Category: Art (Page 5 of 9)

December #InkRipples: A Tradition of Christmas Cookies

December 5, 2016 / Katie L. Carroll

It’s the last #InkRipples of the year! But don’t worry, we have a whole new line-up of topics for 2017. Keep an eye out later in the month for the official #InkRipples 2017 announcement. We’re always happy to have you join in on the conversation–this month we’re talking cookies.

I have a long-standing tradition in my family of baking Christmas cookies. My siblings and I started making them many, many years ago with our Nana (our great-grandmother). When my first nephew was born, we were all very excited to bring that tradition to a new generation of family. I think we’ve missed a few years here and there, but it’s something we always have fun with and I hope we keep the tradition going for many more years. Here are a few highlights of cookies we’ve created over the years.

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (December is all about cookies), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

Feast for the Senses at WaterFire Providence

October 12, 2016 / Katie L. Carroll

A few weekends ago, the hubby and I snuck off for a night away from the kiddos! We headed to WaterFire Providence. Basically WaterFire is a cultural event centered around specially made fire braziers (created by artist Barnaby Evans) that float in the water. They are placed all along three rivers in downtown Providence and accompanied by a musical program.

It’s a pretty simple concept, but it’s beautiful, inspiring, and a feast for the senses. There are boat rides available, but we stuck to walking along the rivers this time around. There are street performers, food, lots of people watching, and this year there was a torch ceremony that preceding the lighting.

I first stumbled upon WaterFire when I was in Providence for a concert quite a few years ago. The concert got cancelled at the last minute and we ended up wandering around downtown and came across a crowd…and fires…in the water! I’ve been back a bunch of times since then (check out my post “Rivers of Fire” for a look at one past visit). I hope you enjoy the pictures from my latest visit!

Time to Fill the Creative Well Again

January 18, 2016 / Katie L. Carroll

I finished the big revision I had been working on and then made it through the holidays. Now I find myself on this side of the New Year with a need for a creative recharge. This isn’t the first time I’ve been here, and I’m sure it won’t be the last.

The creative life can be draining when you’re constantly putting words, thoughts, and ideas out there, so I tend to go through periods where I’m in need of replenishment. I’ve written about the idea of a creative well (see the full post here) here on the Observation Desk before. Here’s a snippet:

The well is where ideas come from.

Some ideas are a tiny trickle dripping from the bucket. Others a deluge as the bottom of the bucket falls out, gushing water over my head.

I’m not the only one with access to the well. An intricate labyrinth of tunnels connects other writers, artist, dreamers, and musicians to the well. But it’s not only for artsy types. Mathematicians calculate numbers and equations there; astrophysicists explore the stars and galaxies; doctors find cures for disease.

The well connects us all.

I mistakenly think I write to make connections, take the thoughts and stories in my head and share them with readers, giving them thoughts and stories of their own. I actually write to explore the connections that already exist through the well.”

I feel like I’ve been putting a lot into the well lately. So it’s time for me sit quietly and soak up all the well has to offer. I’ve been reading a lot (something I didn’t do as much last year), watching TV (sure some programs are more mindless than others, but it does help to fill me up creatively), and paying attention to life and nature.

And thinking…lots and lots of thinking. Part of my writing process is to think about a new project for awhile before I dig into writing it. More than thinking about what I’m working on next, though, I’ve also been pondering my career as an author and where I’m headed next. Part of that depends on other people as I’m currently querying agents with a manuscript, but much of it is internal.

Speaking of querying, this part of being a writer is one of the hardest for me. It’s makes me feel intensely vulnerable, and I really, really, really hate feeling vulnerable. I’m in need of lots of tea and chocolate, and maybe some hugs!

Hopefully soon, I’ll have a better sense of this next book I plan on writing and I’ll be able to immerse myself in it, which helps to desensitize me to the querying process. A new project brings excitement, direction, and hope.

What have you all been up to lately?

Why Do The Humanities Matter To You?

