Category: WIP (Page 8 of 16)

November #InkRipples: Finishing That Book (Or Not!)

November 13, 2017 / Katie L. Carroll

It’s no secret here on the Observation Desk that I’m a notoriously slow writer. I’ve expressed how I feel about prolific authors (see Confessions of an Author: Prolific Writers). More recently, I blogged about Why Is It Taking Me So Long To Write The Second Elixir Book. It took almost ten years from when I first started writing ELIXIR BOUND for it to become a published book. I’m not exactly winning any speed awards over here!

via GIPHY

So I am afraid I have no business offering any kind of advice on the November #InkRipples topic of Finishing that Book! I’ve tried NaNoWriMo (National Novel Writing Month, where many writers try to write a complete book, i.e. 50,000 words, in the month of November). Last year I tried a modified version of it (see Gearing up for National Novel Writing Month 2016) and fell short. One year I actually won NaNoWriMo and wrote 50,000 words of a story, but that story has since become a drawer manuscript that will probably never be published.

But you’ll tell me that no words are wasted, even the unpublished ones. Or that the words will come and to take whatever time I need writing them. This is what I tell myself (and those things are both true). But that doesn’t mean it isn’t frustrating to be a slow writer. Couple that with the fact that I never feel like I have adequate time to write, and that makes for a very frustrated writer.

Nevertheless, I’m still plugging along over here at my achingly slow snail’s pace. How about you all–what do you do to get that book finished?

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (November is all about Finishing that Book!), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

September #InkRipples: Building a Fictional World

September 8, 2017 / Katie L. Carroll

What exactly is world building (or worldbuilding if your prefer is as one word)? Basically, it’s the creation of a fictional world. More than that, though, it’s how that world is explained within the confines of a story. The imagining and creating is the easy part (in my opinion). It’s choosing which pieces to include in the story and how to include those pieces with out a big info-dump that is the tricky part.

The reader must be grounded in the world and be able to feel like they are immersed in it, but you don’t want to bore them with too many details and world-building elements that aren’t essential to the plot and character development. It’s highly subjective, too. One reader may love lavish descriptions and explanations of how one aspect of your fictional world works, while another may skim through all that to get to the action.

And world building isn’t just for fantasy or sci-fi writers. Even if a story takes place in a high school and most of your readers are in high school or have been to one, you still need to establish the world of your high school. There’s a lot already written on ways to execute world building, so instead of me blathering on with tips, I’ll leave some links at the end of the post for you to peruse at your leisure.

Some of my favorite world building exercises have been making a map for the ELIXIR BOUND (see the picture at the beginning of the post and the entry “Exploring the world of Elixir Bound”). For PIRATE ISLAND, part of my world building included creating a chart with realistic tides and moon cycles. So much of my world building goes on behind the scenes, but having all that information in my head makes for a rich world on the page, even if the reader only sees a small portion of what the world entails. Plus, those elements that don’t make it directly into the story are great for things like blog posts and bonuses for readers.

Okay, before we get to the links, I’d love to hear some of your world-building techniques in the comments!

“Tips on World Building for Writers — How to Make Your Imaginary World Real” by Chuck Sambuchino

“The Ultimate Guide to World-Building: How To Write Fantasy, Sci-Fi, And Real-Life Worlds” by Claire Bradshaw

“25 Things You Should Know About Worldbuilding” by Chuck Wendig

(Apparently people named Chuck have a lot to say about world building!)

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (September is all about world building), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

Recognizing Different Kinds of Productivity

June 21, 2017 / Katie L. Carroll

I’ve been feeling particularly unproductive this year, in part because I haven’t been doing much drafting. It’s my favorite part of the writing process and the one that creatively feels the most fulfilling. I feel whole when I’m in the midst of a draft and able to lose myself in the process of adding words to the page.

