Last year, after I got my YA fantasy ELIXIR SAVED finalized and up for preorder, the goal was to take a break. Not that I wasn’t going to write, more that anything I wrote would be without a plan.
I had started my witchy middle grade back in October 2019 when I did an Unworkshop at the Highlights Foundation, but I didn’t want to dive back into that one yet. I wanted to play around and not focus on a big project like a novel, and I wanted time to refill my creative well with reading, watching, and listening to music.
That was the plan at the beginning of the year, and I got ELIXIR SAVED ready in early March just before schools shut down. And, well, you all know what we’ve all been dealing with ever since. By the time I figured out how to fit in writing time again with early morning sessions (which didn’t happen until June!), I needed to have a plan instead of play, so I opted to work on the witchy middle grade.
Then I also got the rights to the illustrations for my picture book THE BEDTIME KNIGHT, so that became my play project as I taught myself to design a picture book. And now THE BEDTIME KINGHT is a real book out in the world and my middle grade is off to critique partners!
So I am truly ready for that writing “break” I meant to take (*checks notes*) almost a year ago. I have some STEM topics I’ll be exploring and I’ll be playing around with book formats I haven’t written before. Eventually I’ll be getting back to my witchy middle grade, and then I’ll have to decide what novel I’m writing next, but it’s all play for now for me. I’m really looking forward to it.
What kind of play or work (writing or non-writing related) have you all been up to?
I’m so happy to have THE BEDTIME KNIGHT out in the world today! This book was first released as an ebook for a picture book app way back in 2012 (see “The Bedtime Knight” Is Born”), and it’s exciting to have it out in print for the first time.
Erika Baird, the illustrator, really did an amazing job of using the pictures to tell the story along with the text. And I love the purple color scheme she chose. The original layout was the text on one side and the illustration on the other, much like this page in the version releasing today.
That wasn’t going to work for the entire picture book for a print version. The design would have gotten stale, and the number of pages wouldn’t have worked. When I purchased the illustration rights from Erika, it was for the originals, so I had to bring my own design skills (or lack thereof) to the table.
Wow, did I learn a lot in the process of designing a picture book. If I never hear about adjusting page size for bleed again, I will be a very happy person indeed! One of my favorite spreads is this one with the closeup the young mouse character. It’s hard to see in this screenshot, but the illustration has a white border around it, and it was fun page to design.
This book is all about facing fears, especially the ones in our own heads. The mouse daughter keeps imagining the shadows in her dark room are scary things (like a giant on the ceiling). When Daddy Knight shines the light on them, they discover the shadows are just ordinary objects (like a ceiling fan). Then together, they use their imaginations to turn those everyday things into something else (like a friendly sea creature).
As the story progresses, the young mouse grows more independent in using her imagination, until finally at the end, she is alone in her room (with Daddy watching from the doorway) and reimagines the shadows all by herself.
As a person with a very active imagination, I often see things in the dark that scare me, especially when I was child. I love the way the dad character in the book so lovingly guides his daughter to see things (literally) in a new light and empowers her to reimagine them.
Also a quick reminder that I’m teaching a virtual ShopTalk for the New England SCBWI called “What to Expect When You’re Self-Publishing” this evening, Tuesday, January 26, at 7:00 p.m. (ET). This is going to be packed with information! I’ve also added a Self-Publishing Resources page to my website for anyone interested in exploring more on the topic.
Surprise! I have a picture book coming out soon. While I wait for all the files to be finalized, I figured I’d share the journey of self-publishing this book and once again giving another one of my titles a second life.
Way back in 2012, my picture book THE BEDTIME KNIGHT, illustrated by Erika Baird, released on an ebook platform. I had entered the manuscript in a contest, and it didn’t win but the publisher offered me a contract all the same. It was really exciting to go through that process and seeing how the illustrator brought my words to life.
It was a positive experience in general, but a few years later when that company got bought out by a bigger publishing company, I opted to have my rights reverted back to me. There were several factors for that, but mostly I didn’t care for the terms of the contract and made the tough decision to walk away.
Fast forward a few years, and I had self-published my middle grade novel PIRATE ISLAND and found I really liked the process. I thought about doing that with THE BEDTIME KNIGHT. But publishing a picture book required design skills I did not have and I would have to get the rights from the previous illustrator or hire a new illustrator. I was also focusing on self-publishing my YA fantasy ELIXIR BOUND and writing the sequel ELIXIR SAVED. So once again, my little picture book about being scared of the shadows in the night was set aside.
Then one day, my sister and I were out on a hike with our families. We got talking about what writing project I was working on, one of which was a picture book inspired in part by her family. The conversation turned to what had ever happened with THE BEDTIME KNIGHT. I don’t remember her exact words, but she said something about how she had really liked the book and hoped it would be available again one day. I know she’s my sister, but we’re not the kind of people to compliment each other and not mean it, so I knew she was being sincere in her praise.
