Books for kids, teens, & those who are young at heart

Category: Writing (Page 27 of 73)

New England SCBWI Past Conference Gems

Whenever I’m preparing to head off to a writing conference, I always find it fun and inspirational to look back on past conferences. I’m in kind of a discouraged state of mind about my writing. I’m waiting on one thing, I pulled another out of publication, and I have no major projects scheduled to be published right now. I’m trying not to focus on all the negatives in my writing career and instead plug away at my WIP, but I’ve got to admit I’ve been feeling a little low.

But I’m off to the 2016 New England SCBWI conference a week from Friday. I’m heading up early to get in some writing time before the conference starts that afternoon, and then I’ll be attending workshops, keynotes, and panels all weekend. And catching up with old writing buddies and hopefully meeting some new ones. Anyone else attending? Make sure to say “hi” if our paths cross. To keep us all inspired here are my conference gems from 2013 and 2015 NESCBWI conferences.

From 2013:

  • We should meet the world with all our senses. ~Jeannine Atkins
  • What’s outside in the setting can reflect what’s going on in the inside of a character, but it can also be in contrast to what’s being felt. ~Jeannine Atkins
  • How do we access that which we are trying to recreate when we’re sitting at our desks or computers? Sometimes we need a sensory kick in the pants. ~Dawn Metcalf
  • We work with art and it can evoke an objective response. ~Ruben Pfeffer
  • It was as if someone else’s words had opened up a whole host of words in me. ~Sharon Creech
  • As writers we want company; we need company. You come along too, please. ~Sharon Creech
  • Revision is finding and strengthening the heart of a story, and revision is messier than people want it to be. ~Kate Messner
  • Maybe I had to stop trying to prove to people I was good enough and just had to do the work I was passionate about. ~Grace Lin
  • Every story has a message, whether or not the writer was aware of it or intended it. ~Chris Eboch
  • I come to one little detail that sort of wakes up my mind and then start amassing details like constellations. ~Jeannine Atkins
  • Writers are somewhat schizophrenic; we hear voices in our heads; we listen instead of conversing. ~Padma Venkatraman
  • Go down the rabbit hole. ~Greg Fishbone

From 2015 (Wow! There are a lot here, but well worth the read.):

  • If I like something, I will Internet stalk you. ~Carter Hasegawa
  • Don’t be crazy on the interwebs. ~Jill Corcoran
  • Things take a long time because they take a long time. ~Jennifer Laughran
  • Often what I don’t think I’m looking for is what I fall in love with. ~Alison Weiss
  • I was led to believe that social media was key to making you great. There are things that can work, but it has to be what works for you. ~Carter Hasegawa
  • You are my tribe. ~Jane Yolen
  • Books make the world a little smaller for people to reach out to each other. ~Jane Yolen
  • Protect yourself so that there’s room to create. ~Carter Hasegawa
  • Taking a chance, isn’t that what all of us do when we send out a manuscript? ~Stephen Mooser
  • Taste–the one word to leave this conference with. ~Dan Santat
  • “Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit…” Ira Glass quote referenced by Dan Santat (See the full quote on Goodreads.)
  • Don’t be biased or censor yourself in what you like and read and how you form your taste. ~Dan Santat
  • Be aware of your tastes and interests. This is your voice. Your voice is you writing on a piece of paper uncensored. ~Dan Santat
  • Trust yourself; know that you have something inside of you. Trust that what you have to say has value. ~Dan Santat
  • The hardest part of finding your style is trusting your own instincts. ~Dan Santat
  • My skin needs to be thin because I don’t want to protect myself from feeling things. ~Deborah Freedman
  • I’m just a guy who writes poetry. I’m just a dude. This is not happening (on winning the Newbery). ~Kwame Alexander
  • You never expect to win, but somewhere in the deep crevices of your mind, you’re always hopeful. ~Kwame Alexander
  • The answer is always yes! If I say yes and walk through the door, I will figure it out. ~Kwame Alexander
  • I believe we have to get the nos out of the way to get our yes. ~Kwame Alexander
  • Everyone has a story. It’s the reason why everyone acts the way they do. I saw my world differently and I was different (after reading THE CHOCOLATE WAR by Robert Cormier). ~Jo Knowles
  • The more I read, the bigger my world became. ~Jo Knowles
  • Even if I was afraid to use my voice out loud that didn’t mean I didn’t have one. ~Jo Knowles
  • Kids understand love…hate and discrimination are what they learn from adults. ~Jo Knowles
  • The moment we open a book and start reading, we change. ~Jo Knowles
  • Your book does not belong in a box. Allow yourselves to find the truth and tell it. Open the box and tear down the sides. ~Jo Knowles
  • People think diversity is a fad and that’s really offensive. I’ll still be brown tomorrow. ~Justina Ireland
  • Authenticity is hard. Once a book is with a reader, it may not feel authentic to them. Make something that is authentic to you and make it universal. Make things that feel real. ~Grace Lin
  • Build from an emotional core and that is what is authentic. ~Dhonielle Clayton
  • Even in a family that is entirely Hispanic, each one of them is different. You still have a lot of work to do to make it real, even if you have a diverse background. ~Cindy L. Rodriguez 
  • Every kid wants to be the hero. ~Sona Charaipotra
  • Be brutal with your work, but kind to yourself. ~Katie L. Carroll
  • Write with your heart and soul, but revise with your head. ~Katie L. Carroll
  • There’s no silver bullet to making your manuscript better. You have to put in the hard work. ~Katie L. Carroll
  • Go beyond the Cinderella story when searching for inspiration. Think and read outside your comfort zone, and find what resonates with you by mining your own mind and heart. ~Katie L. Carroll

