for that manuscripts crutch words and eliminate as many as possible (for one recent manuscript “just” and “even” were among the offenders).

Also, recognize that your plan may change as you go along and may even expand at times as you notice new things that need to be addressed during revision. Things on your list may need to be thrown out all together. (Yup, I’m talking about revising your revision plan!) That’s where the flexibility part comes in.

Start Big (Then Move to Small)

Once I have a good working plan, I like to break it down into big revisions and small revisions. Big revisions are things like fixing plot holes, adding or getting rid of scenes, fleshing out characters, changing point of views. Basically getting the story in shape and not necessarily about the words used to tell it.

Small revisions are when you start to look at the language, grammar, and the nitpicky parts of writing. Does the writing have good flow, interesting language, strong verbs, sparse adverbs, action tags instead of a ton of dialogue tags, varied sentence structure? These are a few examples, but basically small revisions are more about the words you are using and the way they are put together and less about the story.

I recommend starting with big revisions and then moving to the small ones because it’ll probably end up saving you time in the long run. Why bother making the language of a scene shine only to later end up deleting it all because of a plot change? I used to spend so much effort going back to older pages and revising while I was in the process of drafting a novel. I know some writers who do this and do it with success, but I don’t revise while drafting anymore. It’s helped me to be a faster drafter, even if it feels like the drafts are messier. In the long run I save a lot of time and hassle by moving forward while drafting (and jotting down those revision notes as I go along) and saving the revisions for later.

Know Your Strengths (and Weaknesses)

This bit of advice applies both to your strengths and weaknesses as a writer and the strengths and weaknesses of the particular manuscript you’re working on. I know I’m a very plot driven writer, so I’m always pushing myself to be better when it comes to character and voice. But I try not to worry about those things too much while drafting. I let the plot drive my first drafts and then tackle my weaker areas in revision. It gives me a certain confidence to know at least that one area will be strong as I go into revisions.

Aside from my strengths and weaknesses as a writer in general, I find each manuscript has its own set of them as well, somewhat independent of mine as a writer. The first novel I ever wrote (ELIXIR BOUND) was full of repetitive over-written descriptions. I often said the same thing in three different ways, so one major part of my revisions for it was to pick the best description and delete the others (or rework them into a single, stronger one). It also was a hot mess when it came to point of view. Another manuscript (BLACK BUTTERFLY) was drafted one scene at a time and they weren’t written in any particular order. This story has flashbacks that could have been worked into the story in a lot of different ways and other scenes that could have been moved around chronologically. A big revision point was not only figuring out the best sequence of events but also how the flashbacks would fit in.

Ask for Help (If You Get Stuck)

Despite you’re best efforts at having a plan and executing it to better your manuscript, there may come a time in the revision process where you simply get stuck. You’re not sure what you’re doing anymore or if what you’re doing is making the manuscript better or worse. Or maybe everything just feels like it belongs on a heaping pile of dung. Like when you first finish that draft, it’s a good time to take a break. It’s probably more a matter that you’ve lost all objectivity on your own work and not so much that it sucks!

This is a good time to have one or two trusted beta readers. It can be incredibly scary share your work with others when you’re feeling bad about it, but it can also be incredibly rewarding. In a moment of insecurity, it’s best not to share work with people you haven’t worked with before, but it can be a lifesaver to share it with someone who you trust to put you back on track.

If you don’t have someone like this in your writing life yet, try reaching out to different writing communities and connecting with a new critique partner. Offer to do a few chapter swap and share with them something more polished than the work that’s giving you trouble. If it feels like a good match, go ahead and send them the hot mess and see what they make of it (and if it doesn’t feel like a good match, try again with someone new). Hopefully you’ll get some great feedback (and then you’ll have to start the whole revision process all over again!).

Okay, that’s all I’ve got for now! What are your best revision tips?

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (April is about revision), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

April #InkRipples: Revision is Hard

April 3, 2017 / Katie L. Carroll

Join Kai Strand, Mary Waibel, and Katie L. Carroll (that’s me!) for April #InkRipples, which is all about revision.

There is more to writing a novel than simply putting words on a page and calling it a book. It’s a process. A major part of that process is revision. And it’s not my favorite part. I much prefer the excitement of drafting when I’m adding words and feeling the story come together. Once the first draft is done, it’s always such a letdown to think about the story I conceptualized and realize the rudimentary version I have is nothing close to that.

Not all writers feel this way. I’ve known some who go as far as to say they love revising! Sadly that is just not the case for me. Revision often feels overwhelming to the point that I am inclined to avoid it. Of course I want my work to be the best it can be, but I find it’s hard to know how to specifically make it better and to be objective about my work (one day I can love what I’ve written, and the next hate that very same piece of writing). I actually think I’m much better at having insights into other people’s work and helping them on a path to revision.

Another obstacle is that I’ve found each manuscript ends up having different needs in revision. It’s hard to come up with a foolproof method of revising when the same thing never works on two different stories. But through trial-and-error and becoming more knowledgeable about the process (from writing workshops and reading about what other writers do) I have managed to come up with some techniques to help with the daunting process of revision. Stay tuned next week for when I share some of those tips!

Why Is It Taking Me So Long To Write The Second Elixir Book?

March 24, 2017 / Katie L. Carroll

It’s been over four years since the ebook version of ELIXIR BOUND came out and over three years since the paperback version released (so forever in terms of publishing a companion novel). I’m sad to report that I’m only about 2/3 finished with the draft of the companion novel ELIXIR SAVED. And even once the draft is done, I’ll still need to revise and such. So why exactly is it taking me so long to write the second Elixir book?

