Books for kids, teens, & those who are young at heart

Category: Writing (Page 1 of 71)

The 10-Year, 230-Rejection Journey of the YA Thriller BLACK BUTTERFLY

Surprise! My YA thriller BLACK BUTTERFLY, book one in the Spy Agents series, comes out May 21 and is available for pre-order on Amazon, Barnes & Noble, and Bookshop.org.

Check out this gorgeous cover by BetiBup33 Design Studio. This was my first time using a premade cover for a book, and I’m really pleased with the result. The designer was open to the small customization of adding in the butterfly mask over the face. It’s the same butterfly image that is part of the chapter headers inside the book.

Sometimes, you see an image and know it’s got the right vibe for the book, and that’s what happened here.

It may seem sudden that BLACK BUTTERFLY releases in less than a month because I haven’t really talked about it much, but this book was a long time coming. I started writing it back in 2014 (nope, not a typo…it’s really been 10 years!). Originally, I sought to have it traditionally published. There was quite a bit of interest from agents and a few editors, and it won a couple of contests. In the end though, it earned over 230 rejections (again, not a typo!) and never landed an agent or a publishing contract.

I shelved it for awhile, but I never gave up on it. Even though it’s quite dark with a terrorist attacks, violence, and torture, it was oddly fun to write. The main character, who has many aliases (we’ll stick with calling her Black Butterfly to avoid any spoilers), is an amnesiac and finds out she’s a government spy. She also discovers that she might not the hero of the story but the villain!

The story is told in 1st-person present tense, which is a very close point-of-view to work in. It was a really interesting writing challenge to make her an unreliable narrator, but (hopefully) the reader doesn’t end up feeling cheated by her keeping secrets. Anyway, the story and the character kept sticking around in my head, refusing to be ignored.

@katielcarrollauthor

Black Butterfly is the first book in the Spy Agents series! It’s a YA thriller with an unreliable narrator, hero or villain trope, conspiracy theories, and dystopian vibes. #dystopian #yabooktok #blackbutterfly #booksyoushouldread #thrillerbooks #spythriller #unreliablenarrator #yabooks #fastpacedbooks #dystopianbooks #spyagents

♬ dont look so concerned – bonnie ⛧

Fast forward to last year, and I started getting serious about writing a sequel with the thought that maybe I’d self-publish the series. Despite the many, many rejections of the first book, I have always believed in it. Coming across the cover image that fit the story so perfectly, I knew that I had to make BLACK BUTTERFLY a real book…not just a manuscript wallowing away on my computer.

I got the proof copy of the book the other day, and it’s so exciting that BLACK BUTTERFLY is going to finally be available to readers! Here’s a little about the book:

Is she the hero or the villain?

Black Butterfly wakes to a country devastated by terrorist attacks, supposedly at the hands of the Chinese government. She remembers nothing of her personal life—not even her name. All she knows is that she was in New York City on the day of the attacks. Though, she soon discovers she has an unsettling repertoire of violent talents.

Elijah and his found family of off-gridders from upstate New York take in Black Butterfly and mend her wounds. With nowhere else to go, she joins them as they head to a rally in Washington D.C. The eclectic group begins to feel like the family she can’t remember—or never had.

An encounter with Luca, a spy for a shadowy government agency, confirms Black Butterfly’s worst suspicions about who she was in the life she can’t remember. As more memories surface, Black Butterfly heads to the agency’s headquarters to find out who’s behind the terrorist attacks. It’s unclear whether she intends to reveal the truth or go back to her villainous way. And it’s more than her life she’s putting at risk.

Pre-order the paperback Amazon, Barnes & Noble, and Bookshop.org. The ebook is up for pre-order on Amazon and will be available on Kindle Unlimited.

Young Adult Literature Should 100% Be For Teens

Do I agree with the article called “YA Isn’t Just for Young Adults”? Absolutely not. Young adult literature (or what is commonly shortened to YA) is 100% for teens. (We’ll get into whether a teen is a young adult in minute.) Does that mean adults can’t read YA? Also, no. Does that mean teens can’t read things other than YA? Again, no.

I’m not presuming to tell anyone what they can or can’t read. What I’m saying is that young adult literature should be written for teens. Period. We don’t need to age YA up because some adults read it and wish that it had more mature content. Adults have their own huge category of books already. Romance novels alone are a billion-dollar industry.

I recently expressed this sentiment in a TikTok video. The text of the video reads, “YA books are made for teens. No one’s stopping adults from reading them. They should still be for teens. Let’s stop trying to make YA for adults, and let’s stop labeling books YA if they’re not for teens.” It sparked quite the debate, which I’m happy about.

Let’s talk about what YA books are, who they should be for, and what’s appropriate content for a YA book!

One of the most frequent comments on the video pointed out how it’s weird to call books for teens “young adult” because young adult people are ages 18 to mid-20s and teens are ages 13 to 18. I get that, so I created a follow-up video to explain the industry term of “young adult,” which was coined in the 1960s.