The other part of feeling unproductive is being pregnant. With the bad colds all winter long, the morning sickness for the first half of the pregnancy, and the fatigue and swelling that’s come with the last trimester and warmer weather, I haven’t exactly been racking up the work hours. I get that my limits are temporary and necessary right now, but that doesn’t mean they aren’t frustrating as well.

So I’m trying to recognize other ways I’ve been productive this year. The obvious one is I’m growing a baby (no small feat!). I’m also bringing a book baby into the world in October with my middle grade adventure PIRATE ISLAND. I’ts the first time I’m self-publishing a book, and I’ve learned a ton about the process this year, much of which I’ve enjoyed…even when it’s slightly frustrating and takes more time than I had hoped.

Then there are those other little guys (The Boy and The Prince) who demand so much of my time. The Boy flourished in kindergarten and is on his way to being a big first-grader. The Prince is learning and growing so much and will start preschool in the fall. I’ve been doing my best to spend as much quality time with those two before baby (a.k.a. The Gentleman) comes.

I’ve been working on a picture book, doing some freelance work, and working on other small projects as well. Then there’s the veggie garden (we picked our first peas of the season the other day), prepping for baby (six months worth of laundry washed, sorted, and folded and new mini-van purchased), blogging, and all those other things that require time and attention (grocery shopping and dinner, I’m looking at you!).

So, yeah, I think it’s fair to say that I’ve been as productive as I can be with the time and energy I have right now. And it’s important to recognize that (even blog about it) to validate that I’m doing stuff…even if it’s not all the stuff!

What kind of productive have you been lately?

June #InkRipples: Utilizing Blurbs in the Drafting Process

June 7, 2017 / Katie L. Carroll

When I first found out I was expected to write my own blurb for ELIXIR BOUND, I was kind of terrified. The blurb is one of the most important selling tools of a book, probably only second to the cover. If a cover and title draw in a reader, chances are the next thing they’ll look at is the blurb in order to decide if they’re going to read the book.

What exactly is a book blurb? It’s what some call jacket copy, and it’s the brief description of the story you find on the back or inner jacket of a print book and in the book’s listing online. Some big publishing companies will write the blurbs for their authors (though they may take phrases from the author’s or agent’s original pitch of the book), but small presses often look to authors to provide one. And in self-publishing, of course, it’s up to the author to write a blurb or hire someone to do it for them.

Here’s what I came up with for ELIXIR BOUND.

Katora Kase is next in line to take over as guardian to a secret and powerful healing Elixir. Now she must journey into the wilds of Faway Forest to find the ingredient that gives the Elixir its potency. Even though she has her sister and brother, an old family friend, and the handsome son of a mapmaker as companions, she feels alone. It is her decision alone whether or not to bind herself to the Elixir to serve and protect it until it chooses a new guardian. The forest hosts many dangers, including wicked beings that will stop at nothing to gain power, but the biggest danger Katora may face is whether or not to open up her heart to love.”

I have actually started writing blurbs for stories as part of my drafting process. Sometimes I do this right at the beginning of the first draft and other times I’ll use the blurb writing as a tool to get me unstuck when I reach a tricky part of the drafting process that has me stalled.

I don’t generally outline a story before I write it (I’m what’s referred to as a panster vs. a plotter, who will outline the entire story before starting to write it), though I do usually know what the end point of the plot will be and at least some of the main plot points along the way (I do this all in my head in the beginning). I’ve found the blurb is a good tool to help me shape the story as I move along with it, and it also serves as a good reminder of what my original intentions were.

A blurb is not as rigid or detailed as an outline, so there’s plenty of room to move and change the story. It generally doesn’t take too long for me to whip up a blurb these days, so it’s not something that requires a huge time investment. That way I don’t feel like I’ve wasted time if I end up throwing the whole blurb out at the end and starting over once the draft is finished. As opposed to having a whole outline already written out and then having the book take an unexpected turn and having to rethink the entire outline. (I’m not disparaging plotters…I think we all work in the best way we can and every writer needs to do what works for them.)

