Books for kids, teens, & those who are young at heart

Category: Young Adult (Page 2 of 27)

Young Adult Literature Should 100% Be For Teens

Do I agree with the article called “YA Isn’t Just for Young Adults”? Absolutely not. Young adult literature (or what is commonly shortened to YA) is 100% for teens. (We’ll get into whether a teen is a young adult in minute.) Does that mean adults can’t read YA? Also, no. Does that mean teens can’t read things other than YA? Again, no.

I’m not presuming to tell anyone what they can or can’t read. What I’m saying is that young adult literature should be written for teens. Period. We don’t need to age YA up because some adults read it and wish that it had more mature content. Adults have their own huge category of books already. Romance novels alone are a billion-dollar industry.

I recently expressed this sentiment in a TikTok video. The text of the video reads, “YA books are made for teens. No one’s stopping adults from reading them. They should still be for teens. Let’s stop trying to make YA for adults, and let’s stop labeling books YA if they’re not for teens.” It sparked quite the debate, which I’m happy about.

Let’s talk about what YA books are, who they should be for, and what’s appropriate content for a YA book!

One of the most frequent comments on the video pointed out how it’s weird to call books for teens “young adult” because young adult people are ages 18 to mid-20s and teens are ages 13 to 18. I get that, so I created a follow-up video to explain the industry term of “young adult,” which was coined in the 1960s.

While I think debating about whether it’s an appropriate term is a related issue, it’s not the main one. The fact is “young adult” is a widely used term that has been around for a very long time and has always meant books for teens. And everyone–the publishers, authors, editors, and booksellers–in the children’s publishing industry (because YA falls into the bigger category of children’s books) knows this.

But what’s happening in recent years is that people in the YA publishing industry– like YA author who penned the article positing that YA isn’t just for young adults–have been pushing the YA category into older and older content. This means that many new YA books have characters that are 16 and older and content that is more appropriate for older teens and adults.

Why is this happening? Starting in the early 2000s, YA saw huge growth with the rise of worldwide bestsellers like Twilight by Stephenie Meyer and The Hunger Games by Suzanne Collins. The first books in both those series released in 2008 and spawned popular movie franchises. In short, YA books became big money.

Then in 2012, a study by Bowker Market Research revealed that 55% of YA books were purchased by adults 18 and over with the largest chunk of those adults being between the ages of 30 and 44. The YA publishing industry realized that there was a huge market of adults buying YA…thus began the trend of moving the YA market into older and older territory.

Another issue with the label of “young adult” is that it’s being used on books that are actually adult books. This seems to happen most often in fantasy books written by women (patriarchy at play here). Two examples being a A Court of Thorns and Roses by Sarah J. Maas and Fourth Wing by Rebecca Yarros. Full disclosure, I haven’t read either of these books, but it’s clear that both of them contain spicy sex scenes, meaning scenes that are meant to be titillating. Spicy sex scenes do not belong in YA.

I’m not saying sex and sex-related topics don’t have a place in some YA books. I wrote a whole post called “Why I Included Abortion in My Young Adult Fantasy Novel” back in 2020, which is about my book Elixir Saved. But labeling books YA when they have sexually explicit content is a disservice to all readers, and it continues to muddy the waters on what YA is.

Young adult books can have all manner of edgier content like gore, violence, and sex. After all, YA is an age category, not a genre, so it contains most book genres, like mystery, thriller, fantasy & sci-fi, and romance. The key is to always keep the core audience of teens in mind when considering what content is appropriate. Also, it’s key to understand that YA is range. What is appropriate for a 13-year-old reader varies greatly from what’s appropriate for an 18-year-old one.

Why is it a problem that YA is skewing older? There is clearly a market for YA books that have more mature content and there’s profit to be gained. But at what cost?

We’re leaving a lot of teen readers behind. Where are the books for the 13-15 year-old readers? Where are the books for older teens that don’t want mature content? What will happen to the book industry in the future if we fail teen readers now? Who’s going to buy YA then?

Teens of all ages deserve books that are written for them. And not just a handful of books. They deserve a wide variety of books and a wide number of books in all kinds of genres. Teens need books that are specifically written for them at all stages of maturity.

