Books for kids, teens, & those who are young at heart

Category: Language (Page 2 of 8)

Use Your Words by Linda Budzinski Author of EM & EM

Today’s guest blogger is yet another wonderful writer friend of mine I met at the Eastern PA SCBWI Poconos conference. (I’ve seriously met so many amazing writers there, and I haven’t even been for several years!) Join Linda Budzinski as she celebrates the release of her new YA contemporary EM & EM. Be sure to enter the giveaway!

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Use Your Words

by Linda Budzinski

Dear Readers:

As writers and readers, we appreciate the immense power of words. They’re like a secret weapon—one we all possess and can use for good or for evil.

In EM & EM, Emily Slovkowski finds herself the victim of a single word: Slutkowski. After a GIF of her behaving badly at a party makes the rounds, her classmates taunt her with that word to the point that she allows it to define her.

Fortunately, in her new life under Witness Protection as Ember O’Malley, she makes friends who have new words for her—smart, funny, brave—words that allow her to see herself in a new light.

The words we use, the labels we apply to one another, matter.

My senior year in high school, I applied for a grant for college. I had to fill out an application, write an essay, and do an in-person interview. Partway through the interview, the very intimidating gentleman who was assessing my grant-worthiness pulled out my essay and said, “Your command of the English language is remarkable.”

I don’t remember what my essay was about, nor do I remember anything else about that interview, but I remember that moment as clearly as if it were yesterday. I have relived it in my mind many, many times since. Why? I’m not sure. I only know that it made a huge impression and is a big part of the reason I’m a writer today. I am sure that gentleman, if he is still alive, would not remember me. He would not remember his remark. But his words made a difference.

We hear a lot these days about the prevalence of bullying and the destructive power of cruel words. The good new is, encouraging words possess equal, and maybe even stronger, powers.

How are you using your words?

Em-and-Em-CoverEM & EM blurb:

The last thing sixteen-year-old Emily Slovkowski wants is to move away from her home at the Jersey shore, gorgeous surfer boyfriend Zach, and her entire identity. But that’s kind of how Witness Protection works, and Em must prepare herself for an epic do-over as she starts a new life in the Midwest.

Even as she pines for sandy beaches and the night life of the shore, the newly-named Ember O’Malley finds herself making new friends, taking photos for the high school newspaper, and thinking an awful lot about the paper’s editor, an oddly cute cowboy named Charles.

When Em stumbles upon a shady beneath-the-bleachers exchange between one of the school’s football coaches and a student, she refuses to get involved. The last thing she needs is to be witness to another crime or call attention to herself. Besides, she finally has some real friends – well, real except for the fact that they don’t know a single thing about her – and she prefers to keep it that way until the trial.

But as her day in court approaches, Em begins piecing together what she saw that day beneath the bleachers. And, as her own past secrets start to catch up with her, Em needs to figure out who she really is – Em or Em.

Link to Goodreads:

https://www.goodreads.com/book/show/24980193-em-and-em

Purchase Links:

BAM | Chapters | Amazon | B&N | TBD |

Linda BudzinskiAbout the Author:

Linda Acorn Budzinski decided in the second grade that she wanted to be a “Paperback Writer,” just like in the Beatles song. She majored in journalism in college and now works in marketing and communications. She spent 18 years at a trade association in the funeral service industry, where she discovered that funeral directors are some of the bravest and most compassionate people on earth. Linda lives in Northern Virginia with her husband, Joe, and their chihuahua, Demitria. She has two step-daughters, Eris and Sarah. THE FUNERAL SINGER is her debut novel. She is represented by Andrea Somberg of Harvey Klinger Inc.

THE FUNERAL SINGER is Linda Budzinski’s first novel.

