Books for kids, teens, & those who are young at heart

Category: Writing (Page 7 of 72)

The Magic of a Highlights Foundation Writing Retreat

Quick reminder that there are just a couple of days left to get 10% my entire catalogue of books using code NOVEMBER10. Just go to the Purchase Books page and I’ll ship them directly to you. All books are signed with an option to personalize, and all purchases come with fun book swag!

For those of you who have been followers of my blog for awhile, you may remember the last time I went to the Highlights Foundation or a writing retreat and wrote “Highlights Foundation Unworkshop: A Little Creepy, A Lot Productive.” My writing friend Katlyn Duncan and I enjoyed it so much, we scheduled one for the following fall.

Then COVID happened and we had to put the trip on hold, but we finally made back early this month! And it was amazing!!! Yes, amazing with three exclamation points.

With this retreat scheduled for early November and me just starting a draft of my latest young adult novel, all the stars aligned for me to attempt National Novel Writing Month. NaNoWriMo (for short) occurs in November and a bunch of writers attempt to draft a book (i.e. write 50,000 words) in 30 days. It’s an intense experience, and one I was not in a position to attempt in recent years.

This year, I stayed in Cooper’s Cottage, which was a bright and airy cabin full of Floyd Cooper’s illustrations and with a view of the hiking path. It was not haunted, though one of the other writers I was on the retreat with stayed in my old cabin, and (spoiler alert) that one is still haunted. I actually didn’t write much in my cabin because I was retreating with three other writers this year and we mostly wrote in common spaces or in one of the other cabins (but not the haunted one!).

As I said, it was an amazing trip, and I highly recommend a Highlights retreat for all of you creative types. I wrote a ton of words and set myself up for successfully completing my NaNoWriMo challenge (as of November 28 when I’m writing this, I’m at 47, 250 words for the month and on track to finish on time). There’s much to be said of having everything taken care of for you so you have the brain space to only think of writing.

As a teaser for what I’m working on, I composed this poem in the Highlights word garden. As you can see, it’s kind of an intense story, but I’m really pleased with how it’s coming out. Though there will be a ton of revisions to come.

dark and light

scream within

the storm

Katie L. Carroll

My retreat mates are all vloggers, so you can check out their videos about the experience below. I kind of hate making videos myself, so I’ll be sticking to this old blog for now.

Reintroduction and Updates on Author Katie L. Carroll

Author Katie L. Carroll at the CT Renaissance Faire, cosplaying as Yeselda, witch of Faway Forest, from the Elixir Chronicles.

Welcome to my blog! I have some new followers that I met at the CT Renaissance Faire, so I thought I’d reintroduce myself and my website. I generally post about twice a month, so you won’t be spammed with a million posts from me. I like to introduce myself by saying I write books for young people and those who are young at heart, and you can visit my Author Bio page to learn more about me.

I would be remiss not to also send a big thanks to all my long-time followers who have stuck with me these many years I’ve been blogging. I checked and discovered that my very first blog post was dated May 26, 2008! Every few years I wonder if I should keep blogging, but it seems that I’ll be continuing this venture of mine for awhile still.

The blog space is where I share updates about anything important going on with my books, like teasers and thoughts about my works-in-progress, any new releases or sale prices on my books (stay tuned in the coming weeks for news on sales), and upcoming events. You can learn more about books by clicking on the Books tab on my website and you can buy signed books directly from me by going to the Purchase Books tab.

I also post about things that are on my mind, often related to what I’ve been writing. I have an ongoing series of posts about space exploration and one of my favorite past series of posts was about females in YA. There is the occasional guest post from a fellow author, artist, or creative type or a post that includes pictures of my kiddos and our adventures.

I love connecting with readers and other writers here and welcome comments, so if there’s something particular you’d like me to write about, please do let me know. My Author Visits page and Events page are good places to check out if you want to connect with me further. For those of you interested in the publishing side of writing, I have Self-Publishing Resources as well.

Interview with Katlyn Duncan Author of TAKE BACK YOUR BOOK

I’m very excited to host my amazing critique partner Katlyn Duncan today to talk about her latest release TAKE BACK Y OUR BOOK: AN AUTHOR’S GUIDE TO RIGHTS REVERSION AND PUBLISHING ON YOUR TERMS. Katlyn is the author of many YA and adult works of fiction and this is her first work of non-fiction. It’s so full of relevant information about the business of publishing and rights reversion, and I think any author or aspiring author will feel empowered after reading it. Welcome, Katlyn!