Since writing that first blurb for ELIXIR BOUND, I’ve had a lot more practice with them, both for my own stories and as an editor for other writers’ stories. If I could do it all over again, I’d probably make some changes to the ELIXIR BOUND blurb, but it’s sufficient enough to leave as is…for now anyway!

Recently I revealed the cover and blurb for PIRATE ISLAND. I decided to do a tagline teaser at the beginning before launching into the summary part of the blurb. One difference between writing a blurb for a YA or adult book vs. one for a middle grade book is that many middle grade books are bought by parents for their kids, whereas YA and adult books are primarily bought by the person who is going to read it. So that’s an extra layer of audience that needs to be kept in mind. I’m hoping young readers and their parents will be drawn in to the story based on what I came up with for PIRATE ISLAND:

A thrice cursed island, a legendary pirate treasure, and one not-so-brave boy. What could possibly go wrong?

For centuries, the whereabouts of Captain William Kidd’s lost pirate treasure has remained a mystery. When Billy’s best friend, Andy, proposes they look for it on nearby Pirate Island, Billy thinks it’s just another one of their crazy adventures. It’s usually Billy who ends up in trouble as a result, but he goes along for the ride…like always. The more he delves into the life and death of Kidd, the more he thinks the treasure is real and that it might be buried on the small island in Long Island Sound. Billy—nope, call him William—becomes obsessed with the captain of the same first name. He even believes he’s possessed by Kidd’s restless soul. Now he and the spirit of a long-dead pirate are leading the crazy adventure on Pirate Island. And what they find is far bigger than the treasure they imagined.”

A lot of blurb writing is about finding the right balance between giving enough specifics to entice a reader in while also not giving away too much of story to spoil it. You also want to make the writing interesting and not read like a plot summary (because that’s boring). It’s tempting to be all movie trailer dramatic in a blurb and be too generic. I find phrases like “must save the world” or “will the star-crossed lovers ever be together?” to be far less effective than something more specific to the actual story. Hooky sound-bites are great, so long as they offer something unique to the story.

What kinds of blurbs have your read that made you just have to pick up a book?

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (June is all about book blurbs), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

April #InkRipples: 5 Tips for Revising that Manuscript

April 12, 2017 / Katie L. Carroll

Now that you all know from my earlier April #InkRipples post that revision isn’t my favorite part of the writing process, I’ll share some tips on how I try to make it easier on myself. Some of these work for my particular process and some are more general, but I hope you find them helpful. And as with so many things in writing, if they don’t resonate with you, then feel free to ignore them!

Take Time Away (But Not Too Long)

So you’ve finished that first draft and celebrated (and, yes, you should always celebrate such a milestone). Now what? File said manuscript away and take a break from it. Get outside and enjoy some fresh air, take a shower, go on vacation, start a new project…do something other than think about that newly finished draft.

I’m not going to give a set timeline for how long to stay away, but I’d say at least two weeks. Do set a deadline, though, for coming back to it; otherwise you might just find yourself in a perpetual state of procrastination (this from the girl who procrastinates so well on revision that she procrastinated on writing her blog posts about revisions!). The key is to come back to it with fresh eyes so you can have some semblance of objectivity but not wait so long that it feels like old news.

Have a Plan (But Be Flexible)

I find starting revisions to be incredibly overwhelming and having a plan is one way to make it feel more manageable. It breaks down the process of revision into measurable tasks that can be checked off, so you can see you’re actually making progress.

I have actually started creating my revision plan while I’m drafting. I keep a document in my project folder (or take notes in my notebook and transfer them to the document) with a list of things to tackle in revisions. This helps keep me from going back and revising while I’m still drafting (more on this in the next tip). Some notes are as simple as filling in a detail I didn’t want to stop and research in the moment. Others are big, like fix that giant plot hole you’ve written yourself into. One task that inevitably shows up is to do a search for that manuscripts crutch words and eliminate as many as possible (for one recent manuscript “just” and “even” were among the offenders).

