Category: Ink Ripples (Page 2 of 10)

July #InkRipples: The Hero Is the Villain

July 3, 2017 / Katie L. Carroll

When I think about the July #InkRipples topic of heroes/villains, I always think about the many quotes along the lines of everyone is the hero of their own story (there are so many versions of this quote with different attributions, I’m not even going to try attribute a direct quote).

I think this idea is especially interesting when applied to villains. The most interesting villains feel totally justified in their actions in their own minds as opposed to a villain who is presented as simply an evil character. We may judge those actions to be horrible, but for whatever reason–be that twisted or misguided or maybe a little justified but still ultimately bad–the villain considers themselves the hero.

On the flip side, others may view the hero of a story as a villain. Perhaps what the hero sees as a justified, noble deed is harmful to another. Now the person being harmed may be harming others and the moral thing to do is to stop them, but they will still categorize the hero as a villain in their own mind. And no hero of a story should be perfect…that would be boring. Heroes need to have flaws.

As a writer, it’s really all about how the story is framed. Vengeance can be a way for a reader to relate to and root for a hero, or it could be the means by which a character becomes a villain. I find stories with lots of shades of gray in the good vs. evil area to be incredible compelling.

What’s your take on heroes and villains?

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (July is all about heroes/villains), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

June #InkRipples: Utilizing Blurbs in the Drafting Process

June 7, 2017 / Katie L. Carroll

When I first found out I was expected to write my own blurb for ELIXIR BOUND, I was kind of terrified. The blurb is one of the most important selling tools of a book, probably only second to the cover. If a cover and title draw in a reader, chances are the next thing they’ll look at is the blurb in order to decide if they’re going to read the book.

What exactly is a book blurb? It’s what some call jacket copy, and it’s the brief description of the story you find on the back or inner jacket of a print book and in the book’s listing online. Some big publishing companies will write the blurbs for their authors (though they may take phrases from the author’s or agent’s original pitch of the book), but small presses often look to authors to provide one. And in self-publishing, of course, it’s up to the author to write a blurb or hire someone to do it for them.

Here’s what I came up with for ELIXIR BOUND.

Katora Kase is next in line to take over as guardian to a secret and powerful healing Elixir. Now she must journey into the wilds of Faway Forest to find the ingredient that gives the Elixir its potency. Even though she has her sister and brother, an old family friend, and the handsome son of a mapmaker as companions, she feels alone. It is her decision alone whether or not to bind herself to the Elixir to serve and protect it until it chooses a new guardian. The forest hosts many dangers, including wicked beings that will stop at nothing to gain power, but the biggest danger Katora may face is whether or not to open up her heart to love.”

I have actually started writing blurbs for stories as part of my drafting process. Sometimes I do this right at the beginning of the first draft and other times I’ll use the blurb writing as a tool to get me unstuck when I reach a tricky part of the drafting process that has me stalled.

I don’t generally outline a story before I write it (I’m what’s referred to as a panster vs. a plotter, who will outline the entire story before starting to write it), though I do usually know what the end point of the plot will be and at least some of the main plot points along the way (I do this all in my head in the beginning). I’ve found the blurb is a good tool to help me shape the story as I move along with it, and it also serves as a good reminder of what my original intentions were.

A blurb is not as rigid or detailed as an outline, so there’s plenty of room to move and change the story. It generally doesn’t take too long for me to whip up a blurb these days, so it’s not something that requires a huge time investment. That way I don’t feel like I’ve wasted time if I end up throwing the whole blurb out at the end and starting over once the draft is finished. As opposed to having a whole outline already written out and then having the book take an unexpected turn and having to rethink the entire outline. (I’m not disparaging plotters…I think we all work in the best way we can and every writer needs to do what works for them.)

Since writing that first blurb for ELIXIR BOUND, I’ve had a lot more practice with them, both for my own stories and as an editor for other writers’ stories. If I could do it all over again, I’d probably make some changes to the ELIXIR BOUND blurb, but it’s sufficient enough to leave as is…for now anyway!

Recently I revealed the cover and blurb for PIRATE ISLAND. I decided to do a tagline teaser at the beginning before launching into the summary part of the blurb. One difference between writing a blurb for a YA or adult book vs. one for a middle grade book is that many middle grade books are bought by parents for their kids, whereas YA and adult books are primarily bought by the person who is going to read it. So that’s an extra layer of audience that needs to be kept in mind. I’m hoping young readers and their parents will be drawn in to the story based on what I came up with for PIRATE ISLAND:

A thrice cursed island, a legendary pirate treasure, and one not-so-brave boy. What could possibly go wrong?