The inspiration behind a book is frequently talked about when writing fiction, but there’s often an interesting inspiration story behind non-fiction. What gave you the idea for TAKE BACK YOUR BOOK: AN AUTHOR’S GUIDE TO RIGHTS REVERSION AND PUBLISHING ON YOUR TERMS?

When the book rights for my debut Young Adult paranormal series (The Life After series) reverted to me in 2019, I immediately looked online to see what I should do with the book. But there weren’t many recent articles about what to do after book rights reversion. I had to do a lot of research myself, which was mostly scouring writer groups and working my network to find other writers who had their book rights reverted. For those authors, all of their stories were different, which helped me understand that I had to make a lot of decisions on my own.

One day, you and I were discussing self-publishing, and the idea came so quickly to me. There weren’t any resources out there about the process of rights reversion all the way through re-publishing the book, so I wrote it myself hoping to help any authors who are or will be in the same position.

Let’s turn the inspiration to you! What made you want to become a writer?

Storytelling has always been a huge part of my life. As a kid, I loved drama class and acting in plays while devouring movies as much as I could. Eventually, that stemmed into penning my own plays and movie scripts (which will never see the light of day, by the way!). Then when I was in my early twenties, I started to write fiction novels and I haven’t stopped since.

What’s one book you wish you had written? And (of course) why?

Can I say ‘Twilight’? I wouldn’t mind living in Stephenie Meyer’s shoes right now with the ability to auto sell anything I write and take all those lofty advances to the bank.

I think we’d all say yes to Stephenie Meyer’s advances! You write both fiction and non-fiction. How was writing TAKE BACK YOUR BOOK different from writing your fiction projects?

There are a few ways it was different. First, I had to do a lot of research for this book, more than I have for any of my fiction novels. Previously, I had saved some articles from when I was going through the book rights reversion process, but there was so much more to outline for the reader. I had to make sure that I listed as many options for a reverted book as possible, which meant exploring as many publishing paths as I could, along with outlining the self-publishing process from start to finish, and beyond to marketing and future plans for the book.

Second, writing a non-fiction “arc” is much different than a fiction one. You have to structure the book in a way that is compelling and makes sense as its own type of story while allowing author voice to shine through instead of a character’s voice.

Obviously TAKE BACK YOUR BOOK is full of advice for authors, but what’s one important takeaway you’d like to leave readers with today?

Regarding book rights, make sure you understand what you are signing away and how long your rights will be in someone else’s hands. This is where community is very important. Ask fellow authors in both the “traditional” and self-publishing spheres and find where your book belongs before you put pen to paper and sign any contract.

It’s so important to understand what is in a publishing contract before you sign. One last thing, what is next for you in your writing career?

I’ve completely veered away from traditional publishing and diving head-first into self-publishing. I’m re-publishing my debut YA series under a new pen name (Katy Duncan), starting with ‘Soul Taken’ in September 2021, followed soon after by book 2 (‘Soul Possessed’) and book 3 (‘Soul Betrayed’) in 2022, in addition to publishing adult thrillers after that.

TAKE BACK YOUR BOOK blurb:

Revive your book from the bottom of the charts with rights reversion.

Have you sold your book to a publisher, but years later it’s not selling the way you want? Are you frustrated with their lack of marketing and little to no royalty payments?

It’s time to take back your book rights.

This guide will give you the knowledge and confidence to get your book rights reverted and how to place it in front of new readers, on your terms.

In this book you’ll find:

  • The basics of rights reversion
  • What to do with your book after reversion
  • How to re-publish your book
  • Long-term considerations for your author business and backlist
  • Stories from authors successfully reverting and republishing their books

You will always be your book’s biggest champion. Don’t condemn it to years of neglect at someone else’s hands. Take back your rights and make them work for you for years to come.

Buy the book on Amazon, Apple Books, Barnes & Noble, Kobo, and these other book retailers.

About the Author:

Katlyn Duncan is a multi-published hybrid author of adult and young adult fiction and has ghostwritten over forty novels for children and adults.

When she’s not writing, she’s obsessing over many (many) television series’, and hanging out on YouTube where she shares her writing process and all the bookish things.

Find her at katlynduncan.com, YouTube, and Instagram.

Highlights From the 2021 New England SCBWI Conference

Long-time followers of the blog might remember how I like to do conference round-ups where I share bits of wisdom from writing conferences I’ve attended. You can check out past conference highlights here.

The 2021 New England SCBWI Conference was unlike any other NESCBWI one because it was fully digital this year. I was keeping my expectations low because I didn’t think it could possibly include the same sense of community as the in-person event. In addition to all the amazing workshops and keynote always offered, this particular conference was always about catching up with writing friends I’d usually only see once a year.

