Books for kids, teens, & those who are young at heart

Category: Writing (Page 20 of 72)

September #InkRipples: Building a Fictional World

What exactly is world building (or worldbuilding if your prefer is as one word)? Basically, it’s the creation of a fictional world. More than that, though, it’s how that world is explained within the confines of a story. The imagining and creating is the easy part (in my opinion). It’s choosing which pieces to include in the story and how to include those pieces with out a big info-dump that is the tricky part.

The reader must be grounded in the world and be able to feel like they are immersed in it, but you don’t want to bore them with too many details and world-building elements that aren’t essential to the plot and character development. It’s highly subjective, too. One reader may love lavish descriptions and explanations of how one aspect of your fictional world works, while another may skim through all that to get to the action.

And world building isn’t just for fantasy or sci-fi writers. Even if a story takes place in a high school and most of your readers are in high school or have been to one, you still need to establish the world of your high school. There’s a lot already written on ways to execute world building, so instead of me blathering on with tips, I’ll leave some links at the end of the post for you to peruse at your leisure.

Some of my favorite world building exercises have been making a map for the ELIXIR BOUND (see the picture at the beginning of the post and the entry “Exploring the world of Elixir Bound”). For PIRATE ISLAND, part of my world building included creating a chart with realistic tides and moon cycles. So much of my world building goes on behind the scenes, but having all that information in my head makes for a rich world on the page, even if the reader only sees a small portion of what the world entails. Plus, those elements that don’t make it directly into the story are great for things like blog posts and bonuses for readers.

Okay, before we get to the links, I’d love to hear some of your world-building techniques in the comments!

“Tips on World Building for Writers — How to Make Your Imaginary World Real” by Chuck Sambuchino

“The Ultimate Guide to World-Building: How To Write Fantasy, Sci-Fi, And Real-Life Worlds” by Claire Bradshaw

“25 Things You Should Know About Worldbuilding” by Chuck Wendig

(Apparently people named Chuck have a lot to say about world building!)

#InkRipples is a monthly meme created by Katie L. CarrollMary Waibel, and Kai Strand. We pick a topic (September is all about world building), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

August #InkRipples: Options in Publishing – What’s Your Path?

When it comes to publishing a book, there are so many more options than there used to be. If you’re new to the business, it can be downright overwhelming and confusing to decide what publishing path is the right one for you. That is why we decided to tackle the topic in this month’s #InkRipples.

Traditional Publishing – For my intents and purposes, when I’m referring to traditional publishing, I mean a publishing house that offers advances to their authors and their books come out in print simultaneously with their ebooks (for the most part, though you may find imprints within the publishing house that deviates from this). Some publishers that don’t meet these criteria might call themselves “traditional publishers,” but I’m going to put those in another category.

  • Big 5 – Formerly the Big 6 publishing houses, when Penguin and Random House merged back in 2013, the largest 6 publishing houses became 5. So the big 5 are now Hachette Book Group, HarperCollins, Macmillan, Simon & Schuster, and Penguin Random House. These are the largest 5 publishing houses, the heavy hitters, what many authors consider the gold-standard of publishing. They each have many branches, called imprints, that specialize in certain areas of publishing. They have the ability to offer big advances for books they think will make them lots of money; they have big budgets to market and publicize those books; and they have large, influential distribution channels.
  • Medium to Small Traditional Publishers – These publishing houses are smaller than the Big 5, but they are well-known and well-respected in the industry and they have the ability to offer advances and print and ebooks release simultaneously. Sourcebooks and Charlesbridge are good examples of these smaller traditional publishers.

~Pros and Cons of Traditional Publishers – The big advantage to going with a traditional publisher is the influence they have. Your books will likely be in all the major bookstores and easily available. You’ll also have a full editorial staff to support you in making the book the best it can be and hopefully at least a small marketing push made by the publisher. There is a certain legitimacy that many still feel about traditional publishing that you won’t find with the other paths of publishing (not that this is my personal feeling, but I will admit that a stigma exists for those who chose a different publishing path). You as an author also have no monetary investment in the process of making the book when you traditionally publish.

A disadvantage is that you might end up being a small fish in a big pond. If your book isn’t of their heavy-hitters for that publishing season, it might get little attention or push from the publisher. The fact is, no matter what publishing path you chose, unless you’re a big-name author, you probably will have to do much of the marketing yourself. And if your book doesn’t sell well (the definition of a well-selling book will vary greatly depending on your situation), it might have a short self-life. It’s also really hard to break into traditional publishing, and you usually need an agent to submit to these publishers.

Hybrid Publishers – This is an emerging term in the publishing industry and may mean different things to different people. Basically what I mean by a hybrid publishers is a publisher that exists in the space between traditional and self-publishing. They may be a digital only publisher or a digital first one (where select titles come out in print only after the ebook is released), as is the case with the publisher of my YA fantasy ELIXIR BOUND, MuseItUp Publishing. They usually offer royalty-only payments with no advances. Some of the Big 5 houses have imprints that operate this way.