Connect with the Author:  Website | Twitter | Facebook | Goodreads

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Confessions of an Author: Creative Gap

I’ve had some wonderful event and workshop opportunities come up for this year (more details to come on those!). With preparations for those in full swing, plus a couple of sick kiddos, a crazy blizzard on the way, and my regular writing and editing duties (Does anyone else snicker when they see the word “duty”? …No, just my infantile mind.), I’m dipping into the archives for today’s post. Stay safe all of you who are in the path of the storm!

Confession #7: The creative gap that exists between what an author imagines in her head and what ends up on the paper inevitably leads to a certain level of failure.

As a writer, I have certain images, ideas, nuances, themes, characters (and any number of other things) in my head when I create a piece of writing. It’s not that I necessarily have a set agenda–this is especially true when drafting and the story and characters are still taking shape–it’s more that I have a clear vision for a piece. I wouldn’t call it a message (because who wants to read a message-heavy piece of writing)…for a lack of a better way to describe it, let’s call it a creative vision.

Inevitably, the words I use to try and achieve my creative vision never quite live up to what I see in my imagination. This has nothing to with my ability as a writer; it’s more a failure of the medium of the written word. Writers have to rely on words to paint a physical and emotional landscape for a reader. We create not only worlds and characters, but ideas and feelings that need to come alive through words because a reader can’t see into a writer’s head.

Even now, trying to explain this creative gap is a frustratingly futile attempt. The words you read here are not exactly what is going on in my head. There is a creative gap between my brain and what you’re reading.

English users even try to steal words from other languages to help overcome the creative gap. A word like “umami”, taken from the Japanese, is roughly a pleasant savory taste (tomatoes are said to possess this quality), but really it’s a taste or sensation that can’t really be expressed in our language.

Then there are words that are so complex and subject to a person’s individual experiences and emotions. Success. Peace. Love. A writer can use these words, but has no control over how a reader will interpret it. Words are simply an inadequate form of communication sometimes.

And this creative gap isn’t unique to writers; it crosses all types of creative media. Films, though more visual, lack in different areas than books. When watching a film, a viewer can’t be in a character’s head and hear his/her direct thoughts (except for the occasional voice over). Artists can paint or draw what they see in their head, but there is no commentary to go with it. A person looking at a painting has to draw his/her own emotional context out of it.

So what’s a writer or creative person to do? Give up because our creative vision will never be fulfilled. Create a failure and despair over it. Nope! We accept that the creative gap exists and use all the tools we possess to convey our creative vision to the best of our ability.

Because something magical happens when our (inadequate) words are read. The creative gap works in reverse. Readers brings their own creative visions to the writer’s words. And they fill the gap, not as the writer would have filled it, but with their own imaginations.

In the end, the creative gap does not create a failure, but a piece of work that is unique to each individual who consumes it. A work that is full of images, ideas, nuances, themes, characters (and any number of things) the creator never could have imagined. And that is certainly a wonderful exchange.

New England SCBWI 2013 Conference Gems

The 2013 New England SCBWI conference was amazing (of course it was…these conference are always amazing)! Caught up with old friends, including the very talented Kimberly Sabatini and Jodi Moore, and met some new ones. Left feeling inspired and exhausted, and I’m still brimming with creative juices.

One of the highlights for me was seeing my book covers up on the screen in the ballroom during the downtime/announcements/mealtime in the ballroom!

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I’ve collected a few conference gems that resonated with me. A quick note about why I use italics instead of quotation marks…these are not necessarily direct quotes, some may be close to what the speaker actually said and others are my own rewording/interpretation as I scrambled to take notes during the speeches and presentations. So without further ado, here they are:

  • We should meet the world with all our senses. (Jeannine Atkins)
  • What’s outside in the setting can reflect what’s going on in the inside of a character, but it can also be in contrast to what’s being felt. (Jeannine Atkins)
  • How do we access that which we are trying to recreate when we’re sitting at our desks or computers? Sometimes we need a sensory kick in the pants. (Dawn Metcalf)
  • We work with art and it can evoke an objective response. (Ruben Pfeffer)
  • It was as if someone else’s words had opened up a whole host of words in me. (Sharon Creech)
  • As writers we want company; we need company. You come along too, please. (Sharon Creech)
  • Revision is finding and strengthening the heart of a story, and revision is messier than people want it to be. (Kate Messner)
  • Maybe I had to stop trying to prove to people I was good enough and just had to do the work I was passionate about. (Grace Lin)
  • Every story has a message, whether or not the writer was aware of it or intended it. (Chris Eboch)
  • I come to one little detail that sort of wakes up my mind and then start amassing details like constellations. (Jeannine Atkins)
  • Writers are somewhat schizophrenic; we hear voices in our heads; we listen instead of conversing. (Padma Venkatraman)
  • Go down the rabbit hole. (Greg Fishbone)

Personally, I feel like I stretched myself not only as a writer but as a person. I jumped headlong into any writing activities that came up in the workshops I attended, even braving to share some of my raw work in front of others. I dared to act out an emotion for others to write about (and I have terrible stage fright when it comes to acting anything). I drove to the train station by myself in a city I’d never been to and picked up another author. So all in all, a fantastic weekend!

Meet Kris Rutherford author of Nothin’ But Net

Today reluctant reader turned writer Kris Rutherford shares a little bit about his writing process. You can read my review of his middle grade sports story Nothin’ But Net over on Goodreads. Welcome, Kris, and happy book b-day!

altCan a Reluctant Reader be a Decent Writer?

by Kris Rutherford

First, let me get out one shocking fact.  I don’t read much. Never have. Yep. There it is. It’s been said by many that any writer has to “read, read, read” to be successful. Well, I wouldn’t exactly say I’m successful, but I have published several articles, two fiction books, and I have a contract for a non-fiction book in hand. But, I don’t read a whole lot more than the sports page and internet news. Sure, I like to peruse books on subjects I’m interested in, but “peruse” is the key word. Read them cover-to-cover? Seldom.  And, fiction?  Blechhh. I don’t have the time or energy.

So, how did someone who has spent little time reading and, I swear, never “curled up with a book,” end up as a youth sports fiction writer? Well, my dad was an English professor, so when I was a kid, a bit of reading was compulsory.  But, I wasn’t about to read something in which I had no interest. A novel based on a movie I had already seen was always a great option, but the novel had to be written after the movie, not the other way around. I didn’t want anybody to ruin a great movie by changing it up on me. Plus, I liked the option of skipping over the boring parts. Aside from these classic works of fiction, though, my interest was in sports. In fact, I had few interests beyond sports. I watched them incessantly, regardless of the game or season. Curling intrigued me as much as football. I’d even watch sports on the French language channel beamed into Southern Maine from Quebec, despite the fact my knowledge of French went no further than Huckleberry Finn’s “Polly-voo-franzee” (I saw the Disney version of Huckleberry Finn sometime in the mid-70s at the local drive-in, and I admit I did read—or maybe skim—the book for ninth-grade English. Personally, I found Twain’s version a little disappointing).  Regardless, my young life revolved around sports—watching and playing (with limited ability and even less success).

As far as youth sports fiction is concerned, I chose to read it for two reasons:  1) I was interested in the subject matter; and 2) Even the longest work seldom exceeded 200 pages (for purely psychological reasons, I preferred to read of less than 100 pages, but I made exceptions in the case of sports).  My influences were probably the same as most sports-minded kids of the 70s—Matt Christopher and Alfred Slote. I loved Christopher’s play-by-play narrative and the wide variety of sports he covered. “The Kid Who Only Hit Homers” and “Return of the Home Run Kid” remain favorites to this day. But, for me, nothing could top Alfred Slote. “Hang Tough, Paul Mather” has to be my favorite book of all-time. The main character is a Little League baseball pitcher battling leukemia but refusing to give up his favorite sport despite the risks involved. At the time I read the book, I was having some weird medical issues of my own, so maybe I thought Paul and I had something in common. Slote’s masterpiece still resonates to this day, and I even reread it on occasion some 35 years later. “My Father, The Coach” is probably my second favorite Alfred Slote work.

