Books for kids, teens, & those who are young at heart

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Highlights From the 2021 New England SCBWI Conference

Long-time followers of the blog might remember how I like to do conference round-ups where I share bits of wisdom from writing conferences I’ve attended. You can check out past conference highlights here.

The 2021 New England SCBWI Conference was unlike any other NESCBWI one because it was fully digital this year. I was keeping my expectations low because I didn’t think it could possibly include the same sense of community as the in-person event. In addition to all the amazing workshops and keynote always offered, this particular conference was always about catching up with writing friends I’d usually only see once a year.

But conference co-directors Juliana Spink Mills and Casey W. Robinson and the entire committee managed to bring that NESCBWI vibe to the digital space. The conference included social hours where you could pick what “room” you wanted to be in (broken up into categories like what state your from, what kind of things you write, or just fun things like a witch’s tea room). In one chat, we ended up talking about pirates and I went and put on one of my pirate hats!

Friday night started off with a “Conversation With Two Legends: Nikki Grimes and Jane Yolen” hosted by Heidi E. Y. Stemple. It was packed full of great stories and advice, and these two truly are legends.

The friendship between them was very evident, even through a screen. When speaking about doing a writing retreat at Jane’s house, Nikki said, they were “two friends, two equals, doing the work.” Jane chimed in that when you’re with someone at the same stage as you, you don’t have to explain. Total author friendship goals there!

Jane intro’d herself by talking about “resolved combustion” and having “a place to cradle the nascent flame.” She told us, the fire is set, breathe deep, steady passionate…then blow yourself apart.

Nikki reminded us that “novel” means “new.” She realized she didn’t have to write the way everyone thought she should and that she had to do it the way that was right for her.

Saturday was packed full of workshops. We got to pick four to attend live and all the others were available to to view for a month afterwards. Being able to watch all the workshops offered is a big perk of the digital format.

In her workshop about picture book revision, Charlesbridge editor Julie Bliven said to come back to that spark of what is working and what you like about a manuscript to remind you of why it’s worth the revision.

Author Heidi E. Y. Stemple included a ton of amazing mentor texts when talking about non-fiction voice, resulting in me getting a little out of control with my holds list at the local library. She encouraged us to experiment with telling the story different ways and play with tone and language, and to not be afraid to try and fail when trying something different with a non-fiction manuscript.

Margaret K. McElderry Books, an imprint of Simon & Schuster, editor Kate Prosswimmer editor gave us a bunch of different guides to approach plot and character together. She said that the heart of a story is in the intersection of plot and character.

Saturday ended with a heart-tugging and joyful keynote from author/illustrator Mike Curato that tied so well into the conference’s theme of finding joy in the journey. His voice has such a soothing tone and I could have spent hours listening to him talk about his personal creative journey.

He talked about how his big break came when he realized he hadn’t made anything for himself in years and the joy was missing from his work. That’s when he created Little Elliot, who embodied so much of his childhood. Mike said that Elliot was his guide and would leave him through the darkness.

On Sunday, we got to pick two Ask-A-Mentor sessions to attend where faculty took questions directly from attendees. Then the conference ended with a keynote from Padma Venkatraman. If you ever get a chance to see Padma speak or teach a workshop, do it. She is so generous with her time and wisdom and is truly a gem to our New England SCBWI community.

Padma advised us to make a note of anytime someone says something kind or that they believe in you and to keep that in a book or somewhere to look at. In a sentiment that she constantly demonstrates, Padma said there is generosity in give away ideas and encouragement and that we should “lift other people.” I’m very much looking forward to her next book BORN BEHIND BARS, which is coming this fall.

And that was only some of the workshops and sessions I attended live. I spent the next month popping in to watch the recordings of the other sessions and filling up my notebook with inspiring advice and stories.

Buy Signed Book Directly from Author Katie L. Carroll

The big news this week is that I’ve set up a bookstore right here on my website! Now you can order signed copies of any of my four books directly from me, simply visit the Purchase Books page. If you’d like them personalized, follow the instructions on the page.

For those of you who may not be familiar with my books, here’s a little bit about each one. I think you’ll be able to find something for every young reader!