March 19, 2015 / Katie L. Carroll

Today’s post is discussing a serious matter regarding the defunding of the humanities in my home state of Connecticut. My hope is that you (residents and non-residents alike) will join me in a rallying cry to help the state realize the importance of the humanities. I’m asking that you share in the comments what the humanities mean to you and how they have affected your life.

The situation is that Connecticut Governor Dannel Malloy has proposed a new 2-year budget that would eliminate funding for the Connecticut Humanities Council, the Connecticut Trust for Historic Preservation, and the Community Investment Act. I know most of you who read my blog are of the mind that the humanities matter, but lets reiterate that here, today: the humanities matter. Let’s put human faces on why they matter.

What are the humanities? Stanford University Humanities Center has a wonderful definition on their website:

“The humanities can be described as the study of how people process and document the human experience. Since humans have been able, we have used philosophy, literature, religion, art, music, history and language to understand and record our world. These modes of expression have become some of the subjects that traditionally fall under the humanities umbrella. Knowledge of these records of human experience gives us the opportunity to feel a sense of connection to those who have come before us, as well as to our contemporaries.”

So, no, we’re not talking about the physical necessities of life like food and shelter. What we are talking about with the humanities is food for our souls, connection to others, a sense of where we’ve come from and where we’re going as people. They bring us a better understanding of our world, past, present, and future. We’re talking about what it means to be human; the very essence of the word “humanity.”

That’s a beautiful sentiment in and of itself, but let’s get specific about what’s at stake. If the proposed budget in Connecticut is passed, it will cut about two-thirds of the Connecticut Humanities budget. These funds go towards cultural organizations, historical societies, libraries, and educational institutions throughout the state. They support the Connecticut Center for the Book, the Connecticut Book Award, book talks, poetry festivals, and workshops for children.

These are the funds that made THE GREAT CONNECTICUT CAPER possible. The Caper, a collaborative, serialized mystery for middle grade readers, is near and dear to me as I am one of the twelve Connecticut authors who wrote a chapter for it. Once chapter 12 is released in June, any future plans to reach out further to libraries and schools to make the story more accessible and plans to develop an audio book of it will not be realized.

I was lucky enough to teach a writing workshop at a Connecticut middle school through the Caper. Seven sixth-graders in the special education program won the workshop by writing their own chapter for the Caper, and an additional 23 students got the attend the workshop. We talked about where creative ideas come from, and I took them through a writing exercise to help them begin to develop their own creative stories. What an enthusiastic and creative bunch of kids! I was just floored when they shared the ideas that had grown from the workshop.

That was all made possible by support for Connecticut humanities. So now I’m turning to you to bring attention to the humanities in Connecticut. Share your thoughts in the comments and talk about it on social media using #CTHumanitiesMatter, #CTPlacesMatter, and #CTHistoryMatters.

Connecticut residents can e-mail their legislators (find yours here) stating who you are, how the humanities are important to you, and letting them know what activities you participate in that will be impacted. You can also contact Governor Malloy through this link. Join the rally day in Hartford at the state capitol on April 8 (details here).

Now you’re up! Why do the humanities matter? What do they mean to you? I’m hoping to share some of the responses (with the commenters permission, of course) next week on the blog.

Meet Beth Lovell Illustrator for THE GREAT CONNECTICUT CAPER

February 6, 2015 / Katie L. Carroll

Have you check out chapter three of THE GREAT CONNECTICUT CAPER yet? You’ll definitely want to after reading this interview to see what Beth Lovell has created as an illustration for the Caper. All the beautiful artwork on this post was graciously provided by Beth. Let’s give her a big welcome!

What is your typical approach when sitting down to start a new project?

I draw or paint every day and usually my work is completed in one fell swoop. I work anywhere from 5 minutes to an hour or longer on a particular piece, usually.

Did your approach differ at all for creating your illustration for the Great CT Caper?