Also, recognize that your plan may change as you go along and may even expand at times as you notice new things that need to be addressed during revision. Things on your list may need to be thrown out all together. (Yup, I’m talking about revising your revision plan!) That’s where the flexibility part comes in.

Start Big (Then Move to Small)

Once I have a good working plan, I like to break it down into big revisions and small revisions. Big revisions are things like fixing plot holes, adding or getting rid of scenes, fleshing out characters, changing point of views. Basically getting the story in shape and not necessarily about the words used to tell it.

Small revisions are when you start to look at the language, grammar, and the nitpicky parts of writing. Does the writing have good flow, interesting language, strong verbs, sparse adverbs, action tags instead of a ton of dialogue tags, varied sentence structure? These are a few examples, but basically small revisions are more about the words you are using and the way they are put together and less about the story.

I recommend starting with big revisions and then moving to the small ones because it’ll probably end up saving you time in the long run. Why bother making the language of a scene shine only to later end up deleting it all because of a plot change? I used to spend so much effort going back to older pages and revising while I was in the process of drafting a novel. I know some writers who do this and do it with success, but I don’t revise while drafting anymore. It’s helped me to be a faster drafter, even if it feels like the drafts are messier. In the long run I save a lot of time and hassle by moving forward while drafting (and jotting down those revision notes as I go along) and saving the revisions for later.

Know Your Strengths (and Weaknesses)

This bit of advice applies both to your strengths and weaknesses as a writer and the strengths and weaknesses of the particular manuscript you’re working on. I know I’m a very plot driven writer, so I’m always pushing myself to be better when it comes to character and voice. But I try not to worry about those things too much while drafting. I let the plot drive my first drafts and then tackle my weaker areas in revision. It gives me a certain confidence to know at least that one area will be strong as I go into revisions.

Aside from my strengths and weaknesses as a writer in general, I find each manuscript has its own set of them as well, somewhat independent of mine as a writer. The first novel I ever wrote (ELIXIR BOUND) was full of repetitive over-written descriptions. I often said the same thing in three different ways, so one major part of my revisions for it was to pick the best description and delete the others (or rework them into a single, stronger one). It also was a hot mess when it came to point of view. Another manuscript (BLACK BUTTERFLY) was drafted one scene at a time and they weren’t written in any particular order. This story has flashbacks that could have been worked into the story in a lot of different ways and other scenes that could have been moved around chronologically. A big revision point was not only figuring out the best sequence of events but also how the flashbacks would fit in.

Ask for Help (If You Get Stuck)

Despite you’re best efforts at having a plan and executing it to better your manuscript, there may come a time in the revision process where you simply get stuck. You’re not sure what you’re doing anymore or if what you’re doing is making the manuscript better or worse. Or maybe everything just feels like it belongs on a heaping pile of dung. Like when you first finish that draft, it’s a good time to take a break. It’s probably more a matter that you’ve lost all objectivity on your own work and not so much that it sucks!

This is a good time to have one or two trusted beta readers. It can be incredibly scary share your work with others when you’re feeling bad about it, but it can also be incredibly rewarding. In a moment of insecurity, it’s best not to share work with people you haven’t worked with before, but it can be a lifesaver to share it with someone who you trust to put you back on track.

If you don’t have someone like this in your writing life yet, try reaching out to different writing communities and connecting with a new critique partner. Offer to do a few chapter swap and share with them something more polished than the work that’s giving you trouble. If it feels like a good match, go ahead and send them the hot mess and see what they make of it (and if it doesn’t feel like a good match, try again with someone new). Hopefully you’ll get some great feedback (and then you’ll have to start the whole revision process all over again!).

Okay, that’s all I’ve got for now! What are your best revision tips?

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (April is about revision), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.