Adults have plenty of books to read that are written specifically for them. Adults are guests in the YA space. And those of us who make YA books need to remember that.

Middle Grade Pirate and Fairy Tale Book Giveaway

Happy Halloween! These days you’ll mostly find me over on TikTok where I’ve been posting a lot about Witch Test. Though October is a great time of year to read my upper middle grade/lower YA Mean Girls meets The Craft book about overcoming bullying by finding your inner strength (or witch in Liza’s case!), don’t let that stop you from reading it as we move into November.

In other middle grade news, Pirate Island is part of a 6-book middle grade giveaway. Today is the last day, so make sure to get those entries in by 6:00 p.m. (ET).

How do you feel swashbuckling adventures and fairytale retellings? Do you love them both?

Well, then I’ve got a giveaway for you! I’ve partnered with five other authors to give you a massive middle-grade paperback giveaway. There will be ONE book bundle winner of 6 signed paperbacks (US only)⁠ from these amazing authors:
@amieborst
@masonbellauthor
@hopefullhappenings ⁠
@katielcarrollauthor
@katfarrow.loreweaver
@r.v.bowmanfantasyauthor

Giveaway is now open until October 31, 6 pm EST. Winners will be selected October 31 after 6 pm and the winner will be announced on November 1st. Must be 18 years or older to enter. The paperback bundle is available to US only. (Full rules are on the giveaway link.)

If you want all the latest news from me and bonus perks like two free short stories and a 10% discount on signed books through the end of the year, make sure to subscribe to my newsletter! Preview the latest one here.

When Write What You Know Isn’t Autobiographical

Most writers, and probably many readers, have heard the phrase “write what you know.” There are a lot of different ways to interpret that, but a common one is to write emotional truths into your stories. So pulling from emotions you’ve experienced and infusing that into the work. Using your own life as inspiration.

But unless you’re writing an autobiography or a memoir, you’re generally not writing about your actual life. This can be a tricky line to navigate when using your own life as inspiration, especially if you’re pulling from emotional truths that are painful.

I used this quote from Hamlet to make the book trailer for ONLY DARK EDGES because it so perfectly encapsulates the main character’s state of mind in the beginning of the book.

This was true for me when I was writing my YA novel ONLY DARK EDGES. I was writing about a teen who was dealing with the death of her sister, and though I was pulling from my own experience of losing my sister, I wasn’t writing about my own grief. The emotional core of the character was similar to my own, but they were not the same, and our experiences were definitely not the same. I will admit that it was a hard book to write, and it was hard to separate my grief from the main character’s.

This was one of the reasons why I chose to make it a very loose retelling of William Shakespeare’s Hamlet. Having the framework and themes of the play in mind helped give me some emotional distance from the writing. It kept me from getting too bogged down in my own emotions, so I could actually get the book written. In particular, I found it interesting exploring the themes of madness and indecision from Hamlet and incorporating that into my book.

Check out the playlist I created for ONLY DARK EDGES and my TikTok videos about the book.

Hamlet meets Six Feet Under in this YA psychological thriller that is both heart-pounding and heart-wrenching.

Delta’s spent the summer navigating the treacherous waters of losing her older sister, Gemma. Determined to brave junior year of high school without her sister, Delta finds solace in the arms of a new girlfriend. But grief takes a twisted turn when Gemma’s tortured ghost appears with a dire warning.

Beware the storm.

Plagued by the haunting suspicion that Gemma’s death involved foul play, Delta is plunged into a downward spiral of grief and paranoia. No one can be trusted—not her girlfriend, their friends, or her sister’s once-loyal boyfriend. Not even Delta’s own mind.

With a hurricane bearing down, two tempests collide at the abandoned Sea Glass Lodge. Accusations fly. Secrets unravel. And everyone is a target of the storm.

Buy signed copies on the Purchase Books page or find it on Amazon, Barnes & Noble, Bookshop.org, Kobo, Google Play, Apple Books, and Smashwords.

Happy Book Birthday ONLY DARK EDGES by Katie L. Carroll

Today is release day for my YA psychological thriller ONLY DARK EDGES! It’s hard to believe I have now published eight books. Thanks to all of you for sticking with me through all these many genres and age categories. And please consider leaving a review for my books on Amazon, Goodreads, Barnes & Noble, or wherever you talk about books (reviews really do help readers find my books).

