Natalie Evergreen’s best friend, Samantha Harper, is moving away to attend Woodland Academy, a prestigious private preparatory school in Virginia, far away from Memphis, TN. Natalie is unwilling to break up their friendship, so she agrees to attend Woodland Academy with her, where they encounter supernatural occurrences. Although, Natalie is smitten by the school’s enchantments, splendor, and wonders, Natalie is determined to understand these mysteries with Sam. Natalie learns there’s more to Woodland Academy than meets the eye. Natalie quickly rises to fame when she is elected to participate in the school’s annual games. Things take an unexpected turn when unbelieving Natalie converts to Christianity. However, she finds it struggling to share her newfound faith with her devout atheist parents, who want nothing to do with God. Can Natalie get her parents to accept her faith in time before their fate takes a turn for the worst? Natalie knows every decision she makes is crucial, but one thing is certain, her life will never be the same again. Find out what awaits Natalie in this coming-of-age story of a young girl who learns faith doesn’t come without a price… in The Mysteries of Woodland Academy.
K. D. Williams is a Christian author who lives in Mississippi with her family. The Mysteries of Woodland Academy is her young adult debut. K.D. Williams earned a Bachelor of Science in History at Mississippi Valley State University and a Master of Arts in Education specializing in Child Development at Ashford University. In her spare time, she enjoys reading, writing, and spending time with her grandchildren. K.D. Williams has a heart for the homeless and wants to start a homeless shelter one day.
Honesty time…I don’t enjoy book release days. Part of that is because by the time a book comes out, it’s old news to the author. My brain is like, “Been there, done that, let’s move on.” I’ve already been working on a bunch of other projects since I finished BLACK BUTTERFLY, and now I’m supposed to keep talking about that old project?!
It’s not that I don’t love the book that’s just come out. I’ve probably spent years working on it, which is most certainly true for BLACK BUTTERFLY (see “The 10-Year, 230-Rejection Journey of the YA Thriller BLACK BUTTERFLY”). I love all my books and want them to find readers, but I’m also ready to move on to my newer projects, which are much more exciting to me than my finished books.
There’s also the inevitable disappointment of release day. My release days aren’t exactly leading to big sales numbers, and I’m not sure what number might make it feel less disappointing, but I certainly haven’t reached that on release day. Maybe I never will, even if I started hitting big numbers. The sales numbers (or lack thereof) aren’t what keeps me going as a writer.
The excitement of a new idea popping into my head at the most unexpected moment. An idea sticking around in my mind long enough to quietly develop in the background until it demands I open up a blank page and start writing. The satisfaction of finishing a draft, typing The End, even though I know there’s more work to be done. Noticing an interesting theme in a draft and teasing it out with imagery and metaphor in revisions.
Those are the things that keep me going as a writer!
Once the book is released, there’s nothing left for me to do except try and get people to read it. And I’m not particularly good at that. I’m much better at writing and putting out a good story than selling one. I’m a writer, not a marketer. Though I do my best to do both things, it’s painfully obvious to me which is the one I meant to do.
With that being said, yesterday my YA dystopian thriller BLACK BUTTERFLY released. The day was “mid” as my 12-year-old so often says about his better days at school. Yet, I want to take this moment to recognize the huge accomplishment it has been to now have ten (!!!) published books to my name. That is no small feat. And no matter how “mid” the day felt, it’s a notable one for sure.
Is she the hero or the villain?
Black Butterfly wakes to a country devastated by terrorist attacks, supposedly at the hands of the Chinese government. She remembers nothing of her personal life—not even her name. All she knows is that she was in New York City on the day of the attacks. Though, she soon discovers she has an unsettling repertoire of violent talents.
Elijah and his found family of off-gridders from upstate New York take in Black Butterfly and mend her wounds. With nowhere else to go, she joins them as they head to a rally in Washington D.C. The eclectic group begins to feel like the family she can’t remember—or never had.
An encounter with Luca, a spy for a shadowy government agency, confirms Black Butterfly’s worst suspicions about who she was in the life she can’t remember. As more memories surface, Black Butterfly heads to the agency’s headquarters to find out who’s behind the terrorist attacks. It’s unclear whether she intends to reveal the truth or go back to her villainous way. And it’s more than her life she’s putting at risk.
Check out this gorgeous cover by BetiBup33 Design Studio. This was my first time using a premade cover for a book, and I’m really pleased with the result. The designer was open to the small customization of adding in the butterfly mask over the face. It’s the same butterfly image that is part of the chapter headers inside the book.
Sometimes, you see an image and know it’s got the right vibe for the book, and that’s what happened here.
