Category: Creativity (Page 5 of 19)

Highlights From the 2021 New England SCBWI Conference

June 21, 2021 / Katie L. Carroll

Long-time followers of the blog might remember how I like to do conference round-ups where I share bits of wisdom from writing conferences I’ve attended. You can check out past conference highlights here.

The 2021 New England SCBWI Conference was unlike any other NESCBWI one because it was fully digital this year. I was keeping my expectations low because I didn’t think it could possibly include the same sense of community as the in-person event. In addition to all the amazing workshops and keynote always offered, this particular conference was always about catching up with writing friends I’d usually only see once a year.

But conference co-directors Juliana Spink Mills and Casey W. Robinson and the entire committee managed to bring that NESCBWI vibe to the digital space. The conference included social hours where you could pick what “room” you wanted to be in (broken up into categories like what state your from, what kind of things you write, or just fun things like a witch’s tea room). In one chat, we ended up talking about pirates and I went and put on one of my pirate hats!

Friday night started off with a “Conversation With Two Legends: Nikki Grimes and Jane Yolen” hosted by Heidi E. Y. Stemple. It was packed full of great stories and advice, and these two truly are legends.

The friendship between them was very evident, even through a screen. When speaking about doing a writing retreat at Jane’s house, Nikki said, they were “two friends, two equals, doing the work.” Jane chimed in that when you’re with someone at the same stage as you, you don’t have to explain. Total author friendship goals there!

Jane intro’d herself by talking about “resolved combustion” and having “a place to cradle the nascent flame.” She told us, the fire is set, breathe deep, steady passionate…then blow yourself apart.

Nikki reminded us that “novel” means “new.” She realized she didn’t have to write the way everyone thought she should and that she had to do it the way that was right for her.

Saturday was packed full of workshops. We got to pick four to attend live and all the others were available to to view for a month afterwards. Being able to watch all the workshops offered is a big perk of the digital format.

In her workshop about picture book revision, Charlesbridge editor Julie Bliven said to come back to that spark of what is working and what you like about a manuscript to remind you of why it’s worth the revision.

Author Heidi E. Y. Stemple included a ton of amazing mentor texts when talking about non-fiction voice, resulting in me getting a little out of control with my holds list at the local library. She encouraged us to experiment with telling the story different ways and play with tone and language, and to not be afraid to try and fail when trying something different with a non-fiction manuscript.

Margaret K. McElderry Books, an imprint of Simon & Schuster, editor Kate Prosswimmer editor gave us a bunch of different guides to approach plot and character together. She said that the heart of a story is in the intersection of plot and character.

Saturday ended with a heart-tugging and joyful keynote from author/illustrator Mike Curato that tied so well into the conference’s theme of finding joy in the journey. His voice has such a soothing tone and I could have spent hours listening to him talk about his personal creative journey.

He talked about how his big break came when he realized he hadn’t made anything for himself in years and the joy was missing from his work. That’s when he created Little Elliot, who embodied so much of his childhood. Mike said that Elliot was his guide and would leave him through the darkness.

On Sunday, we got to pick two Ask-A-Mentor sessions to attend where faculty took questions directly from attendees. Then the conference ended with a keynote from Padma Venkatraman. If you ever get a chance to see Padma speak or teach a workshop, do it. She is so generous with her time and wisdom and is truly a gem to our New England SCBWI community.

Padma advised us to make a note of anytime someone says something kind or that they believe in you and to keep that in a book or somewhere to look at. In a sentiment that she constantly demonstrates, Padma said there is generosity in give away ideas and encouragement and that we should “lift other people.” I’m very much looking forward to her next book BORN BEHIND BARS, which is coming this fall.

And that was only some of the workshops and sessions I attended live. I spent the next month popping in to watch the recordings of the other sessions and filling up my notebook with inspiring advice and stories.

Stuck In The Writing In-Between

April 22, 2021 / Katie L. Carroll

I’m currently in between big writing projects, and I’m having trouble getting out of that space. Some of that is because there are things currently out of my control in regards to what happens next in my writing career, so it’s hard to look too far in the future. Which makes it hard to commit to anything big right now–mainly on deciding what novel I want to write next.

I did have a sort of break planned where I was going to read and catch up on some non-writerly stuff…and wait and see where my muse takes me next. I’ve definitely done this, and worked on some smaller projects in the meantime. All those small projects have turned out to be on the quirky side, so I’m not really sure what to do with them.

It’s not that I don’t have novel ideas (I literally have notebooks of ideas stashed away); it’s more that I can’t quite seem to figure out what one is calling to me the loudest. There’s also the consideration about what makes sense to work on next as far as my career goes, and that brings me back to having to wait to see where those things out of my control shake out.