April #InkRipples: Playing with Poetry

poetry-688368Poetry is one of the first types of literature we are exposed to as children. We hear it in songs, in rhyming pictures books, and even in the non-rhyming picture books whose cadence and structure are similar to poetry. One of The Boy’s favorite things to do is pick words (some nonsense ones) and rhyme them. He enjoys doing this activity for what can be an annoyingly long length of time!

One of the first ways young people express themselves both verbally and in written form is through poetry. I think this is because it has an interesting blend of structure and room for creativity and riffing. You can rhyme, but you don’t have to. You can create a haiku (very short and structured) or you can do a free verse poem (pretty much no “rules”). It’s almost instinctual for kids to play with poetry.

Back when I was in college, I applied for an award and one of the questions we had to answer was if you could create a class to be included in the English curriculum, what would it be. In one of my classes from the previous semester, each student had the opportunity to bring in one piece of writing that spoke to us, and almost every single person in the class (a small one of less than 20 students) brought in song lyrics. So I thought it would be cool to have a class called “Song Lyrics as Poetry.” One of my professors who was on the awards committee loved the idea so much, she taught songs lyrics as poems in one of her literature classes.

As an adult, I find myself dabbling in poetry for fun. I included a couple of ballad-style ones in Elixir Bound, I’ve written poems for my kids, and I ink the occasional poem for kids’ magazines. When I used to keep the magnetic poetry (check out this link for some examples) up on my refrigerator, people (of all ages) couldn’t help themselves and would come up with all sorts of poetry fun.

Poetry is a universal language we can all explore and play around with, even if we don’t consider ourselves poets!

#InkRipplesBlogBanner

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (April is all about poetry), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. Be sure to check out Kai’s and Mary’s posts this month. We’d love to have you join in the conversation on your own blogs. Full details and each month’s topic can be found on my #InkRipples page.

Feminism in YA Fantasy: A Study of ELIXIR BOUND #InkRipples #FemalesInYA

When I started writing ELIXIR BOUND many, many moons ago, I never intended to write a novel with feminist themes. I set out to write a fantasy adventure about two sisters with a structure modeled on the there-and-back-again journey of THE HOBBIT (a very non-feminist book!). Being the third of five children and a woman, it was important to me that the guardianship of the Elixir wasn’t passed down to the firstborn or a son, but I didn’t necessarily think about it in terms of feminism as I wrote the book.

Teaser 1 GuardianIt was only after I finished the first draft that I realized that I had created feminist characters, a feminist mythology, and a general feminist worldview.