When I come up with an idea for sports fiction, I usually try to pluck some small memory from the back of my mind and build on it. From the perspective of a sports nut who had limited athletic ability, my main characters are typically athletically-challenged or have a flaw in their game.  In my first novel, “Batting Ninth” (Enslow Publishers), the main character was a great fielder but a lousy hitter. In “Nothin’ But Net,” Blake Creekmore is about as unathletic as they come. But, his best friend is the school’s top athlete. Their rather awkward relationship and lack of common interest forms the basis for the story.

I also like to include an adult or two in each story, at least one of whom is not a great role model. My pet peeve growing up was overbearing baseball parents. In fact, in college my original intention was to become a city parks and recreation director in order to fix everything wrong with youth sports, which, in my opinion, focused generally on the adults. I soon found, however, that many of the adults who run youth sports don’t want them fixed.  Local youth sports associations have become adult hobbies. As one journalist wrote many years ago, “Youth sports teach kids games adults play.” I love to weave the stereotypical “little league parent” or coach into my plots.  Call it an outlet for my frustration.

Finally, as far as my writing process is concerned, I may break, or at least fracture, the mold most writers follow. When I sit down at the computer, I hold my sliver of a childhood memory and a general idea of my theme and how I want the book to end. But, everything between the first and last paragraph is an open slate. I seldom outline, don’t think too much about supporting characters until I find a need for them, and choose plot direction and subplots on the fly. For me, this process has generally been successful. While I do “revise, revise, revise” (as opposed to “read, read, read”), my initial plot usually holds up. I’ve become used to limited word counts—Lord knows I was a fan of them as a kid—and I keep these counts in mind as I’m writing. If I see a subplot consuming too many words, I hit the delete button and redirect toward the final target. My revisions normally focus on flow and, of course, mechanics.

Oh, and I only write in the first person. I’m a conversational writer. I find third-person extremely awkward and a hindrance to my sense of humor, cynicism, and sarcasm. But, I assure you there is not a touch of sarcasm in what I’ve written here. I’m not a reader, and I never have been. I’m a writer. Kind of weird, huh?

Nothin’ But Net blurb:

Blake Creekmore just cost his middle-school basketball team its shot at the district championship—and he’s not even on the team. Blake would much rather be at a Boy Scout meeting than any sporting event. He convinces his best friend Dustin, the school’s star athlete, to join him in an afternoon on the lake, where tragedy strikes. Dustin is injured and lost for the season, and Blake bears the blame of the team, the coach, and his classmates.

Battling his guilt, Blake seeks refuge in the activity he knows
best—bass fishing and enjoying the outdoors. With the support of his father, a local bait shop owner, and a most unlikely character, Blake learns the importance of friendship and what it takes to be a member of a team. And, in the process, he unwittingly teaches his classmates a few lessons about life and the environment as well.

Nothin’ But Net is available on the MuseItUp bookstore and Amazon.

About the Author:

Kris Rutherford has been a recreation and natural resources management professional for nearly 25 years and has been involved in youth sports as a player, volunteer, coach, and administrator his entire life. He holds a Master of Agriculture from Colorado State University and majored in Recreation Administration at Arkansas Tech University.

Nothin’ But Net is Kris’ third published book. He has also authored the youth sports novel Batting Ninth and a non-fiction work, Homeseekers, Parasites, and the Texas Midland: The Texas League in Paris, 1896-1904. In addition, he has published a number of articles in professional Recreation and Parks and Municipal Government journals.

Kris has held positions with Arkansas State Parks and the Arkansas Game and Fish Commission and currently serves as Grants Officer for the University of Arkansas Division of Agriculture. He lives in Maumelle, Arkansas, with his wife and three children. For more about Kris and his books visit his website.ague in Paris, 1896-1904. In addition, he has published a number of articles in professional Recreation and Parks and Municipal Government journals.

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