As a traditionally published author turned self-published one, it’s been hard not to doubt myself. Hard not to wonder if my work is good enough. And very hard to find an audience. So many books come out every year, and it’s often hard to find readers even with the backing of a publishing company, never mind when you’re doing it all yourself. So the fact that my sister enjoyed my book and wished it to be out in the world again meant something. It reminded me that my books–even when they’re only reaching a small audience–are important.
So I slowly started thinking about republishing THE BEDTIME KNIGHT. This time I wanted to have a print version, not just a digital one. I eventually reached out the to the illustrator and asked if she’d be willing to negotiate for the rights to use her illustrations. And she was!
We came to an agreement, and I taught myself how to design and format a picture book. This was all done in between other projects, and learning a design program can be a time-consuming process, so writing out the process sounds much less complicated than it felt while doing it. But I did it.
Now I’m super excited to announce that THE BEDTIME KNIGHT will be coming out in paperback and ebook very soon. Stay tuned for links!
Star Gazing: A Guide to the Moon, Sun, Planets, Stars, Eclipses, and Constellations had a bit of an unusual path to publication. What were the circumstances of how you came to write the book?
One day I got an email from Deb Burns, an acquiring editor at Storey Publishing, asking if I’d be interested in writing a book about astronomy for kids. It seemed completely out of the blue, but Storey’s model is to find experts to write books about what they’re experts in. I teach astronomy at Smith College, and by that time I’d written 19 articles for kids’ magazines. So I also had a track record of writing for kids, working to spec, and (mostly) meeting deadlines. Deb and I wrote the book proposal together, she pitched it to her editorial team, and we got the green light. So I highly recommend writing for magazines—it’s a great way to break into the business!
The design of the book is beautiful and it’s filled with so many fun little tidbits. How collaborative was the process of making the book?
Very collaborative. Along with my manuscript, I provided Storey with a list of suggested illustrations—photos, figures from the internet, and little sketches I’d made by hand or (I’m totally serious here) with Powerpoint. After Deb and a copy editor spiffed up my manuscript, my amazing book designer (Jessica Burns) took over. Storey hired an illustrator (Hannah Bailey) to do the diagrams, pictures, and amazing graphic novel sequences. It took three draft layouts and two in-person meetings to get to the final product (this was BC, before COVID). My main job during this process was making sure everything was scientifically accurate. Hannah’s illustrations look SO much better than my sketches, and Jess is just a wizard of putting text and illustrations on a page so that they make sense.
What is your favorite part of the writing process? What is your least favorite part?
I love everything about the writing process except actually writing! I’m a plotter, so I outline like crazy—the only way I can write nonfiction is to know where I’m going at all times. I am a research nerd, of course. And I really like to revise: it’s so satisfying when I find the perfect word or turn of phrase. But my first drafts? Blech.
What is next for you in your writing career? Do you have an upcoming releases or a favorite project you’re working on right now?
No upcoming releases yet. I’m working on a middle grade informational fiction book about a 5th grade girl who loves astronomy. And like all children’s writers, I have a computer folder full of picture book manuscripts that are slowly making the rounds.
And finally, what is something funny/weird/exceptional about yourself that you don’t normally share with others in an interview?
I’m a really good swimmer. I was never on a swim team, but I lifeguarded and taught swimming from age 18 to 24. I can keep up with people who are in much better shape than I am because I have good form and an efficient stroke. (Just don’t ask me to do the butterfly!)
STAR GAZING blurb:
Sky Gazing is a guide to observing the sky from wherever you are, day or night—no telescope required. Kids aged 9–14 will learn how to find objects in the sky and delve into the science behind what they see, whether they live in a dark rural setting or under the bright lights of the city. Star charts will guide them in spotting constellations throughout the seasons and in both hemispheres while they learn about constellation myths from cultures around the world. Each chapter has guides to special events and binocular observing. Activities engage kids and their grown-ups in hands-on science.
Meg Thacher has been writing for children’s magazines since 2013, publishing thirty nonfiction features, infographics, scientist profiles, current events, DIY experiments, and a reader’s-theatre-style retelling of a Welsh folktale. Her debut book, Sky Gazing, comes out on October 13. She’s an active member of SCBWI (the Society of Children’s Book Writers and Illustrators) and two critique groups. She is now in her twenty-second year teaching astronomy at Smith College, where she has also taught writing. She enjoys singing, knitting, and swimming, and lives in a partially empty nest in western Massachusetts.
It was created with the particular needs of parents in mind, but I think there will be some good tips for any writer who’s feeling short on time lately. It’s free, but you do need to register to attend live. It will also be recorded, so you can watch it at your convenience.