While I think debating about whether it’s an appropriate term is a related issue, it’s not the main one. The fact is “young adult” is a widely used term that has been around for a very long time and has always meant books for teens. And everyone–the publishers, authors, editors, and booksellers–in the children’s publishing industry (because YA falls into the bigger category of children’s books) knows this.

But what’s happening in recent years is that people in the YA publishing industry– like YA author who penned the article positing that YA isn’t just for young adults–have been pushing the YA category into older and older content. This means that many new YA books have characters that are 16 and older and content that is more appropriate for older teens and adults.

Why is this happening? Starting in the early 2000s, YA saw huge growth with the rise of worldwide bestsellers like Twilight by Stephenie Meyer and The Hunger Games by Suzanne Collins. The first books in both those series released in 2008 and spawned popular movie franchises. In short, YA books became big money.

Then in 2012, a study by Bowker Market Research revealed that 55% of YA books were purchased by adults 18 and over with the largest chunk of those adults being between the ages of 30 and 44. The YA publishing industry realized that there was a huge market of adults buying YA…thus began the trend of moving the YA market into older and older territory.

Another issue with the label of “young adult” is that it’s being used on books that are actually adult books. This seems to happen most often in fantasy books written by women (patriarchy at play here). Two examples being a A Court of Thorns and Roses by Sarah J. Maas and Fourth Wing by Rebecca Yarros. Full disclosure, I haven’t read either of these books, but it’s clear that both of them contain spicy sex scenes, meaning scenes that are meant to be titillating. Spicy sex scenes do not belong in YA.

I’m not saying sex and sex-related topics don’t have a place in some YA books. I wrote a whole post called “Why I Included Abortion in My Young Adult Fantasy Novel” back in 2020, which is about my book Elixir Saved. But labeling books YA when they have sexually explicit content is a disservice to all readers, and it continues to muddy the waters on what YA is.

Young adult books can have all manner of edgier content like gore, violence, and sex. After all, YA is an age category, not a genre, so it contains most book genres, like mystery, thriller, fantasy & sci-fi, and romance. The key is to always keep the core audience of teens in mind when considering what content is appropriate. Also, it’s key to understand that YA is range. What is appropriate for a 13-year-old reader varies greatly from what’s appropriate for an 18-year-old one.

Why is it a problem that YA is skewing older? There is clearly a market for YA books that have more mature content and there’s profit to be gained. But at what cost?

We’re leaving a lot of teen readers behind. Where are the books for the 13-15 year-old readers? Where are the books for older teens that don’t want mature content? What will happen to the book industry in the future if we fail teen readers now? Who’s going to buy YA then?

Teens of all ages deserve books that are written for them. And not just a handful of books. They deserve a wide variety of books and a wide number of books in all kinds of genres. Teens need books that are specifically written for them at all stages of maturity.

Adults have plenty of books to read that are written specifically for them. Adults are guests in the YA space. And those of us who make YA books need to remember that.

Writing Wrap-Up 2023 and What’s Ahead for 2024

Is it too late for a 2023 writing wrap-up? I hope not because I have one for you! But first…a quick peek at what’s ahead for my author career this year. I started off the New Year super inspired and have been brainstorming new ideas all month with my picture book critique partners as part of Storystorm.

I’m working on a bunch of other things as well. I’m currently pushing through the muddy middle of the first draft of a young adult WIP, which is a love story (not a romance!) with a sci-fi twist. It’s too early to say if I’ll get this one ready to be released this year, but it’s not out of the question. If you follow me on TikTok, you might have seen me offer up a little teaser on this project!

I’ve also started the design process on my next children’s nonfiction. I was really happy with the response to my first nonfiction SELFIES FROM MARS: THE TRUE STORY OF MARS ROVER OPPORTUNITY, so I’m making this new nonfiction a priority. The new nonfiction is about the NASA Voyagers, which were the first human-made objects to reach interstellar space. I’m working on a fun idea for the official cover reveal, so stay tuned for that.

In Family Holiday Tales news (first two books are MOMMY’S NIGHT BEFORE CHRISTMAS and DADDY’S 12 DAYS OF CHRISTMAS), I’ve begun working with illustrator Phoebe Cho on a third one. This one features a grandma and takes place on Halloween night! I’ve always wanted to do board book versions of these books, and this year might be the year I set up a kickstarter to accomplish that.

As for 2023, well I hit some author goals and missed on a few others. I released three books, which was a record for me! Most notably for misses, I didn’t finish the draft of the second part of a YA duology I’ve been working on for many years. There’s something about these books that isn’t quite working yet, but I’ll get back to them eventually. And if you’re interested to see what I read last year, you can check out my 2023 Year in Books.

How did your 2023 end up? What are you looking forward to in 2024?

How Long Did It Take to Write the First Lines of the Picture Book DADDY’S 12 DAYS OF CHRISTMAS?

My latest picture book DADDY’S 12 DAYS OF CHRISTMAS, illustrated by Phoebe Cho, releases today! Seeing it out in the world has reminded me how long it took me to write the first lines.

I’ve had people express the sentiment that writing picture books must be “easier” than writing novels because picture books are short. I wonder if these same people think that poetry is easy to write. Have they ever tried writing a poem or a picture book? Do they know what makes a poem or a picture book an effective piece of literature?