~Pros and Cons of Hybrid Publishers – Hybrid publishers often have long backlists that don’t get pulled because of slow sales because there is less investment up front. Generally, like traditional publishing, you as an author don’t have to put your own money into anything (until it comes to any marketing you opt to invent in), as the editing, cover art, and production of the book is handled by the publisher.

Without an advance, though, the author has to rely on royalties for payment, which can be slow in coming. Sales may also be low because hybrid publishers don’t have the clout and distribution channels of of traditional publishers. If you do have a print book, it may or may not end up on the bookshelves at bookstores.

Self-publishers – When you decide to do it all yourself and skip working with a publishing house all together, that is self-publishing. You, the author, are your own publisher. You may decide to create your own publishing company so you have a publisher’s name associated with your book and for tax purposes (as I did with PIRATE ISLAND), but it’s still self-published.

~Pros and Cons of Self-Publishing – The main pro and con of self-publishing is pretty much the same thing: you have all the control! That’s a good thing in some ways because you make all the decisions for your book and you reap all the benefits (except for what your distributing partners take). But that also means you have to make a ton of decisions and you have to be informed about all the aspects of creating a book. It’s a big learning curve, but it’s also wonderfully freeing to self-publish. You also have to put up your own money for any services (editing, cover, formatting, etc…) that you don’t decide to do on your own. And you should definitely hire out for those areas you need help. Even a great self-editor should no solely rely on their own editing skills for editing a book your going to self-publish.

*Note on Vanity Publishers – Vanity presses are where authors pay to have their books published. These are not really publishing houses in a sense that they don’t have an acquisitions process. If they do offer any kind of editing or cover services, it’s usually for an additional fee. Honestly, most vanity presses are scams, overcharging authors and giving them very little in return. These should not be confused with reputable, professional editing or formatting services that charge a fee for help with editing or formatting for authors who are interested in self-publishing or going through a round of professional editing before submitting to agents or publishing houses.

What types of publishing have you tried? How has it worked out for you?

#InkRipples is a monthly meme created by Katie L. CarrollMary Waibel, and Kai Strand. We pick a topic (August is all about options in publishing), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

Interview of LA Dragoni Author of GUARDIAN’S TOUCH

I’m always happy to have a good writer friend guest on the Observation Desk, and LA is one of the best! It’s no wonder when I saw the answers on this author interview, which made me realize we have more in common than I thought. Check out her latest release GUARDIAN’S TOUCH, book two in the Touched by Afterlife series. There’s also a special running on book one GHOST TOUCH and a giveaway, so don’t miss out on those.

Final week of the Sale! http://www.ladragoni.com/

Welcome to the Observation Desk, LA. What made you want to become a writer in the first place?

Thanks for having me, Katie. Congratulations on your new baby. He’s adorable! (Thanks! 🙂 )

Like most writers, I’ve always written, but it was reading the Harry Potter series that really gave me the spark! I anxiously awaited the release of another book in the series, but I really missed Hogwarts. I thought to myself, “I can create a world of my own while I wait.”

GUARDIAN’S TOUCH is the second book in the Touched by Afterlife series. How does writing a second (or third or fourth…) book differ from writing the first one in a series?

It’s fun to write series because you know your characters that much better with each consecutive book. And usually your setting is familiar too, unless your characters travel around or are on a quest. For now, mine are still on Tamara’s farm, which is modeled after our old farm, a favorite place of mine.

What one book by another author do you wish you had written?

I really love emotional books. I recently listened to Me Before You by JoJo Moyes. Holy cow what a story. I had a book hangover for days. The characters popped into my head as if I expected to run into them at the store or find them in my living room when I returned home. I really didn’t want to let them go.

If you were stranded on a desert island and could only bring two books and one movie, what would you bring?

Goblet of Fire (the fourth Harry Potter, in case there is someone out there who doesn’t know that). It feels like the biggest turning point in the series to me. The kids are really growing up, the graveyard scene is so intense, the dance is fun, and dragons! What’s not to love?

One of Thoreau’s tomes. It wouldn’t really matter which one. They are all so impossibly long and filled with stream of consciousness and beautiful words.

It’s a toss up on the movie! Either the A&E version of Pride & Prejudice, because it’s long and I’ll have loads of time to fill, plus I’m a hopeless romantic and P & P is one of my favorite love stories ever. Or, Phantom of the Opera. Again, because it’s one of my favorite love stories, plus it has music and I like to fancy myself a good singer. I’m pretty sure I could be stranded for the rest of my life and never grow tired of that score!

What is your favorite part of the writing process? What is your least favorite part?

The first draft is my favorite part of the writing process. I’m a pantser – I write by the seat of my pants, without an outline. It never fails, about 2/3 of the way through the book I think I’ve written myself into a corner that I’ll never get out of and all of those smart things I set up have just become troublesome problems to solve. Then it all starts to fall together and I feel very pleased and extremely clever. You know how you wish you could read a really good book for the first time again? Because the discovery is part of the fun. That’s how the first draft is for me.