For centuries, the whereabouts of Captain William Kidd’s lost pirate treasure has remained a mystery. When Billy’s best friend, Andy, proposes they look for it on nearby Pirate Island, Billy thinks it’s just another one of their crazy adventures. It’s usually Billy who ends up in trouble as a result, but he goes along for the ride…like always. The more he delves into the life and death of Kidd, the more he thinks the treasure is real and that it might be buried on the small island in Long Island Sound. Billy—nope, call him William—becomes obsessed with the captain of the same first name. He even believes he’s possessed by Kidd’s restless soul. Now he and the spirit of a long-dead pirate are leading the crazy adventure on Pirate Island. And what they find is far bigger than the treasure they imagined.”

A lot of blurb writing is about finding the right balance between giving enough specifics to entice a reader in while also not giving away too much of story to spoil it. You also want to make the writing interesting and not read like a plot summary (because that’s boring). It’s tempting to be all movie trailer dramatic in a blurb and be too generic. I find phrases like “must save the world” or “will the star-crossed lovers ever be together?” to be far less effective than something more specific to the actual story. Hooky sound-bites are great, so long as they offer something unique to the story.

What kinds of blurbs have your read that made you just have to pick up a book?

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (June is all about book blurbs), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

May #InkRipples: 10 YA and MG Novels Inspired by Fairy Tales & Myths

May 8, 2017 / Katie L. Carroll

Last week I touched on why fairy tales make for such good fodder for story ideas. And as promised, here are some of my favorite YA and MG novels that drew inspiration from fairy tales and myths (I’ve included myths here because they are also great sources of inspiration for similar reasons that fairy tales are…and I happen to have some great examples!) with quotes from the authors to give you even further insight into their ideas.

CRUEL BEAUTY by Rosamund Hodge

“A good fairy tale retelling taps into that sense of story-behind-story. It feels inevitable. You read it and you think, Yes, obviously, this is what happened. This is what it means. Writing a fairy tale retelling feels like discovery, not invention. Why did I combine Beauty and the Beast with Bluebeard? Because I was thinking about those stories one day and I realized, Beauty married the Beast in order to kill him. She’s afraid she will die like his previous wives. That’s what happened. How else could it be?” ~Rosamund Hodge (from an interview on Epic Reads)

ASH by Malinda Lo

“Ash has gotten a lot of attention because it is a lesbian retelling of Cinderella. But my first draft had nothing gay about it–Ash, the main character, fell in love with the prince…. After I got some feedback from a friend, I realized that Ash was actually much more interested in one of the female characters, the huntress. That realization was startling to me; I had written all of that into the story without even consciously knowing it.” ~Malinda Lo (from an interview on Cynsations)

THE LIGHTNING THIEF by Rick Riordan

“My son Haley asked me to tell him some bedtime stories about the Greek gods and heroes…. I remembered a creative writing project I used to do with my sixth graders — I would let them create their own demigod hero, the son or daughter of any god they wanted, and have them describe a Greek-style quest for that hero. Off the top of my head, I made up Percy Jackson and told Haley all about his quest to recover Zeus’ lightning bolt in modern day America.” ~Rick Riordan (from the author’s website FAQ)

BEAUTY (and ROSE DAUGHTER) by Robin McKinley

“Beauty and the Beast has been my favourite fairy-tale since I was about six; I still have the book I first read it in. When I wrote Beauty, I sat down, as I thought, to write a short story, and found I had more to say than I expected…. Beauty and the Beast is still my favourite fairy-tale…it was the only fairy-tale around that didn’t have the heroine waiting limply to be rescued by the hero…. I wrote Rose Daughter, as I say, in a six-month hurtle. And in hindsight I realize what fueled the hurtle, why, having tapped into a new lode of Beauty and the Beast in my mind and heart and bloodstream, the story shaped itself and shot out onto the page as it did.” ~Robin McKinley (from an essay on author’s website)

ELLA ENCHANTED by Gail Carson Levine

“I wrote [Ella Enchanted] because I love fairy tales and I’d just read Beauty by Robin McKinley, which I admired enormously…. I was starting a new writing class and needed an idea, so I thought maybe I could expand a fairy tale too. “Cinderella” is such an important tale, it’s the first one I thought of. But when I considered it, I realized I didn’t like Cinderella or understand her. She’s so disgustingly good! And why does she take orders from her horrible stepmother and stepsisters?” ~Gail Carson Levine (from the author’s website)

ICE by Sarah Beth Durst

“I was initially inspired by a picture book of the Norwegian folktale “East of the Sun and West of the Moon” illustrated by P.J. Lynch. Specifically, there’s one illustration in there of the “lassie” where she has her hand on her hip and she’s wearing this you-won’t-stop-me expression. As soon as I saw that illustration, I knew I wanted to write about that kind of girl–a fearless girl who won’t be stopped.” ~Sarah Beth Durst (from an interview on YA Book Queen)