But conference co-directors Juliana Spink Mills and Casey W. Robinson and the entire committee managed to bring that NESCBWI vibe to the digital space. The conference included social hours where you could pick what “room” you wanted to be in (broken up into categories like what state your from, what kind of things you write, or just fun things like a witch’s tea room). In one chat, we ended up talking about pirates and I went and put on one of my pirate hats!

Friday night started off with a “Conversation With Two Legends: Nikki Grimes and Jane Yolen” hosted by Heidi E. Y. Stemple. It was packed full of great stories and advice, and these two truly are legends.

The friendship between them was very evident, even through a screen. When speaking about doing a writing retreat at Jane’s house, Nikki said, they were “two friends, two equals, doing the work.” Jane chimed in that when you’re with someone at the same stage as you, you don’t have to explain. Total author friendship goals there!

Jane intro’d herself by talking about “resolved combustion” and having “a place to cradle the nascent flame.” She told us, the fire is set, breathe deep, steady passionate…then blow yourself apart.

Nikki reminded us that “novel” means “new.” She realized she didn’t have to write the way everyone thought she should and that she had to do it the way that was right for her.

Saturday was packed full of workshops. We got to pick four to attend live and all the others were available to to view for a month afterwards. Being able to watch all the workshops offered is a big perk of the digital format.

In her workshop about picture book revision, Charlesbridge editor Julie Bliven said to come back to that spark of what is working and what you like about a manuscript to remind you of why it’s worth the revision.

Author Heidi E. Y. Stemple included a ton of amazing mentor texts when talking about non-fiction voice, resulting in me getting a little out of control with my holds list at the local library. She encouraged us to experiment with telling the story different ways and play with tone and language, and to not be afraid to try and fail when trying something different with a non-fiction manuscript.

Margaret K. McElderry Books, an imprint of Simon & Schuster, editor Kate Prosswimmer editor gave us a bunch of different guides to approach plot and character together. She said that the heart of a story is in the intersection of plot and character.

Saturday ended with a heart-tugging and joyful keynote from author/illustrator Mike Curato that tied so well into the conference’s theme of finding joy in the journey. His voice has such a soothing tone and I could have spent hours listening to him talk about his personal creative journey.

He talked about how his big break came when he realized he hadn’t made anything for himself in years and the joy was missing from his work. That’s when he created Little Elliot, who embodied so much of his childhood. Mike said that Elliot was his guide and would leave him through the darkness.

On Sunday, we got to pick two Ask-A-Mentor sessions to attend where faculty took questions directly from attendees. Then the conference ended with a keynote from Padma Venkatraman. If you ever get a chance to see Padma speak or teach a workshop, do it. She is so generous with her time and wisdom and is truly a gem to our New England SCBWI community.

Padma advised us to make a note of anytime someone says something kind or that they believe in you and to keep that in a book or somewhere to look at. In a sentiment that she constantly demonstrates, Padma said there is generosity in give away ideas and encouragement and that we should “lift other people.” I’m very much looking forward to her next book BORN BEHIND BARS, which is coming this fall.

And that was only some of the workshops and sessions I attended live. I spent the next month popping in to watch the recordings of the other sessions and filling up my notebook with inspiring advice and stories.

Stuck In The Writing In-Between

I’m currently in between big writing projects, and I’m having trouble getting out of that space. Some of that is because there are things currently out of my control in regards to what happens next in my writing career, so it’s hard to look too far in the future. Which makes it hard to commit to anything big right now–mainly on deciding what novel I want to write next.

I did have a sort of break planned where I was going to read and catch up on some non-writerly stuff…and wait and see where my muse takes me next. I’ve definitely done this, and worked on some smaller projects in the meantime. All those small projects have turned out to be on the quirky side, so I’m not really sure what to do with them.

It’s not that I don’t have novel ideas (I literally have notebooks of ideas stashed away); it’s more that I can’t quite seem to figure out what one is calling to me the loudest. There’s also the consideration about what makes sense to work on next as far as my career goes, and that brings me back to having to wait to see where those things out of my control shake out.

The waiting is part of the business of writing. I’m growing impatient with the waiting, though. My fingers are itching to get to work. My dreams (like the sleeping kind, not goals and aspirations) have gotten even weirder than those small projects I’ve been working on, which is a sure sign that my brain is getting antsy to work on a big project.

I thought maybe writing this post out would help me have some insight into what to do next. But here I’ve reached the end and I still don’t know what to do.

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