Least favorite part has become the marketing. Though I love to visit blogs (thank you!) and I enjoy social media, my efforts don’t always pay off and that is discouraging. My dream is to make enough money to hire an assistant.

What is the single best piece of advice you have for aspiring authors?

Read, read, read. Read books written for your target audience. Read best sellers and self-published and obscure. Learn what you like and what you don’t. When you are steeped in the books written for your target audience, then read everything else. If you write middle grade, read mystery for adults, if you write horror, read Christian romance. You will pick up on techniques that you might not have seen before that you can incorporate into your own work.

What is next for you in your writing career?

Thanks for asking! I have a time travel romance publishing in November that I’m super excited about. Readers can subscribe to my newsletter to keep up to date on that release and to be among the first to see the gorgeous cover! And I’m writing the third Touched by Afterlife book now and hope to release it in spring of 2018. I can’t even tell you the name, because it would be a bit of a spoiler for Guardian’s Touch.

Thanks for having me Katie. Good luck to your readers in the giveaway!

GUARDIAN’S TOUCH blurb:

Life has returned to normal for Tamara and Dex after helping a horde of ghosts cross over. Their brush with the afterlife affirmed one thing: happily ever after is real.

When odd pranks around the farm escalate to destruction, Tamara fears mischievous teenagers are vandalizing the neighborhood. Then Dex starts to act out of character. Meanness slips into his usually playful disposition. One day he even ridicules a co-worker publicly. Tamara watches helplessly as he seems to lose the ability to control his own actions. When Dex’s abnormal anger turns violent—toward Tamara—their happily ever after is threatened. Desperate to help Dex and herself, she sends out a silent prayer for help.

She didn’t expect Cal to come to her aid.

Available on Amazon.

About the Author:

LA Dragoni isn’t too particular about who falls in love or where they fall in love. Whether it’s paranormal, mythical, or time travel, LA simply considers it her job to divine their story and share it with you. She lives in Central Oregon with her husband and children, but haunts ghost towns and cemeteries throughout the west, in search of the next adventure to sift through her storytelling brain. Learn more about LA and her work at ladragoni.com

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July #InkRipples: The Hero Is the Villain

When I think about the July #InkRipples topic of heroes/villains, I always think about the many quotes along the lines of everyone is the hero of their own story (there are so many versions of this quote with different attributions, I’m not even going to try attribute a direct quote).

I think this idea is especially interesting when applied to villains. The most interesting villains feel totally justified in their actions in their own minds as opposed to a villain who is presented as simply an evil character. We may judge those actions to be horrible, but for whatever reason–be that twisted or misguided or maybe a little justified but still ultimately bad–the villain considers themselves the hero.

On the flip side, others may view the hero of a story as a villain. Perhaps what the hero sees as a justified, noble deed is harmful to another. Now the person being harmed may be harming others and the moral thing to do is to stop them, but they will still categorize the hero as a villain in their own mind. And no hero of a story should be perfect…that would be boring. Heroes need to have flaws.

As a writer, it’s really all about how the story is framed. Vengeance can be a way for a reader to relate to and root for a hero, or it could be the means by which a character becomes a villain. I find stories with lots of shades of gray in the good vs. evil area to be incredible compelling.

What’s your take on heroes and villains?

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (July is all about heroes/villains), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

Recognizing Different Kinds of Productivity

I’ve been feeling particularly unproductive this year, in part because I haven’t been doing much drafting. It’s my favorite part of the writing process and the one that creatively feels the most fulfilling. I feel whole when I’m in the midst of a draft and able to lose myself in the process of adding words to the page.

The other part of feeling unproductive is being pregnant. With the bad colds all winter long, the morning sickness for the first half of the pregnancy, and the fatigue and swelling that’s come with the last trimester and warmer weather, I haven’t exactly been racking up the work hours. I get that my limits are temporary and necessary right now, but that doesn’t mean they aren’t frustrating as well.

So I’m trying to recognize other ways I’ve been productive this year. The obvious one is I’m growing a baby (no small feat!). I’m also bringing a book baby into the world in October with my middle grade adventure PIRATE ISLAND. I’ts the first time I’m self-publishing a book, and I’ve learned a ton about the process this year, much of which I’ve enjoyed…even when it’s slightly frustrating and takes more time than I had hoped.

Then there are those other little guys (The Boy and The Prince) who demand so much of my time. The Boy flourished in kindergarten and is on his way to being a big first-grader. The Prince is learning and growing so much and will start preschool in the fall. I’ve been doing my best to spend as much quality time with those two before baby (a.k.a. The Gentleman) comes.

I’ve been working on a picture book, doing some freelance work, and working on other small projects as well. Then there’s the veggie garden (we picked our first peas of the season the other day), prepping for baby (six months worth of laundry washed, sorted, and folded and new mini-van purchased), blogging, and all those other things that require time and attention (grocery shopping and dinner, I’m looking at you!).

So, yeah, I think it’s fair to say that I’ve been as productive as I can be with the time and energy I have right now. And it’s important to recognize that (even blog about it) to validate that I’m doing stuff…even if it’s not all the stuff!

What kind of productive have you been lately?

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