Category: Writing (Page 16 of 72)

Keynote Conference Highlights and Writing Advice from #LA18SCBWI

August 22, 2018 / Katie L. Carroll

I feel so lucky to have been able to attend the SCBWI Conference in L.A. earlier this month. A big thanks to the SCBWI for sending me out there (I won the trip through my participation in SCBWI BookStop program). For all of you who saw my worries about leaving The Gentleman when he was just barely 1, you’ll be happy to know that he was find while I was gone (and even took a bottle at times!).

There were so many amazing moments that I couldn’t possibly share them all here, so be sure to check out all the SCBWI blog coverage of the conference or #LA18SCBWI on Twitter. The keynotes in particular were amazing, so I’ve devoted this post to those. (I always like to note that I don’t use quotation marks for these snippets because these are from the notes that I’m often frantically taking during talks, so there’s not way to know for sure if it’s a direct quote or if I’m paraphrasing, but I always try to be true to the point the speaker was trying to get across.)

Daniel José Older (He’s super funny!):

Words are supposed to sound nice when you put them together, so read out loud before you sub.
Beginnings establish what your character wants; they establish their humanity.
Every story that we tell is the story of a crisis, where a crisis is a turning point, a moment that everything changes in some significant way.
Good books are made of bad decisions.

Ekua Holmes (I love her whole aesthetic…the colors, the flow, the emotions behind it…everything!):

Reach back and gather the best of what our past hast to teach us. Reclaim her history, legacy, and sovereignty through art.
Our art is always personal. My strategy is somehow to find myself in each of my stories.
Confinement in mind and body cannot stop our creativity and desire to be free.
Children innately respond to creativity.

Lynda Mullaly Hunt (Her talks are always so full of the passion she brings to her work and for caring about kids.):

It’s a very brave act to create something that has never been in the world until you put your hand to the page and share it with others.
Young readers need us to care more about them than we care about our careers and ourselves.
Children are hungry for optimism–just like the rest of us.
Wishes are passive longings. Change your wishes into goals and act on those goals.

Andrea Davis Pinkney & Brian Pinkney (Such an adorable, creative couple…with very different work styles. I’d love to be a fly on their wall.):

Every artist have to have a style – B.P.
You want the reader to not even know they are reading because they are having so much fun. – A.D.P.
Write your own letter to diversity and come back to it in a year to see how you’ve done. – A.D.P.

Libba Bray (She’s a badass–super funny, smart, and thoughtful. See my post about how her keynote inspired by author theme of “find your magic”.):

In writing a story, you have to want to know something. The question makes your story come alive, leading us from somewhere we know to something new. The question leads to change.
Branding is about answers, about selling stuff. Brands by there very nature are static. It puts writers in a position to view kids as consumers instead of growing young people.
Writers need safe places to be able to take risks.
We are facing the kind of monsters we read about in books. There has never been a more important time to write for the next generation.
If someone asks what your brand is, tell them it’s a commitment to craft and a deep respect for the audience.

Mike Curato (He’s as adorable as his elephant character Little Elliot):

Eat cake…but make sure it’s good cake.
Think about how happy you were as a kid making art. Create things that make you happy.
Think about how small your were as a kid and how things looked, and draw from that perspective.

Lois Lowry (Needs no introduction! This was set up as a chat between Lois and SCBWI co-founder, Lin Oliver.):

The reaction of kids to her first book kept her writing fiction for young people. Her sudden awareness of the passion of kids for a book they love.
When asked what unifies her as a writer, Lois said intimacy. It’s her one word for her voice. She feels an intimate connection to her reader. The element of human connection is the theme that runs through her books.
There are things that are too dark for children, but they’re there. We have to write about those thing, and do it in an intelligent way.

Unfortunately I missed Eliza Wheeler’s keynote because I had to take break to pump breast milk, but there’s a great overview on the SCBWI Conference Blog.

I also popped in and out of Bruce Coville’s keynote (and didn’t get a chance to take notes of what I did hear) because it ran late and I was rushing around getting books signed before I had to catch my flight home. I’ve listened to a keynote of his before, and it was sooo good. You can just tell how much he loves writing for kids and the impact reading can have on them. Again, check out the SCBWI Conference Blog. Him talking about ripples really resonated with me.

I’m hoping to pull some highlights from the panels and workshops I attended for another post, as well as just a fun post about some of the shenanigans that went on during the downtime (You do want to see me dressed up as Jane Austen for the party, right?). Stay tuned!