Only Dark Edges a modern-day, gender-swapped Hamlet retelling that’s about trying to find a way out of grief to what I’ve always called a “new normal.” But things are certainly conspiring against our main character Delta, so she’s having a hard time doing that.

I’ve written about grief before in my books, particularly in WITCH TEST, but Only Dark Edges was a particular challenge for me because it’s about the death of Delta’s sister. Those of you who have followed me for awhile know that it was the death of my own sister, Kylene, that inspired me to begin writing books (see “The Story of How I Became a Writer”). Having Hamlet as something of a framework gave me enough emotional distance from the book to be able to write something so emotionally charged.

I took a bit of an unusual approach to the book trailer with the voice over being a quote from Hamlet. I think it perfectly encapsulates Delta’s state of mind at the beginning of the book.

Hamlet meets You’ve Reached Sam in this YA psychological thriller that is both heart-pounding and heart-wrenching.

Delta’s spent the summer navigating the treacherous waters of losing her older sister, Gemma. Determined to brave junior year of high school without her sister, Delta finds solace in the arms of a new girlfriend. But grief takes a twisted turn when Gemma’s tortured ghost appears with a dire warning.

Beware the storm.

Plagued by the haunting suspicion that Gemma’s death involved foul play, Delta is plunged into a downward spiral of grief and paranoia. No one can be trusted—not her girlfriend, their friends, or her sister’s once-loyal boyfriend. Not even Delta’s own mind.

With a hurricane bearing down, two tempests collide at the abandoned Sea Glass Lodge. Accusations fly. Secrets unravel. And everyone is a target of the storm.

Find it on AmazonBarnes & NobleBookshop.orgKoboGoogle PlayApple Books, and Smashwords.

ONLY DARK EDGES Pre-Order and Summer Author Updates

The mom side of me is deep in summer mode here. The family has taken a day trip to a heavenly-scented lavender farm, we have a small vacation coming up, and we’ve been engaging in all the usual summer activities like swimming and sprinklers.

But that doesn’t mean things are quiet on the author side. Quite the opposite with my next book ONLY DARK EDGES coming out on July 25! The cover has an interesting story that I talked about on TikTok, and the main image was created by darksouls1 on Pixabay.

You can pre-order ONLY DARK EDGES on Amazon, Barnes & Noble, Bookshop.org, Kobo, Google Play, Apple Books, and Smashwords.

Hamlet meets You’ve Reached Sam in this YA psychological thriller that is both heart-pounding and heart-wrenching.

Delta’s spent the summer navigating the treacherous waters of losing her older sister, Gemma. Determined to brave junior year of high school without her sister, Delta finds solace in the arms of a new girlfriend. But grief takes a twisted turn when Gemma’s tortured ghost appears with a dire warning.

Beware the storm.

Plagued by the haunting suspicion that Gemma’s death involved foul play, Delta is plunged into a downward spiral of grief and paranoia. No one can be trusted—not her girlfriend, their friends, or her sister’s once-loyal boyfriend. Not even Delta’s own mind.

With a hurricane bearing down, two tempests collide at the abandoned Sea Glass Lodge. Accusations fly. Secrets unravel. And everyone is a target of the storm.

Next month, I’m teaching the breakout session “What to Expect When You’re Self-Publishing” at the SCBWI Summer Virtual Conference 2023. This is a blockbuster event in the children’s publishing world, and every attendee will have access to all 50 sessions for a month after the conference.

Keep an eye out on my Events page or subscribe to my newsletter to stay up to date on all my author events. I have some great fall events I’ll be adding in soon!

I’ve become very passionate about sharing my knowledge about self-publishing children’s books with writers. My conference sessions and workshops are packed full of good information, but if the self-publishing bug has hit you and you find yourself wanting more personalized guidance, I’m now offering one-on-one Self-Publishing Consultations. You get me for a whole hour to ask all things self-publishing and to come up with a plan for the next steps in your indie author career.

How is your summer (or winter if you’re in the Southern Hemisphere) shaping up?

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