The Bedtime Knight – picture book

When the lights turn off at bedtime, a young mouse’s imagination runs wild. Daddy Knight charges in to the rescue and sheds light on what the shadows really are. Then he empowers his daughter to turn the scary shadows into fun imaginings. Written by Katie L. Carroll with illustrations by Erika Baird.

Pirate Island – middle grade fiction

A thrice cursed island, a legendary pirate treasure, and one not-so-brave boy. What could possibly go wrong?

For centuries, the whereabouts of Captain William Kidd’s lost pirate treasure has remained a mystery. When Billy’s best friend, Andy, proposes they look for it on nearby Pirate Island, Billy thinks it’s just another one of their crazy adventures. It’s usually Billy who ends up in trouble as a result, but he goes along for the ride…like always. The more he delves into the life and death of Kidd, the more he thinks the treasure is real and that it might be buried on the small island in Long Island Sound. Billy—nope, call him William—becomes obsessed with the captain of the same first name. He even believes he’s possessed by Kidd’s restless soul. Now he and the spirit of a long-dead pirate are leading the crazy adventure on Pirate Island. And what they find is far bigger than the treasure they imagined.

Elixir Bound – young adult fantasy

Take an epic journey in this award-winning young adult fantasy, winner of Best YA Book for the 2019 Connecticut Author Project! A young woman’s quest to become the next guardian of a secret healing Elixir is perfect for fans of Leigh Bardugo and Sarah J. Maas

Katora Kase isn’t the firstborn son nor does she possess the type of magic that can conjure spells or bewitch others. In the land of the Great Peninsula—an epic fantasy world ruled by the Great Mother Nature and her offspring—those things aren’t a measure of one’s worth. And what Katora does possess is the subtle magic running through her blood that marks her as the next guardian of a secret healing Elixir that is her family’s legacy. It is such a highly guarded secret that Katora doesn’t know of its existence until a rare snowstorm blows through with a message for her father, the current guardian.

Katora sets off on a quest into the wilds of Faway Forest to find the flowers that give the Elixir its potency. Even though she is accompanied by her sister, her brother, an old family friend, and the handsome son of a mapmaker, she feels alone. For it is her decision alone whether or not to bind herself to the Elixir’s magic to serve and protect it until a new guardian is chosen. The forest hosts many dangers, including wicked beings that will stop at nothing to gain power, but the biggest danger Katora may face is whether or not to open up her heart to love.

ELIXIR SAVED – young adult fantasy

Three lives saved by the Elixir; three lives bound by it.

The Elixir entwines the lives of those it touches. Once upon a time, Kylene, Zelenka, and Devon tasted it and escaped death. None were left without scars. Now, a shocking message from the Ice Queen—one of Mother Nature’s higher beings—sends each survivor on a quest. Kylene travels to the frozen depths of Blanchardwood, Zelenka heads back to the wilds of Faway Forest, and Devon journeys to a reclusive mountain temple. The three paths converge in a war against an ancient and tricky foe. And even the Elixir cannot save everyone. The fate of the world balances on the edge of a sword, and the outcome depends on whether the survivors will sacrifice their second chances.

Escape back into the world of the Great Peninsula in this much-anticipated sequel to the award-winning ELIXIR BOUND. 

Writing Nature Fantasy with Sara Webley Author of ZO IN THE ROOSTING TREE

Crows are an important part of my witchy middle grade book, so it felt very serendipitous when I connected with Sara Webley, author of ZO IN THE ROOSTING TREE. Let’s give a big welcome to Sara and and her clever crow character Zo!

Besides writing books for young readers, I’m an editor of texts ranging from academic writing to consumer health to kids’ books. I’ve also worked in the zoo and aquarium field as an animal technician and zookeeper. I love fiction and nonfiction about animals and nature. So when I decided to write a fantasy about a young girl who switches places with an American Crow, I wanted to combine the real with the magical—nature with fantasy. Write what you know, but…twist it! I wanted my readers to view nature from the perspective of the animal.

So I had to decide: How to construct Zo in the Roosting Tree? How to bridge reality and fantasy?