Well, it’s complicated (isn’t everything!?). For starters, there are the less-than-stellar sales stats of BOUND. I wasn’t expecting a best-seller or anything, but it’s been hard to press on with a second book when the first has low sales. So, yeah, I’ve worked on other projects in between. And, no, I don’t write for the sales or the money, but the validation of selling books doesn’t suck.

There’s also life. I have kids and do freelance work (and blog). I like reading books and watching TV and getting out every once in awhile to do grown-up things. Writing novels is an important part of my life and I’ve gotten more consistent with actually, ya know, writing, but it doesn’t always take top priority.

Then there’s the fact that I’m not a very fast writer. Even when I’m in a good flow and I’ve been writing consistently, my word counts are just not that high. I’ve done a lot of things with the drafting of SAVED to try and speed up the process. I mapped out all the scenes I still need to write. I’ve set timers in order to write without editing myself for that set amount of time. I did a modified NaNoWriMo in November to try and finish this draft.

And now I’m here on the blog writing about how I’m not writing the book. Blah, blah, blah, wah, wah, wah! I know…but all those reasons I mentioned above are not the main reason why it’s taking me so long to write ELIXIR SAVED.

The real reason why it’s taking me so long to write the second Elixir book is because one of the main characters is based on my sister Kylene, who passed away at the age of 16. My intention when I wrote BOUND was to give Kylene a fantasy adventure of her own. I started the book in her POV (point of view), but it was too damn hard to write, so it ended up in the POV of her sister. It’s been almost 15 years since she passed away and it’s still hard to write this story, her story. It feels so presumptuous and impossible to do her justice in what are ultimately my words. It’s emotionally draining and terrifying.

But it’s a story I know I have to tell…eventually. It would be far worse for me to never tell it than to have a hard time doing it.

So I keep reminding myself that I’m not writing from Kylene’s POV. That’s impossible. Only she could do that. Instead, I’m writing from the POV of a character that’s inspired by Kylene. It may seem like a small distinction, but it makes all the difference in be being able to persist in drafting this novel. Though it doesn’t necessarily make it easier.

It’s a process that refuses to be rushed. I do my best to push myself to continue the task, but I’ve come to realize it’s just gonna take time. I’ll keep slowly working on it (while I also work more efficiently on other novels) and one day it will be done. Well, as done as any book ever is.

Thank you to anyone who’s read ELIXIR BOUND and/or inquired about a follow up book. It coming…one of these years!

March #InkRipples: Tropes Are All In The Execution

March 8, 2017 / Katie L. Carroll

Join Kai Strand, Mary Waibel, and Katie L. Carroll (that’s me!) for March #InkRipples, which is all about tropes.

Love ’em or hate ’em, tropes are an integral part of storytelling. Even if you’ve never heard the word before, you’re sure to have come across them in books, movies, or television as they are a useful and ubiquitous part of storytelling. For my intents and purposes, here is a link to a good definition of trope (though there are other meanings to the word, this is the definition I’m working with here). If you know the saying about there not being any new stories to tell, only new ways to tell them, this is largely referring tropes.

Some common ones include love triangles, the chosen one, star-crossed lovers, good vs. evil, and instalove. You can get really specific when it comes to tropes, but these are very common ones you’ll see all the time. They are definitely eye-roll inducing when they are super obvious, but I would argue that it’s almost impossible to avoid them in storytelling. There really are only so many basic stories out there to tell.

For me, it’s all about the execution. Think about Harry Potter. On a really basic level, it’s a chosen-one story, which has been done a million times before. So what about the Harry Potter books makes them so special? It’s the way they are told, it’s the characters, it’s the details, it’s the magic (both literal and figurative). All those things elevate it beyond the trope and make it unique. The Harry Potter stories are a chosen-one story, but they are a chosen-one story as only J.K. Rowling could have told it.

Which brings me to another saying we have in writing…write the story only you can tell. It doesn’t so much matter if at its surface, it’s a story we’ve all heard before, it’s about the way you tell it. And you are the only one who can tell that particular story. Tropes exist because they help inform a reader (or watcher, etc…) about what to expect in a story. Use that to subvert those expectations; or take that trope and add a unique bend to it; or embrace the tried-and-true aspects of the trope but use beautiful, lyrical language in doing so.

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (March is all about tropes), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

NaNoWriMo and ELIXIR SAVED Sneak Peek

November 21, 2016 / Katie L. Carroll

NaNoWriMo is in full swing! As I’ve mentioned, the book I’ve been working on is ELIXIR SAVED, a companion novel to my published YA fantasy ELIXIR BOUND. I thought as little treat, I’d share the working blurb (i.e. jacket copy) for the second Elixir book.

The Elixir has a way of entwining the lives of those it saves. Kylene was spared from a painful death by a poisoned spear, Zelenka from a vicious animal attack, and Devon from an incurable childhood illness. Although saved by the Elixir, none were left without scars. After a shocking message from the Higher Beings, each one will embark on a journey. Kylene is sent to the frozen depths of Blanchardwood, Zelenka back to the wilds of Faway Forest, and Devon on a spiritual journey of self-discovery. Three paths that lead to war against an ancient foe where even the Elixir cannot save everyone. They will be pushed to the limits of what they think they can do. It all comes down to how much they are willing to sacrifice with their second chances.

Three lives saved by the Elixir; three lives bound by it. In ELIXIR SAVED, escape back into the world of the Kase family in this much-anticipated follow up to ELIXIR BOUND.

Alrighty, back to the grind for me. Gotta get those 25,000 word finished!