Defining My Author Theme Courtesy of #LA18SCBWI and Libba Bray

August 14, 2018 / Katie L. Carroll

I purposefully didn’t title this piece with the words “author brand” because there are important distinctions between a brand and what I’m talking about here (and calling my “author theme”), and also because I don’t want to anger Libba Bray! But let me back up for a second and give you the all-important context.

I recently attended the SCBWI conference in L.A. where there were some amazing keynotes (and there were a whole lot of keynotes at this conference). The brilliant YA novelist Libba Bray gave her keynote on Saturday afternoon. As a conference attendee, I was buzzing with inspiration from the previous day and a half but not overloaded and exhausted like I was pretty much all of Sunday.

Libba discussed something that is on the mind of any writer who is tuned into the business and marketing side of publishing: author branding! I’ve been trying to come up with a snappy definition of an author brand, but it’s kind of making me woozy thinking about it, so I Googled it instead. Here are the links to the first couple of articles that pop up “How To Build Your Author Brand From Scratch (And Why You Need To)” and “7 Best Ways To Build An Authentic Author Brand.”

The bottom line is that most authors feel the pressure to have a brand, but it feels icky to figure out what that is and how to create one that is effective in selling ourselves. And selling yourself is all so counterintuitive to the creative process and to being authentic to an artistic goal rather than a monetary one. Blech!

Libba articulated this phenomenon so well when she framed it as a question vs. an answer. She said that writing is about wanting to know something. This question is what makes your story come alive. The question leads us from somewhere we know to something new. The question leads to change. On the other hand, branding is advertising, and it’s all about answers. Brands are static by nature, and it puts us in a position to view kids as consumers instead of as growing, learning young humans. (No direct quotes because I tend to not worry about getting direct quotes while taking notes during conferences. Check out the SCBWI Conference Blog for a great overview of not only Libba’s keynote but the whole conference.)

Libba ended with the thought that if anyone asks about your brand, say that it’s a commitment to craft and a deep respect for my audience. This thought–and the whole keynote really–sparked an idea of what I’m all about as an author of books for young people. I’m not calling it a brand because yuck, hence the term I use in the title of this post “author theme.” Where a brand would be about selling myself or my books, my author theme is about what I think I bring to the table as a creator, writer, teacher, and human being.

I know authors who essentially say all their writings–no matter what form, genre, or intended audience–come back to some central theme or idea. I’ve always struggled to come up with any one thing that ties all my work together, never mind one thing that ties together who I am with my work. The spark that came to me during this keynote pulled together my writing, my talks about writing and the creative process, and my philosophy on life in a way that I had never been able to do.

Now that I’ve thought of it, it seems painfully obvious that this is what I’ve been writing about and thinking about. It ties in the ubiquitousness of my sister’s death with my career. It’s the thing I’ve been inscribing in ELIXIR BOUND when I sign copies for readers. (Are you screaming at the screen yet for me to just tell you already?!) Alright, alright…here it is in all it’s simple glory:

Find Your Magic.

That’s it. It’s as simple as that. My sister’s death helped me see the thing I was supposed to be doing in this world, the magic of writing for kids and teens. It’s the thing I try to bring to kids when I talk to them at book events and school visits. I know they won’t all grow up aspiring to be writers (though I always emphasize the importance of having the skills of being an effective reader and writer), but I want them all to pursue, in some way, the thing that feels like magic to them. It’s the thing my characters are always trying to find as well, their magic. And it’s kind of been there all along, staring me in the face. I was finally able to see it and grasp on to it.

Find Your Magic.

As simple as it seems, it’s not always simple to do it, to live it. You have to first figure out what your magic is, which is no easy feat. It took me 20+ years of life and a major life event to figure it out myself. Then once you do know what your magic is, you have to figure out how to pursue it while also, ya know, feeding, clothing, housing yourself and any independents.

But when you can figure out a way to actually do it (even if it’s not the way you make your living), when you actually find your magic and live your magic. Wow, that’s some pretty amazing stuff.

My YA Fantasy ELIXIR BOUND Is Now Available

July 11, 2018 / Katie L. Carroll

The pretty, new version of my YA fantasy ELIXIR BOUND (with the gorgeous cover by Susan Tait Porcaro) is finally hitting all the online vendors. It’s been a bit of a thing to make the switch from the old version to the new one with reverting the rights back to me and getting the new cover, blurb, and actual book up on the sites, but you don’t need to know all the nitty gritty details of that.

(Or maybe your do want to know about that stuff. If you’re interested in learning more about indie publishing…I could blog about it…let me know in the comments if that sounds like something you’d like to read about. Mostly I feel like I don’t know what I’m doing 😉 but I’m doing it, so that’s something.)