At one point in an early draft, I had an older, male character–Hirsten’s father–in a brief scene question the decision to let Katora, a young woman, lead the quest to find the secret healing Elixir. He wasn’t questioning her abilities as leader, but the fact that Katora’s father was comfortable letting her venture into the dangerous Faway Forest. It stemmed from the fact that he only had male children and young women seemed a bit of a mystery to him.

I remember that as I wrote that scene, something about it wasn’t sitting well with me. I couldn’t pinpoint what the problem was until I had a whole draft, and then I quickly realized it didn’t fit in with the worldview I had created in pretty much every other aspect of the story. The world of ELIXIR BOUND wasn’t a place where the gender of a person was a reason to question whether or not they should do something. And it was only then that I was able to consciously recognize the type of world I had created.

The Greater Peninsula is ruled by Mother Nature, an unseen goddess character, whom Katora often refers to in dialogue as the “Great Mother” in way that in our world would probably be considered blasphemy (though it’s okay in her world). A young women leads the quest to find the secret ingredient for the Elixir, and the other women on the quest, though different, are certainly as worthy as any of the male characters, and believe themselves to be so. And so do the male characters…all of them (once I got rid of that rogue scene with Hirsten’s father). The external antagonist is called a witch, but she is really a minor goddess and has three male characters as her henchmen. No shortage of feminism there.

I suppose my own feminist ideas bled into the world I was creating all of their own accord. Once I was able to take a step back from the work and look at what I had done, it clicked that this was the way it was supposed to be. It’s my world, right, so why shouldn’t it have a more idealized version of women’s rights? I’m not saying it’s a perfect world or that I represent feminism in a perfect way, but it sure filled a need in me to create a world that didn’t paint someone like me in an inferior way.

I’ve read a lot of fantasy, and a whole lot of YA fantasy. Adult fantasies and their portrayal of women has generally been a disappointment; I know there are exceptions to this, but as a whole the genre is seriously lacking. There are many amazing female characters in YA fantasy, too many to list here (but for a sampling, Katsa from GRACELING, any of Tamora Pierce’s female characters, Alina from the The Grisha series, and Elisa from the Fire and Thorns series). The thing about a lot of these awesome female characters is that they often are the outliers: women doing things that men usually do or bucking against a world with inherent sexism. (Again, I recognize I’m generalizing here and that there are exceptions to this, but I’m talking about the greater picture I’ve observed in fantasy.)

So it came as a surprise to me that my world might be considered unique. I didn’t really think of it as such (I mean, everything has been done before, so I never consider anything I do as even remotely close to unique), but after thinking about it and noticing the trends in what I’ve read, I was like, “Huh. Maybe I’ve got something slightly out of the norm here.”

Then I thought, “Well, isn’t that kind of sad.” Even in our imaginary worlds, we can’t seem to break out of the sexist mold that we are pegged into in our real world. Even when we have dynamic, interesting female characters that pass the Bechdel Test, we too often put them in a patriarchal world, or worse a sexist one, or worst one that normalizes violence against women. (Seriously, just Google “sexism and fantasy” for a whole slew of articles about the topic.)

I’d love to read more fantasy books with a feminist outlook and not just the so-called “strong” female characters. So please throw some recommendations out there, and we can work on bringing more attention to fantasy books with feminist worlds.

#InkRipples#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (there’s still time to add to the March topic of feminism), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. Be sure to check out Kai’s and Mary’s posts this month. We’d love to have you join in the conversation on your own blogs. Full details and each month’s topic can be found on my #InkRipples page.

Interview with Kai Strand Author of FINDING THOR

Have you found your Thor? Kai Strand wants to help with that. She’s here to talk about her young adult romantic suspense, FINDING THOR. Be sure to check out the giveaway below.

FindingThor_1-FINALInternational intrigue hits small-town America.

Tragedy has left Cara Cassidy broken and the only thing keeping her from giving in completely is her guilt. Until Nik Rock.

Nik stirs up feelings in degrees she has never experienced, and causes her to do things that most assuredly give him the wrong impression – like kiss him before their first date. Somehow, he breaks down the walls around her emotions until she has no choice but to forgive herself and feel again.

But a mysterious, troubled past follows Nik, and Cara may prove to be his weakest link.