The months I spent writing and rewriting the first lines of this book would indicate it’s not easier. The months my critique partners spent hashing over different versions of these lines would also indicate that writing picture books is not easier than writing novels.

One of the things that made the first lines so tricky was that DADDY’S 12 DAYS OF CHRISTMAS is a play on the classic carol “The Twelve Days of Christmas.” So that meant I had an existing meter and rhythm to adhere to for the book. While it can be helpful to have a framework, there’s also the pressure to match it correctly.

As I’m sure most of you know, the first part of the song is:
On the first day of Christmas,
My true love sent to me
A partridge in a pear tree

The first part was simple enough to modify to fit my story:
On the first day of Christmas,
My children gave to me

It was the that last part that gave me such a hard time. I knew what I wanted to say, something about a gift under the tree, but how to say it proved more difficult than I imagined. One thing that tripped me up was singing the line and speaking the line are slightly different experiences. Picture books are usually spoken aloud, not sung, and I wanted the line to work both ways.

The other thing that tripped me up is that I’m not very good at hearing poetic meter (which syllables are stressed and unstressed). Sometimes I just can’t tell which syllables in a word or a line are read with emphasis and which are the “quiet” ones.

Just like in the song, these first lines are repeated throughout the book, so I knew I had to get them right. I knew my first attempt didn’t quite work, but I couldn’t pinpoint a solution. That’s where my critique partners came in. First of all, they let me know the line wasn’t working, but, more importantly, they let me know why the line wasn’t working. The meter was off.

I tried saying the line out loud. I tried singing the line. I counted the number of syllables over and over again to make sure I had the correct number. I sent them several more attempts at the line. None of them were right.

Then they so very graciously started tweaking my lines and offering up other suggestions. Writing it was truly a group effort. The result is deceptively simple sounding, but it works in the way I wanted to (I think!?).

Even now, I’m singing it in my head and judging it. Usually this is the part of the post where I ask what you think. But in this case, I’d rather not know. The line is out there, so I prefer to stay in my bubble of believing it works. As for what that gift is, you’ll have to read the book to find out.

The lesson here is shorter ≠ easier, and perhaps ignorance is bliss. And also, find yourself good critique partners!

DADDY’S 12 DAYS OF CHRISTMAS is the second book in the Family Holiday Tales. Daddy receives a special gift from his children, but that’s not all he gets. From sweet Christmas cookies to frozen fingers while sledding, the kids “gift” Daddy twelve days of Christmas he will never forget. Sing along with this family of two dads and five kids as they create special Christmas memories in a celebration of love and families of all kinds.

Purchase signed copies on my Purchase Books page, or find it on AmazonBarnes & NobleBookshop.org, or Kobo.

When Write What You Know Isn’t Autobiographical

Most writers, and probably many readers, have heard the phrase “write what you know.” There are a lot of different ways to interpret that, but a common one is to write emotional truths into your stories. So pulling from emotions you’ve experienced and infusing that into the work. Using your own life as inspiration.

But unless you’re writing an autobiography or a memoir, you’re generally not writing about your actual life. This can be a tricky line to navigate when using your own life as inspiration, especially if you’re pulling from emotional truths that are painful.

I used this quote from Hamlet to make the book trailer for ONLY DARK EDGES because it so perfectly encapsulates the main character’s state of mind in the beginning of the book.

This was true for me when I was writing my YA novel ONLY DARK EDGES. I was writing about a teen who was dealing with the death of her sister, and though I was pulling from my own experience of losing my sister, I wasn’t writing about my own grief. The emotional core of the character was similar to my own, but they were not the same, and our experiences were definitely not the same. I will admit that it was a hard book to write, and it was hard to separate my grief from the main character’s.

This was one of the reasons why I chose to make it a very loose retelling of William Shakespeare’s Hamlet. Having the framework and themes of the play in mind helped give me some emotional distance from the writing. It kept me from getting too bogged down in my own emotions, so I could actually get the book written. In particular, I found it interesting exploring the themes of madness and indecision from Hamlet and incorporating that into my book.

Check out the playlist I created for ONLY DARK EDGES and my TikTok videos about the book.

Hamlet meets Six Feet Under in this YA psychological thriller that is both heart-pounding and heart-wrenching.

Delta’s spent the summer navigating the treacherous waters of losing her older sister, Gemma. Determined to brave junior year of high school without her sister, Delta finds solace in the arms of a new girlfriend. But grief takes a twisted turn when Gemma’s tortured ghost appears with a dire warning.

Beware the storm.

Plagued by the haunting suspicion that Gemma’s death involved foul play, Delta is plunged into a downward spiral of grief and paranoia. No one can be trusted—not her girlfriend, their friends, or her sister’s once-loyal boyfriend. Not even Delta’s own mind.

With a hurricane bearing down, two tempests collide at the abandoned Sea Glass Lodge. Accusations fly. Secrets unravel. And everyone is a target of the storm.

Buy signed copies on the Purchase Books page or find it on Amazon, Barnes & Noble, Bookshop.org, Kobo, Google Play, Apple Books, and Smashwords.

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