THE HUNGER GAMES by Suzanne Collins

“[The Hunger Games is] very much based on the myth of Theseus and the Minotaur, which I read when I was eight years old. I was a huge fan of Greek and Roman mythology. As punishment for displeasing Crete, Athens periodically had to send seven youths and seven maidens to Crete, where they were thrown into the labyrinth and devoured by the Minotaur, which is a monster that’s half man and half bull. Even when I was a little kid, the story took my breath away, because it was so cruel, and Crete was so ruthless.” ~Suzanne Collins (from an interview with the School Library Journal)

QUEST OF THE HART by Mary Waibel

“Quest of the Hart…the first book in the Princess of Valendria series, is a reverse Sleeping Beauty. This story all started when a friend suggested I write a book where the girly-girl saves the guy. While thinking about how to adapt this idea, I kept thinking of the princess in the tower needing rescue, and Sleeping Beauty popped into my mind. I pulled out my DVD, sat down with pen and paper, and jotted down the sequence of how things happened in the Disney version. Armed with a plan, I started working on my own version, and Quest of the Hart was born.” ~Mary Waibel (from an email from the author)

CINDER by Marissa Meyer

“I entered a writing contest [and chose two prompts]: Set the story in the future and include a fairy-tale character. My contest entry was a sci-fi version of “Puss in Boots” and I had so much fun writing it that I thought I would try to do an entire series of science-fiction fairy tales!… So I started to brainstorm what futuristic twists I could give to some of my favorite fairy tales. A couple months later I was drifting off to sleep when the lightning bolt struck: Cinderella… as a cyborg! My head instantly filled with all sorts of ideas and I had to crawl out of bed and start taking notes.” ~Marissa Meyer (from the author’s website FAQ)

ENTWINED by Heather Dixon

“I’ve always loved the Twelve Dancing Princesses. I remember looking through page after page of a beautifully illustrated storybook when I was a kid, and just wishing I could live in their world. So, the visual element just really stuck for me.

I also have, like, a million sisters.” ~Heather Dixon (from an interview on Enchanted by a Book)

Okay, now it’s your turn to share your favorite retellings (and feel free to branch out from books and include other media)!

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (May is about fairy tales), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

May #InkRipples: Mining Fairy Tales for Story Ideas

May 1, 2017 / Katie L. Carroll

When Monday falls on the first day of the month, #InkRipples always sneaks up on me. I made sure to get my post up on time because I was particularly excited about this month’s topic of fairy tales. One of my most popular archived posts is “Fairy Tale One-Liners” and I’ve taught a writing workshop about mining story ideas from myths, fairy tales, and legends.

Back when #InkRipples was talking tropes (see “Tropes Are All In The Execution”), I said that all tropes have been used before, so it’s all about how you use them in your own way. I believe that’s also true of story ideas. They’ve all been done before, so why not borrow/steal/draw inspiration from other people’s stories. Fairy tales are ripe for the picking because of the universality of themes, their use of archetypes, the fact that many leave threads open in their plots, and the many different fairy tales out there from cultures all over the world.

You might be thinking that there are so many fairy tales retelling that there simply can’t be room for one more. While I’ve thought that myself, it never fails that another retelling comes out to great success. Seems people can’t get enough of retellings and even plan-old redoings (see the long list in “Disney Live-Action Remakes & Other Fairy Tale Movies Release Schedule”).

And it’s not just retellings that can be inspired by fairy tales. I love when a minor fairy tale character gets their own story or when a story is written from a villain’s view point. Even an interesting take on a classic fairy tale theme, i.e. rags to riches or true love’s kiss, can be taken in many different directions.

If I haven’t yet convinced you that there so many ways to use fairy tales for inspiration, stay tuned next week for a post about some of my favorite stories that stemmed from fairy tales, myths, and legends!

What are your favorite fairy tales and stories that mined from those tales?

April #InkRipples: 5 Tips for Revising that Manuscript

April 12, 2017 / Katie L. Carroll

Now that you all know from my earlier April #InkRipples post that revision isn’t my favorite part of the writing process, I’ll share some tips on how I try to make it easier on myself. Some of these work for my particular process and some are more general, but I hope you find them helpful. And as with so many things in writing, if they don’t resonate with you, then feel free to ignore them!

Take Time Away (But Not Too Long)

So you’ve finished that first draft and celebrated (and, yes, you should always celebrate such a milestone). Now what? File said manuscript away and take a break from it. Get outside and enjoy some fresh air, take a shower, go on vacation, start a new project…do something other than think about that newly finished draft.