When a royal princess shows up looking for Nik, and an international gang arrives looking for missing jewels, Cara lands in mortal danger. Will she be able to save herself? What will happen to her newly repaired psyche if she loses Nik?

Romance, mystery, and high stakes – just another day in high school.

Hi, Kai! Why should we read your book?

How long can you hold your breath? Finding Thor is non-stop, action, emotion, mystery, and intrigue.

If you could live inside a book, which book would you chose?

I feel like I’m cheating on this because Finding Thor is set in my current hometown, so I’d just stay right where I am now.

Is there a lesson to be learned in Finding Thor?

I don’t set out to teach a lesson when I’m writing a story, but one thing I hope resonates with readers is Cara’s personal struggle. She’s grieving. She has ups and downs. Even when she starts to make progress toward healing, she has setbacks. This is normal. People don’t have these perfect paths to follow. Life is messy. However, when the chips are down, she identifies what’s important to her and she digs deep inside her for the strength to fight for it.

Excerpt:

The veil dropped over Nik’s expression so fast, it told her exactly what she didn’t want to know. Nik had indeed seen her mom. Cara turned away from him again intending to trudge back into the classroom.

“By the crown, will you stop already?” Nik begged.

The exasperation in his tone and the odd choice of words piqued her curiosity. Cocking her head, she asked, “By the crown?”

The frustration melted away and Nik pursed his lips, which almost distracted Cara enough to forget the thread of conversation, but she tore her eyes away and asked, “Is that what they say in Seattle?”

Nik’s eyes lit with appreciation. “Aren’t you clever?”

“Am I?”

He nodded. His appreciative appraisal and half smile wreaked havoc with her supposed cleverness.

“Nik?” she breathed.

“Yes?” He tilted toward her giving her the impression he hung on her every word. His eyes were glued to her lips, which she realized were parted and ever so slightly panting.

She gulped. “Can we perhaps do this after school?”

When he raised his gaze to meet hers she almost liquefied under the heat of it. “Can I trust you?”

“Trust me to do what?” Cara asked. She was losing the ability to think.

“Show up.” He slid closer and she held her breath hoping he would take her in his arms.

“Show up where?” she asked.

A full-blown grin curved across his face and she thrilled with the knowledge she’d put it there. Then she realized she couldn’t remember how.

“Actually, I was going to ask you that,” Nik said. His eyes roved her face.

“Wait. What?” Cara’s voice was so breathy she wasn’t sure if she spoke or gasped.

“Where should we meet? After school.”

She itched to rise up on tiptoe and kiss that stellar grin off his mouth.

A low chuckle rumbled through him. “Why don’t you tell me in gym class?”

She nodded slowly. Was he a drug? Or maybe the male version of a siren. Did they have those?

He tipped further forward and she caught her breath. Then he sighed.

“See you next period.”

Her mouth fell open as he walked away. He hadn’t even touched her and she was burning with need.

At the end of the hall, he glanced over his shoulder and grinned when he saw her still gaping after him. When he walked out of view she let out the breath she’d been holding. It stuttered and shook, but was relieved to escape her burning lungs. How long had she been holding her breath?

By the crown, Nik Rock was dangerous!

Finding Thor is available in print or electronic format from the following:

AmazonBarnes & NobleWhiskey Creek PressAll RomanceBookStrand|

Add Finding Thor to your to-read shelf on Goodreads

Kai StrandAbout the author:

When her children were young and the electricity winked out, Kai Strand gathered her family around the fireplace and they told stories, one sentence at a time. Her boys were rather fond of the ending, “And then everybody died. The end.” Now an award winning children’s author, Kai crafts fiction for kids and teens to provide an escape hatch from their reality. With a selection of novels for young adult and middle grade readers Kai entertains children of all ages, and their adults. Learn more about Kai and her books on her website, www.kaistrand.com.

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IMG_3218Swag alert! Looking for your Thor? Look no further, Kai’s got you covered. Enter to win a custom tote bag for all of those books you like to carry with you, and a Thor baseball cap. Easy entry for those in a hurry, or many other ways to earn more entries for contest junkies. FT swag pack can only be shipped in the United States. If first winner is International, an Amazon gift card will be substituted and another winner will be chosen.