It may seem sudden that BLACK BUTTERFLY releases in less than a month because I haven’t really talked about it much, but this book was a long time coming. I started writing it back in 2014 (nope, not a typo…it’s really been 10 years!). Originally, I sought to have it traditionally published. There was quite a bit of interest from agents and a few editors, and it won a couple of contests. In the end though, it earned over 230 rejections (again, not a typo!) and never landed an agent or a publishing contract.
I shelved it for awhile, but I never gave up on it. Even though it’s quite dark with a terrorist attacks, violence, and torture, it was oddly fun to write. The main character, who has many aliases (we’ll stick with calling her Black Butterfly to avoid any spoilers), is an amnesiac and finds out she’s a government spy. She also discovers that she might not the hero of the story but the villain!
The story is told in 1st-person present tense, which is a very close point-of-view to work in. It was a really interesting writing challenge to make her an unreliable narrator, but (hopefully) the reader doesn’t end up feeling cheated by her keeping secrets. Anyway, the story and the character kept sticking around in my head, refusing to be ignored.
Fast forward to last year, and I started getting serious about writing a sequel with the thought that maybe I’d self-publish the series. Despite the many, many rejections of the first book, I have always believed in it. Coming across the cover image that fit the story so perfectly, I knew that I had to make BLACK BUTTERFLY a real book…not just a manuscript wallowing away on my computer.
I got the proof copy of the book the other day, and it’s so exciting that BLACK BUTTERFLY is going to finally be available to readers! Here’s a little about the book:
Is she the hero or the villain?
Black Butterfly wakes to a country devastated by terrorist attacks, supposedly at the hands of the Chinese government. She remembers nothing of her personal life—not even her name. All she knows is that she was in New York City on the day of the attacks. Though, she soon discovers she has an unsettling repertoire of violent talents.
Elijah and his found family of off-gridders from upstate New York take in Black Butterfly and mend her wounds. With nowhere else to go, she joins them as they head to a rally in Washington D.C. The eclectic group begins to feel like the family she can’t remember—or never had.
An encounter with Luca, a spy for a shadowy government agency, confirms Black Butterfly’s worst suspicions about who she was in the life she can’t remember. As more memories surface, Black Butterfly heads to the agency’s headquarters to find out who’s behind the terrorist attacks. It’s unclear whether she intends to reveal the truth or go back to her villainous way. And it’s more than her life she’s putting at risk.
Yesterday, I read the article “Milford schools reviewing popular ‘Heartstopper’ books after fielding parents complaints” and learned that parents were challenging the inclusion of these books in middle school libraries. The initial challenge was denied and the books were kept in the libraries, but parents appealed that decision and a more intense review is being conducted by the administration. A final decision has not been made on the fate of these books in middle school libraries.
I wrote a letter to share my views on the book challenge, which I’ve shared with the superintendent, school board members, local media, and across my social media pages. I think it’s important that parents and authors who are against book bans share their voices. Here is my letter:
As a parent of three children, including a middle school student, that attend Milford Public Schools and an award-winning author of children’s book, I do not think that the young adult graphic novel series “Heartstopper” by Alice Oseman should be banned from Milford middle schools.
The bestselling books series is about two boys, ages 14 and 16 in the first book, in England who meet at school and fall in love. The books have also been adapted into an Emmy award-winning Netflix series.
One of the parents challenging the book series said, “We would never ask for a book to be banned.” Yet this parent has requested that the books be pulled from middle school libraries.
According to the American Library Association, a book challenge “is an attempt to remove or restrict materials, based upon the objections of a person or group” and “a banning is the removal of those materials.” A book ban is exactly what this parent is calling for.
The objections to the book include the use of curse words, the use of slurs to bully a gay student, and discussions of mental health, eating disorders, and puberty. I have read these books and they deal with all of these topics in the context of a beautiful story of love and friendship that centers LGBTQ+ characters. I have recommended these books to my middle schooler.
Books are a safe way for children and teens to approach difficult topics, like bullying and mental health. The MPS guidelines say, “Library collections are curated with the goal of stimulating growth in critical thought and enhancing the overall educational program.” Library media specialists work with the district to provide books that “represent diverse points of view…to enable all patrons a safe space with which to view themselves as well as to elevate empathy for others.” This is exactly what the “Heartstopper” books do.
Though the characters in the “Heartstopper” books may be slightly older than middle schoolers, it is common for kids to read about older characters. Middle schoolers read the “The Hunger Games” series by Suzanne Collins where the main character is 16 in the first book. In language arts class this year, my middle schooler read “The Compound” by S. A. Bodeen, which also features a 16-year-old main character. These books also deal with difficult topics like war, nuclear attacks, and surviving in a violent world.
[The next paragraph originally started with the following sentences: “Every parent has a right to take a book out of their own child’s hands. What a parent doesn’t have is the right to take a book out of every child’s hands.” I have now edited to what is surrounded by * below.]