So hopefully all this trouble wasn’t for nothing and it actually sells a few copies. So here are some places where you can find it (the new version isn’t up on IndieBound yet, but I’ll update my homepage and the books page once that link is ready):

Amazon paperback & ebook – https://www.amazon.com/Elixir-Bound-Katie-L-Carroll/dp/099892542X

Amazon ebook – https://www.amazon.com/Elixir-Bound-Katie-L-Carroll-ebook/dp/B07DHB5WRM

Barnes & Noble paperback & ebook – https://m.barnesandnoble.com/w/elixir-bound-katie-l-carroll/1117532812

Kobo ebook – https://www.kobo.com/us/en/ebook/elixir-bound-1

If you do read it, I’d be ever so grateful if you left a review on any (and all) of these vedors and also over on Goodreads (https://www.goodreads.com/book/show/40489385-elixir-bound) if you’re there. And also just spread the word if you liked it. Buy it as a gift for the pre-teen or teen in your life (or the YA loving grown-up you know). Request it at your local library. Word of mouth is one of the best ways to get a book noticed. I’d love to keep making more books, and the more copies I sell, the more I can focus on creating more books. That goes for giving my MG adventure PIRATE ISLAND (Goodreads link https://www.goodreads.com/book/show/34818093-pirate-island) a little love as well!

ELIXIR BOUND blurb:

Katora Kase isn’t the firstborn son nor does she possess the type of magic that can conjure spells or bewitch others.

In the land of the Great Peninsula—an epic fantasy world ruled by the Great Mother Nature and her offspring—those things aren’t a measure of one’s worth. And what Katora does possess is the subtle magic running through her blood that marks her as the next guardian of a secret healing Elixir that is her family’s legacy. It is such a highly guarded secret that Katora doesn’t know of its existence until a rare snowstorm blows through with a message for her father, the current guardian.

Katora sets off on a quest into the wilds of Faway Forest to find the flowers that give the Elixir its potency. Even though she is accompanied by her sister, her brother, an old family friend, and the handsome son of a mapmaker, she feels alone. For it is her decision alone whether or not to bind herself to the Elixir’s magic to serve and protect it until a new guardian is chosen. The forest hosts many dangers, including wicked beings that will stop at nothing to gain power, but the biggest danger Katora may face is whether or not to open up her heart to love.

Summer Writing Update: Elixirs, Witches, and Pirates!

June 21, 2018 / Katie L. Carroll

The kids have been out of school for a week and summer break is in full swing here! We’ve made out lists of activities we’d like to do and places we’d like to go this summer. Some we’ve already done or have planned (like going to the zoo and strawberry picking), while others are probably not going to happen this year (like visit NASCAR’s Hall of Fame).

As for my writing, I’ve got a couple of things going on. I’m working on getting my YA fantasy Elixir Bound with the new cover back up for sale. Right now you can get the ebook of Elixir Bound from Amazon and that’s it. I’ll post when I get it up in paperback and on ebook for the other vendors. Plus, I finally created a book trailer for it, which was a lot of fun. It was nice to work a different set of creative muscles for it. (The map it features is part of the map of the Great Peninsula, which can be seen in full in the new version of Elixir Bound.)

I’ve been on something of a roll with drafting the companion novel Elixir Saved. I’ve been drafting this novel for years…yes, I said years! So long, in fact, that I’ve been calling it my perpetual WIP (work-in-progress). But I think I’m finally crested the murky middle section and can see the far side of the hill. I’m hoping to keep that momentum going over the summer and get it ready for beta readers before the end of the year. I’d like to publish this one some time next year (fingers crossed!).

Research for my next middle grade book has been going well. I’ve been doing a bunch of reading about the witch trials that took place in Connecticut (mostly before the more famous Salem Witch Trials) and what colonial Connecticut was like. I checked out a local history book from the library and mentioned it to my dad because he’s a history nerd. He was like, “Is that the book where I helped write and edit the updated history in the 1980s?” Turns out it was! And my grandfather, who was there when I mentioned it to my dad, was like, “My father, your great-grandfather, helped with the version that was written in the 1930s.” So that was an interesting serendipitous moment.

The witchy middle grade book–which in my mind is pitched as Mean Girls meets The Crucible–doesn’t take place in history, but it will be a contemporary middle grade that delves into history and ties it to the present, much like Pirate Island does with Captain Kidd’s history being woven into Billy’s story in the present day. I hope to start drafting this story soon, but I need to focus on Elixir for now.