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INTO THE FIRE by Kelly Hashway Blitz Tour

Let’s give a big welcome to Kelly Hashway as she celebrates her newest release, the YA paranormal romance INTO THE FIRE. Don’t forget to enter the giveaway!
Hi, Kelly! What inspired you to write INTO THE FIRE?
When I was growing up, my mother watched reruns of the original TV series Dark Shadows. There were a few episodes that featured a woman who was a Phoenix. Every so many years she’d die in fire and be reborn from the ashes. For some reason, this stuck with me and I knew I had to write about a cast of characters who were Phoenixes.

 

The target audience for INTO THE FIRE are teens. What books had the most influence on you when you were that age?
I loved paranormal and horror novels. I was constantly reading those, which I’m sure is why I write them today. I can’t really pinpoint any specific titles though. It was the genres themselves that influenced me.
 
If you were stranded on a desert island and could only bring two books and one movie, what would you bring?
Only two books? That’s a nightmare! Okay, I’ll go with Percy Jackson and the Titan’s Curse by Rick Riordan and Crescendo by Becca Fitzpatrick. Those are still my top two picks even though they’ve been out for years. As for the movie, I’ll pick Harry Potter and the Deathly Hallows Part Two. You can’t go wrong with that one because there are so many emotions involved.
 
You write a lot of paranormal stories. What is it about that genre that keeps you coming back?
To me, paranormal is the real world but better. Anything can happen and people tend to have extraordinary abilities. I feel like there’s always something new to discover in this genre.

What is the single best piece of advice you have for aspiring authors?
The best advice is probably the simplest. Read. It’s the best form of research you can do (not to mention the most fun), and by reading you’re supporting the industry you want to work in.

If you could have one superpower, what would it be?
I’ve always wanted to fly, mostly because I hate driving. 😉 I used to dream about flying when I was very little though, so the obsession started long before I got my driver’s license. I’ve always envied birds because they can walk, run, or fly. It would be really cool to soar above the world and see it from a different perspective.

 

INTO THE FIRE by Kelly Hashway
Genre: YA Paranormal
Publisher: Limitless Publishing
– SYNOPSIS –
In one month’s time, seventeen-year-old Cara Tillman will die and be reborn from her own ashes…
Her life of secrecy has never been easy. She’s watched her younger brother, Jeremy, burn and rise again in a coming-of-age process called rebirth. And just like her brother, when her time comes, she won’t remember anything from her first life other than she’s a Phoenix—a member of a small group of people descended from the mythical Phoenix bird.
The last thing she needs to worry about is falling for the new guy in town—Logan Schmidt.
Cara is drawn to Logan in a way she can’t explain, but she’s not exactly complaining. Everything is perfect…except it’s not. Once she’s reborn, she’ll forget Logan. And to make things worse, a Phoenix Hunter is on the loose, and Cara’s involvement with Logan is bringing out her Phoenix qualities—the very qualities that will draw the Hunter right to her.
Desperate times call for desperate measures…
Afraid of hurting Logan, Cara breaks it off for good. But her attraction to him runs deeper than a typical high school crush. She wants him—needs him. And if he proves willing to stay by her side, their love might destroy them both.
Can Cara hide from the Phoenix Hunters long enough to survive her rebirth? And if so, will it mean a new beginning with Logan—or the beginning of the end?

 

 

– PURCHASE –

 

 

– ABOUT THE AUTHOR –
Kelly Hashway grew up reading R.L. Stein’s Fear Street novels and writing stories of her own, so it was no surprise to her family when she majored in English and later obtained a masters degree in English Secondary Education from East Stroudsburg University. After teaching middle school language arts for seven years, Hashway went back to school and focused specifically on writing. She is now the author of three young adult series, one middle grade series, and several picture books. She also writes contemporary romance under the pen name Ashelyn Drake. When she isn’t writing, Hashway works as a freelance editor for small presses as well as for her own list of clients. In her spare time, she enjoys running, traveling, and volunteering with the PTO. Hashway currently resides in Pennsylvania with her husband, daughter, and two pets.

 

 

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