I’m not going to give a set timeline for how long to stay away, but I’d say at least two weeks. Do set a deadline, though, for coming back to it; otherwise you might just find yourself in a perpetual state of procrastination (this from the girl who procrastinates so well on revision that she procrastinated on writing her blog posts about revisions!). The key is to come back to it with fresh eyes so you can have some semblance of objectivity but not wait so long that it feels like old news.

Have a Plan (But Be Flexible)

I find starting revisions to be incredibly overwhelming and having a plan is one way to make it feel more manageable. It breaks down the process of revision into measurable tasks that can be checked off, so you can see you’re actually making progress.

I have actually started creating my revision plan while I’m drafting. I keep a document in my project folder (or take notes in my notebook and transfer them to the document) with a list of things to tackle in revisions. This helps keep me from going back and revising while I’m still drafting (more on this in the next tip). Some notes are as simple as filling in a detail I didn’t want to stop and research in the moment. Others are big, like fix that giant plot hole you’ve written yourself into. One task that inevitably shows up is to do a search for that manuscripts crutch words and eliminate as many as possible (for one recent manuscript “just” and “even” were among the offenders).

Also, recognize that your plan may change as you go along and may even expand at times as you notice new things that need to be addressed during revision. Things on your list may need to be thrown out all together. (Yup, I’m talking about revising your revision plan!) That’s where the flexibility part comes in.

Start Big (Then Move to Small)

Once I have a good working plan, I like to break it down into big revisions and small revisions. Big revisions are things like fixing plot holes, adding or getting rid of scenes, fleshing out characters, changing point of views. Basically getting the story in shape and not necessarily about the words used to tell it.

Small revisions are when you start to look at the language, grammar, and the nitpicky parts of writing. Does the writing have good flow, interesting language, strong verbs, sparse adverbs, action tags instead of a ton of dialogue tags, varied sentence structure? These are a few examples, but basically small revisions are more about the words you are using and the way they are put together and less about the story.

I recommend starting with big revisions and then moving to the small ones because it’ll probably end up saving you time in the long run. Why bother making the language of a scene shine only to later end up deleting it all because of a plot change? I used to spend so much effort going back to older pages and revising while I was in the process of drafting a novel. I know some writers who do this and do it with success, but I don’t revise while drafting anymore. It’s helped me to be a faster drafter, even if it feels like the drafts are messier. In the long run I save a lot of time and hassle by moving forward while drafting (and jotting down those revision notes as I go along) and saving the revisions for later.

Know Your Strengths (and Weaknesses)

This bit of advice applies both to your strengths and weaknesses as a writer and the strengths and weaknesses of the particular manuscript you’re working on. I know I’m a very plot driven writer, so I’m always pushing myself to be better when it comes to character and voice. But I try not to worry about those things too much while drafting. I let the plot drive my first drafts and then tackle my weaker areas in revision. It gives me a certain confidence to know at least that one area will be strong as I go into revisions.

Aside from my strengths and weaknesses as a writer in general, I find each manuscript has its own set of them as well, somewhat independent of mine as a writer. The first novel I ever wrote (ELIXIR BOUND) was full of repetitive over-written descriptions. I often said the same thing in three different ways, so one major part of my revisions for it was to pick the best description and delete the others (or rework them into a single, stronger one). It also was a hot mess when it came to point of view. Another manuscript (BLACK BUTTERFLY) was drafted one scene at a time and they weren’t written in any particular order. This story has flashbacks that could have been worked into the story in a lot of different ways and other scenes that could have been moved around chronologically. A big revision point was not only figuring out the best sequence of events but also how the flashbacks would fit in.

Ask for Help (If You Get Stuck)

Despite you’re best efforts at having a plan and executing it to better your manuscript, there may come a time in the revision process where you simply get stuck. You’re not sure what you’re doing anymore or if what you’re doing is making the manuscript better or worse. Or maybe everything just feels like it belongs on a heaping pile of dung. Like when you first finish that draft, it’s a good time to take a break. It’s probably more a matter that you’ve lost all objectivity on your own work and not so much that it sucks!

This is a good time to have one or two trusted beta readers. It can be incredibly scary share your work with others when you’re feeling bad about it, but it can also be incredibly rewarding. In a moment of insecurity, it’s best not to share work with people you haven’t worked with before, but it can be a lifesaver to share it with someone who you trust to put you back on track.

If you don’t have someone like this in your writing life yet, try reaching out to different writing communities and connecting with a new critique partner. Offer to do a few chapter swap and share with them something more polished than the work that’s giving you trouble. If it feels like a good match, go ahead and send them the hot mess and see what they make of it (and if it doesn’t feel like a good match, try again with someone new). Hopefully you’ll get some great feedback (and then you’ll have to start the whole revision process all over again!).

Okay, that’s all I’ve got for now! What are your best revision tips?

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (April is about revision), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.