The waiting is part of the business of writing. I’m growing impatient with the waiting, though. My fingers are itching to get to work. My dreams (like the sleeping kind, not goals and aspirations) have gotten even weirder than those small projects I’ve been working on, which is a sure sign that my brain is getting antsy to work on a big project.

I thought maybe writing this post out would help me have some insight into what to do next. But here I’ve reached the end and I still don’t know what to do.

White Noise Recommendations to Write Faster When You’re Feeling Unproductive

April 6, 2021 / Katie L. Carroll

Writing during the pandemic has been really different. I know some writers who have felt productive because they’ve had more time to focus on writing (lucky them!), but many others, like parents, who haven’t been able to fit in writing time. Then there are the writers who may have the time but can’t find the focus.

This was from the days when I used to write at the cafe…the good old days!

I totally get it! At the beginning of the pandemic when the of five us were home all the time, I thought it would be a long time before I figured out a way to fit in writing.

But then I talked to a friend who had been getting up early to write and I (virtually) joined in on her sessions. Naturally, I blogged about this in “WIP Update: Witchy Middle Grade & a Fear of Asking for Help”.

This was back in June 2020, and since then I’ve basically written and revised an entire 59,000-word middle grade novel and worked on a few smaller pieces as well. It’s a level of productivity I couldn’t have imagined achieving this time last year, but I’m not here to brag about this (even if I am proud of it!).

I’m here to say that it’s okay to be unproductive, especially when facing a global pandemic. I basically did a whole webinar with tips on how to be more productive as a parent writer (which is good for any busy writer) where I also tried to help listeners feel okay about not writing. You can watch it for free or check out any of the other Indie Author Project Expert Sessions if you have the time. 😉

One thing that has really helped me to focus has been listening to some kind of white noise. I find music with lyrics can be distracting while I’m writing. But instrumental music that has the right mood to fit what I’m working on or white noise is perfect for keeping my internal editor in check and my mind on task.

So let’s get to those white noise recommendations already!

Spotify is my go-to app when I want thematic instrumental music. There are a ton of pre-made playlists that you can use search for. For my witchy middle grade, my favorite was “spooky instrumental”. When I write fantasy, I’m partial to this “Fantasy Board Gaming” one.

For something more like white noise, I turn to YouTube. For spring, I’ve been listening to this “Spring Rain Sounds” one. When I want to feel cozy, I enjoy fireplaces and thunderstorms, like this Royal Library one.

My most recent discovery is a site called I Miss My Cafe where I can channel those cafe writing sessions I used to have. You can choose which sounds to listen to, from the barista calling out orders to other customers chatting in the background to street ambiance, and pick your volume. There is also Coffitivity, which isn’t as customizable but good nonetheless.

What do you like to listen to while writing or working?

Writing Nature Fantasy with Sara Webley Author of ZO IN THE ROOSTING TREE

February 23, 2021 / Katie L. Carroll

Crows are an important part of my witchy middle grade book, so it felt very serendipitous when I connected with Sara Webley, author of ZO IN THE ROOSTING TREE. Let’s give a big welcome to Sara and and her clever crow character Zo!

Besides writing books for young readers, I’m an editor of texts ranging from academic writing to consumer health to kids’ books. I’ve also worked in the zoo and aquarium field as an animal technician and zookeeper. I love fiction and nonfiction about animals and nature. So when I decided to write a fantasy about a young girl who switches places with an American Crow, I wanted to combine the real with the magical—nature with fantasy. Write what you know, but…twist it! I wanted my readers to view nature from the perspective of the animal.

So I had to decide: How to construct Zo in the Roosting Tree? How to bridge reality and fantasy?

I began by researching crow behavior, crow myths, crow intelligence. Write what you know—and anything you don’t know, educate yourself about it! So I was continually checking: How would a real crow act in the scene I’m writing? What cool example of crow behavior can I include? This research gave me a framework for creating my plot and characters. What I aimed for was a fantasy close enough to reality that it would pull my readers in and make them wonder…Could that really happen? Would the crow I see outside my window every day be able to do that? And…Is that crow watching me?

The crow and human needed to switch places, so they could each learn about the other’s world. Because of my own bond with nature, I created a human character who loves birds: a young girl named Jae, who would live inside Zo the crow’s body. And the crow would live inside Jae’s human body. That’s the magical “Switch”—girl and crow, crow and girl. I hoped to excite young readers about a bird they probably see every day and don’t think much about. I wanted them to care about animals by being one for a while.

I made choices about plot, scenes, conflicts, and fun based on what I know about real crows. Planning my storyline, I wanted the magical crow Zo to behave in ways that reflect reality. Crows are smart, social, playful, adaptable birds. So I made Zo clever, fun-loving, family-oriented. Crows recognize human faces—people they like, and people they don’t. Crows are also problem-solvers, comparable in intelligence to monkeys and dolphins. They can use tools to find hidden food, slide down a snowy windshield just for fun, or surf the clouds by gripping a big piece of bark with their toes. So I set some problems in front of Zo to see how she might solve them—like being hunted by a scary owl at dawn. Zo may live in a fantasy world, but her behavior reflects the skills of a real crow.