Speaking of Pirate Island, the ebook is on sale for $1.99 for a limited time, so scoop that up if you haven’t already (links for Pirate Island on Amazon, Barnes & Noble, and Kobo). I’ve also got an exciting announcement coming up for Pirate Island once my local library makes it public…just to give you a little teaser there. 😉

And I always have stuff I’m waiting to hear back about, so there’s always the potential for good news (or devastating rejections!). Thus is the nature of the publishing biz.

Anyway, I’m excited for the summer weather and hanging out with the boys and family day trips. And a certain writer/mama’s birthday is coming a few days before a certain gentleman’s first birthday. Oh, and I’ll be going to the big SCBWI conference in L.A. this summer. I’m so excited (I won the trip, so the airfare, hotel, and conference fee were paid for!), but super nervous about leaving the baby. I keep telling myself it’ll be fine. Busy times, busy times.

What are your summer plans?

The Inspiration Behind CAT SIDHE by Jeff Chapman

May 30, 2018 / Katie L. Carroll

Jeff Chapman is stopping by the blog today to share the inspiration behind the first book in his latest fantasy series CAT SIDHE: Into the Witchlands I. I tend to be a bit picky about stories with animals POV characters, but I really loved this one (see my 5-star review on Goodreads). And learning of the real cat that inspired the character of Merliss made the story all the more meaningful. Welcome, Jeff!

A human spirit banished to the body of a cat.

Merliss has seen centuries of change, centuries of trouble.

Something nasty has come through one of the ley gates. It walks upright. It talks. And it looks like an oversized cat, but as Merliss can attest, it doesn’t smell like a cat.

t’s a cat sidhe on the hunt for slaves, anyone with opposable thumbs. Merliss travels to unknown territories to rescue a friend and encounters more trouble making her way home. The situation on the moors is far more dire than Merliss and her friends could have imagined.

Cat Sidhe is the first in a fantasy trilogy. Join Merliss on her prowls through dangerous lands.

Cat Sidhe is fantasy from a cat’s eye view. The protagonist may have been a girl once, but after centuries inside a cat’s mind and body, she’s almost as much cat as human. It’s a struggle for Merliss to hold on to her humanity.

The idea for Merliss, who first appeared in my short story “The Water Wight,” came from a real cat.

Smokey, three weeks after rescue.

In the fall of 2015, I pulled into my driveway to find a small gray cat sitting in front of the garage. I had seen this cat before but never had a good look at it. I had usually glimpsed it at night or twilight and a gray cat in the dark appears to be little more than a shadow. I had assumed it belonged to someone in the neighborhood. I was so wrong. It was starving. I could see every bone in its ribs. Pus was visible beneath one eye. The cat meowed at me. My wife came out the breezeway door at that moment. The cat trotted toward her and tried to enter our house.

We gave the cat some food and water. It ate like it had never seen food before. My daughters surrounded the cat so it wouldn’t run away, but I believe at this point the cat had decided it was going to live with us. We coaxed it into a carrier and took it to an emergency vet. The cat, which we named Smokey, was not sick with any life-threatening disease. She was dehydrated, malnourished (only 5.5 pounds), suffering from an upper respiratory infection and an eye infection, and had a million fleas.

Smokey shows off her two fangs.

Several hours and several hundred dollars later, we returned home with two antibiotics and a sick cat. We quarantined her in the breezeway. Out other cats spent a lot of time sniffing at the back door.

Smokey responded well to the medicines and our TLC. She gained weight and proved to be incredibly well-tempered. She wasn’t the cutest kitty on the block but certainly the sweetest. We soon discovered that she was deaf and missing an upper and lower canine. We had no idea of her age but Smokey appeared to have been up and down the alley a few times. When her quarantine period ended, Smokey moved into the house.

Smokey, looking cute.

We speculated a lot about Smokey’s past. What stories would she tell if she could talk? The speculation got me thinking about characters based on an old cat. Somehow, I made the leap of pairing a human spirit with a cat’s body. In the fantasy world I was developing, this pairing would grant the animal’s body unusually long life, but injuries would accumulate. Merliss was born.

Unfortunately, Smokey passed away in April. Her health had been declining for several months and then x-rays revealed painful bone tumors in her sternum. Taking her to the final vet appointment and staying with her until the end is one of the roughest tasks I’ve experienced. I still miss her every morning when she’s not waiting in the kitchen demanding breakfast.

Smokey’s memory lives on the character of Merliss. The cat silhouettes in the map and at the beginning of each chapter were made from pictures of Smokey.

——————–

“The Water Wight” appears in Spirits in the Water: Elements of Untethered Realms Book 4. Store links to Cat Sidhe and Spirits in the Water can be found on my website at: http://www.jeffchapmanbooks.com/books/.