I began by researching crow behavior, crow myths, crow intelligence. Write what you know—and anything you don’t know, educate yourself about it! So I was continually checking: How would a real crow act in the scene I’m writing? What cool example of crow behavior can I include? This research gave me a framework for creating my plot and characters. What I aimed for was a fantasy close enough to reality that it would pull my readers in and make them wonder…Could that really happen? Would the crow I see outside my window every day be able to do that? And…Is that crow watching me?

The crow and human needed to switch places, so they could each learn about the other’s world. Because of my own bond with nature, I created a human character who loves birds: a young girl named Jae, who would live inside Zo the crow’s body. And the crow would live inside Jae’s human body. That’s the magical “Switch”—girl and crow, crow and girl. I hoped to excite young readers about a bird they probably see every day and don’t think much about. I wanted them to care about animals by being one for a while.

I made choices about plot, scenes, conflicts, and fun based on what I know about real crows. Planning my storyline, I wanted the magical crow Zo to behave in ways that reflect reality. Crows are smart, social, playful, adaptable birds. So I made Zo clever, fun-loving, family-oriented. Crows recognize human faces—people they like, and people they don’t. Crows are also problem-solvers, comparable in intelligence to monkeys and dolphins. They can use tools to find hidden food, slide down a snowy windshield just for fun, or surf the clouds by gripping a big piece of bark with their toes. So I set some problems in front of Zo to see how she might solve them—like being hunted by a scary owl at dawn. Zo may live in a fantasy world, but her behavior reflects the skills of a real crow.

But what’s fun about writing nature fantasy is not having to be totally accurate! After editing academic writing for years, I needed a 180-degree turn. So I took liberties: A real crow would not be friends with a young cardinal. A real crow would not ride on a snapping turtle’s back. I enjoyed starting with what I knew about the true nature of crows, and then twisting that into fantasy.

My goal was also to get readers interested in the much-maligned crow (think: Hitchcock’s The Birds) by presenting a sympathetic crow who teaches us something about natural behavior. This winter, a friend told me that she’d seen a huge group of crows gathering in a parking lot before they flew off to roost for the night. She said it made her think of “the apocalypse.” That’s what I wanted to counter with Zo’s character, by showing readers how crows communicate, play, and care for each other. In that parking lot, those crows were probably discussing where to find food the next day, not planning the apocalypse!

Nicer beliefs exist about crows, too: they’re famous for leaving “gifts” for humans. There’s some disagreement about that among bird scientists, but I wanted to use a shiny gift in the plot. I make silver chain maille bracelets, so I decided that Jae would have one. The real bracelet jump-starts the magical crow-and-girl Switch. Nature and reality…with a fantasy twist.

ZO IN THE ROOSTING TREE blurb:

Caw! Zo looks like a crow, sounds like a crow, and flies like a crow. But Zo thinks she’s a human girl inside!

Zo in the Roosting Tree tells the story of a clever crow, through the eyes of a human girl. A girl who loves being a crow, but who must find the secret to being human. Follow Zo’s adventures as she wakes up one morning in the roosting tree, learns to fly, plays games with a goofy cardinal named Rufus, and surfs the wind with her wings in the clouds. Kahr! Kahr!

Being Zo the crow is fun. And Rufus has become her best birdy friend. But when Zo discovers the dangers of her new life—owls and bobcats and cars—she misses her human family. Time is running out. Can a mysterious snapping turtle help Zo find the magic she needs to go home again?

Learn more about the book at zointheroostingtree.com or purchase it at Amazon, Vermont Institute of Natural Science, IndieBound, or Norwich Bookstore.

About the Author:

When Sara Webley was ten years old, her grandmother’s monthly magazine published Sara’s poem about a lobster…minus the final stanza. Not too happy with Grandma’s editing, Sara became an editor and writer herself. She has helped others do their best work through her editorial company, JAS Group Writing & Editing. Sara’s poetry has appeared in Flyway, Cold Mountain Review, and Appalachia.