But what’s fun about writing nature fantasy is not having to be totally accurate! After editing academic writing for years, I needed a 180-degree turn. So I took liberties: A real crow would not be friends with a young cardinal. A real crow would not ride on a snapping turtle’s back. I enjoyed starting with what I knew about the true nature of crows, and then twisting that into fantasy.

My goal was also to get readers interested in the much-maligned crow (think: Hitchcock’s The Birds) by presenting a sympathetic crow who teaches us something about natural behavior. This winter, a friend told me that she’d seen a huge group of crows gathering in a parking lot before they flew off to roost for the night. She said it made her think of “the apocalypse.” That’s what I wanted to counter with Zo’s character, by showing readers how crows communicate, play, and care for each other. In that parking lot, those crows were probably discussing where to find food the next day, not planning the apocalypse!

Nicer beliefs exist about crows, too: they’re famous for leaving “gifts” for humans. There’s some disagreement about that among bird scientists, but I wanted to use a shiny gift in the plot. I make silver chain maille bracelets, so I decided that Jae would have one. The real bracelet jump-starts the magical crow-and-girl Switch. Nature and reality…with a fantasy twist.

ZO IN THE ROOSTING TREE blurb:

Caw! Zo looks like a crow, sounds like a crow, and flies like a crow. But Zo thinks she’s a human girl inside!

Zo in the Roosting Tree tells the story of a clever crow, through the eyes of a human girl. A girl who loves being a crow, but who must find the secret to being human. Follow Zo’s adventures as she wakes up one morning in the roosting tree, learns to fly, plays games with a goofy cardinal named Rufus, and surfs the wind with her wings in the clouds. Kahr! Kahr!

Being Zo the crow is fun. And Rufus has become her best birdy friend. But when Zo discovers the dangers of her new life—owls and bobcats and cars—she misses her human family. Time is running out. Can a mysterious snapping turtle help Zo find the magic she needs to go home again?

Learn more about the book at zointheroostingtree.com or purchase it at Amazon, Vermont Institute of Natural Science, IndieBound, or Norwich Bookstore.

About the Author:

When Sara Webley was ten years old, her grandmother’s monthly magazine published Sara’s poem about a lobster…minus the final stanza. Not too happy with Grandma’s editing, Sara became an editor and writer herself. She has helped others do their best work through her editorial company, JAS Group Writing & Editing. Sara’s poetry has appeared in Flyway, Cold Mountain Review, and Appalachia.

Also trained as a veterinary health technician, Sara worked at Boston’s Franklin Park Zoo and New England Aquarium caring for seals, otters, porcupines, coyotes, snakes, monkeys, turtles, and other animals. Currently, she volunteers handling hawks and owls at a nature center, where she met one very special American Crow. As an author, Sara combines her love of animals with her love of books for young readers. She enjoys watching the crows gather at dusk in their roosting tree near her home. Follow Sara and Zo on Instagram @sara_webley_author and @zo_crow at facebook.com/zointheroostingtree.

Taking the Time to Play with Writing

February 11, 2021 / Katie L. Carroll

Last year, after I got my YA fantasy ELIXIR SAVED finalized and up for preorder, the goal was to take a break. Not that I wasn’t going to write, more that anything I wrote would be without a plan.

I had started my witchy middle grade back in October 2019 when I did an Unworkshop at the Highlights Foundation, but I didn’t want to dive back into that one yet. I wanted to play around and not focus on a big project like a novel, and I wanted time to refill my creative well with reading, watching, and listening to music.

That was the plan at the beginning of the year, and I got ELIXIR SAVED ready in early March just before schools shut down. And, well, you all know what we’ve all been dealing with ever since. By the time I figured out how to fit in writing time again with early morning sessions (which didn’t happen until June!), I needed to have a plan instead of play, so I opted to work on the witchy middle grade.

Then I also got the rights to the illustrations for my picture book THE BEDTIME KNIGHT, so that became my play project as I taught myself to design a picture book. And now THE BEDTIME KINGHT is a real book out in the world and my middle grade is off to critique partners!

So I am truly ready for that writing “break” I meant to take (*checks notes*) almost a year ago. I have some STEM topics I’ll be exploring and I’ll be playing around with book formats I haven’t written before. Eventually I’ll be getting back to my witchy middle grade, and then I’ll have to decide what novel I’m writing next, but it’s all play for now for me. I’m really looking forward to it.

What kind of play or work (writing or non-writing related) have you all been up to?