*Many parents think they have a right to take a book out of their own child’s hands. What I want to say to that child is you, too, have rights. You can read about your right to read in this toolkit put together by the National Coalition Against Censorship. Even when a parent makes a choice to take a book out of their child’s hands, it certainly doesn’t give them the right to take it out of every child’s hands.*
It would be a disservice to students to remove the “Heartstopper” books from middle school libraries. I am asking the superintendent not to ban these books and allow my middle schooler to have access to these books at the school library.
Do I agree with the article called “YA Isn’t Just for Young Adults”? Absolutely not. Young adult literature (or what is commonly shortened to YA) is 100% for teens. (We’ll get into whether a teen is a young adult in minute.) Does that mean adults can’t read YA? Also, no. Does that mean teens can’t read things other than YA? Again, no.
I’m not presuming to tell anyone what they can or can’t read. What I’m saying is that young adult literature should bewritten for teens. Period. We don’t need to age YA up because some adults read it and wish that it had more mature content. Adults have their own huge category of books already. Romance novels alone are a billion-dollar industry.
I recently expressed this sentiment in a TikTok video. The text of the video reads, “YA books are made for teens. No one’s stopping adults from reading them. They should still be for teens. Let’s stop trying to make YA for adults, and let’s stop labeling books YA if they’re not for teens.” It sparked quite the debate, which I’m happy about.
Let’s talk about what YA books are, who they should be for, and what’s appropriate content for a YA book!
One of the most frequent comments on the video pointed out how it’s weird to call books for teens “young adult” because young adult people are ages 18 to mid-20s and teens are ages 13 to 18. I get that, so I created a follow-up video to explain the industry term of “young adult,” which was coined in the 1960s.
While I think debating about whether it’s an appropriate term is a related issue, it’s not the main one. The fact is “young adult” is a widely used term that has been around for a very long time and has always meant books for teens. And everyone–the publishers, authors, editors, and booksellers–in the children’s publishing industry (because YA falls into the bigger category of children’s books) knows this.
But what’s happening in recent years is that people in the YA publishing industry– like YA author who penned the article positing that YA isn’t just for young adults–have been pushing the YA category into older and older content. This means that many new YA books have characters that are 16 and older and content that is more appropriate for older teens and adults.
Why is this happening? Starting in the early 2000s, YA saw huge growth with the rise of worldwide bestsellers like Twilight by Stephenie Meyer and The Hunger Games by Suzanne Collins. The first books in both those series released in 2008 and spawned popular movie franchises. In short, YA books became big money.
Then in 2012, a study by Bowker Market Research revealed that 55% of YA books were purchased by adults 18 and over with the largest chunk of those adults being between the ages of 30 and 44. The YA publishing industry realized that there was a huge market of adults buying YA…thus began the trend of moving the YA market into older and older territory.
Another issue with the label of “young adult” is that it’s being used on books that are actually adult books. This seems to happen most often in fantasy books written by women (patriarchy at play here). Two examples being a A Court of Thorns and Roses by Sarah J. Maas and Fourth Wing by Rebecca Yarros. Full disclosure, I haven’t read either of these books, but it’s clear that both of them contain spicy sex scenes, meaning scenes that are meant to be titillating. Spicy sex scenes do not belong in YA.
I’m not saying sex and sex-related topics don’t have a place in some YA books. I wrote a whole post called “Why I Included Abortion in My Young Adult Fantasy Novel” back in 2020, which is about my book Elixir Saved. But labeling books YA when they have sexually explicit content is a disservice to all readers, and it continues to muddy the waters on what YA is.
Young adult books can have all manner of edgier content like gore, violence, and sex. After all, YA is an age category, not a genre, so it contains most book genres, like mystery, thriller, fantasy & sci-fi, and romance. The key is to always keep the core audience of teens in mind when considering what content is appropriate. Also, it’s key to understand that YA is range. What is appropriate for a 13-year-old reader varies greatly from what’s appropriate for an 18-year-old one.
Why is it a problem that YA is skewing older? There is clearly a market for YA books that have more mature content and there’s profit to be gained. But at what cost?
We’re leaving a lot of teen readers behind. Where are the books for the 13-15 year-old readers? Where are the books for older teens that don’t want mature content? What will happen to the book industry in the future if we fail teen readers now? Who’s going to buy YA then?
Teens of all ages deserve books that are written for them. And not just a handful of books. They deserve a wide variety of books and a wide number of books in all kinds of genres. Teens need books that are specifically written for them at all stages of maturity.
Adults have plenty of books to read that are written specifically for them. Adults are guests in the YA space. And those of us who make YA books need to remember that.