Also trained as a veterinary health technician, Sara worked at Boston’s Franklin Park Zoo and New England Aquarium caring for seals, otters, porcupines, coyotes, snakes, monkeys, turtles, and other animals. Currently, she volunteers handling hawks and owls at a nature center, where she met one very special American Crow. As an author, Sara combines her love of animals with her love of books for young readers. She enjoys watching the crows gather at dusk in their roosting tree near her home. Follow Sara and Zo on Instagram @sara_webley_author and @zo_crow at facebook.com/zointheroostingtree.

Taking the Time to Play with Writing

Last year, after I got my YA fantasy ELIXIR SAVED finalized and up for preorder, the goal was to take a break. Not that I wasn’t going to write, more that anything I wrote would be without a plan.

I had started my witchy middle grade back in October 2019 when I did an Unworkshop at the Highlights Foundation, but I didn’t want to dive back into that one yet. I wanted to play around and not focus on a big project like a novel, and I wanted time to refill my creative well with reading, watching, and listening to music.

That was the plan at the beginning of the year, and I got ELIXIR SAVED ready in early March just before schools shut down. And, well, you all know what we’ve all been dealing with ever since. By the time I figured out how to fit in writing time again with early morning sessions (which didn’t happen until June!), I needed to have a plan instead of play, so I opted to work on the witchy middle grade.

Then I also got the rights to the illustrations for my picture book THE BEDTIME KNIGHT, so that became my play project as I taught myself to design a picture book. And now THE BEDTIME KINGHT is a real book out in the world and my middle grade is off to critique partners!

So I am truly ready for that writing “break” I meant to take (*checks notes*) almost a year ago. I have some STEM topics I’ll be exploring and I’ll be playing around with book formats I haven’t written before. Eventually I’ll be getting back to my witchy middle grade, and then I’ll have to decide what novel I’m writing next, but it’s all play for now for me. I’m really looking forward to it.

What kind of play or work (writing or non-writing related) have you all been up to?

Happy Book Birthday to THE BEDTIME KNIGHT by Katie L. Carroll & Illustrated by Erika Baird

I’m so happy to have THE BEDTIME KNIGHT out in the world today! This book was first released as an ebook for a picture book app way back in 2012 (see “The Bedtime Knight” Is Born”), and it’s exciting to have it out in print for the first time.

Erika Baird, the illustrator, really did an amazing job of using the pictures to tell the story along with the text. And I love the purple color scheme she chose. The original layout was the text on one side and the illustration on the other, much like this page in the version releasing today.

That wasn’t going to work for the entire picture book for a print version. The design would have gotten stale, and the number of pages wouldn’t have worked. When I purchased the illustration rights from Erika, it was for the originals, so I had to bring my own design skills (or lack thereof) to the table.

Wow, did I learn a lot in the process of designing a picture book. If I never hear about adjusting page size for bleed again, I will be a very happy person indeed! One of my favorite spreads is this one with the closeup the young mouse character. It’s hard to see in this screenshot, but the illustration has a white border around it, and it was fun page to design.

This book is all about facing fears, especially the ones in our own heads. The mouse daughter keeps imagining the shadows in her dark room are scary things (like a giant on the ceiling). When Daddy Knight shines the light on them, they discover the shadows are just ordinary objects (like a ceiling fan). Then together, they use their imaginations to turn those everyday things into something else (like a friendly sea creature).

As the story progresses, the young mouse grows more independent in using her imagination, until finally at the end, she is alone in her room (with Daddy watching from the doorway) and reimagines the shadows all by herself.

As a person with a very active imagination, I often see things in the dark that scare me, especially when I was child. I love the way the dad character in the book so lovingly guides his daughter to see things (literally) in a new light and empowers her to reimagine them.

THE BEDTIME KNIGHT is available in print and ebook from BookshopAmazonBarnes & NobleKoboIndieBound, and other book retailers.

Also a quick reminder that I’m teaching a virtual ShopTalk for the New England SCBWI called “What to Expect When You’re Self-Publishing” this evening, Tuesday, January 26, at 7:00 p.m. (ET). This is going to be packed with information! I’ve also added a Self-Publishing Resources page to my website for anyone interested in exploring more on the topic.

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