Yes, I did multiple sketches for the different characters imagining how they might look, and I sketched and took loads of photos on site at the locations that were mentioned in my chapter and at Gillette Castle itself. I wanted to have as many resources in my own hand as possible for completing the assignment and I prefer if possible to work from observation rather than photos. I did have to Google search for some character ideas however. I scanned all the drawings and paintings and sketches and made a collage in Photoshop laying everything out like I wanted. I printed and re-drew on the prints, and rescanned and re-collaged everything several time before I was happy with it. My husband is a Photoshop expert so he had a hand in it as well.

What was your biggest challenge for creating a piece of artwork for the Great CT Caper?

Working under the deadline of a week was exhilarating and frantic. I think artists secretly like the pressure of a deadline because it focuses you like nothing else can!

Did you do any particular research for this project?

I sketched on location at many of the parks mentioned in the chapter. It was fun to see a few places in Connecticut that I had not yet visited. Connecticut offers quite a bit of variety in terms of terrain, there is the shoreline, beaches, wooded hiking trails, really interesting and unusual architecture like Gillette Castle.

I did Google searches to come up with a couple of characters in my illustration and that was loads of fun. If you have something particular in mind when you start your image search it is fun to see how close you can get to that idea, but also there is a random element there.

How did you get started in illustrating?

I have been doing a drawing or painting every day as challenge to keep art a significant part of my life since 2009. I was trained as an oil painter, but I seriously love drawing, it is so fun and direct, it seems so much more natural of a way of making things for me and I just cannot stop doing it. My drawings have a kind of illustrative quality so I have just been going in that direction more and more. I would love to illustrate more professionally but I have only done a few published things, if you count web venues. I would love to illustrate a graphic novel.

What is your work space like? Do you have any other places you like to work?

I work at home, in our dining room which has my computer desk and scanner, and a large table made from a wooden door. It is a fabulous workspace that everyone in the family uses for various projects, homework, and whatnot.

I also have a small field kit of art supplies that travel with me at all times so I can sketch in the supermarket, or out and about whenever I see something that is visually interesting. I love sketching on location and have drawn many times at the Peabody, and coffee shops, and the New Haven green and around.

What artists inspire you?

This is a big question, and for this interview, I will focus just on illustrators. Before I had children, most of my influences were people who made paintings, but since my kids were little I have just gone mad for children’s book illustrators, cartoonists, and people who make graphic novels. A few who I admire greatly are Mimi Grey whose collaged children’s books are just fabulous and funny she did Traction Man, Kate Beaton who draws Hark a Vagrant, Lucy Knisley whose graphic novel Relish is just fabulous, and Isabel Greenberg who drew Encyclopedia of Early Earth.

Besides chapter three of the Great CT Caper, where else might people find your work?

I have work at www.bethlovell.com. I have a Facebook group for anyone who’d like to share their own daily drawings. https://www.facebook.com/groups/cawdailydrawing/

It goes along with a course I am teaching at Creative Arts Workshop in New Haven, but the Facebook group is open to anyone to join. The more the merrier!

Any upcoming projects you’d like to mention?

I recently had some sketches of Occupy New Haven in the CT Bound flatfile show at Artspace, which is a small show accompanying the CT(un)bound Book Art show going on there right now. The show was up through January 31st. http://artspacenh.org/include/404.asp?404;https://artspacenh.org:443/galleries/gallery5/

And finally, please share something silly/unusual/interesting that you don’t normally share in interviews…

This does not really fit your question, but here goes:

One of my favorite young adult novels is serially written collaboratively by a bunch of different fabulous authors, it is called Click! and it includes Nick Hornby (Author), David Almond (Author), Eoin Colfer (Author), Roddy Doyle (Author), Deborah Ellis (Author), Margo Langan (Author), Gregory Maguire (Author), Ruth Ozeki (Author), Linda Sue Park (Author), Tim Wynne-Jones (Author).

click

So when I heard about the collaborative CT Caper project, I really wanted to try for it. I was so excited to be chosen as one of the illustrators on this project. I’ve always wanted to work on a graphic novel so this seemed like a good step in that direction.

The thing I want to say is that my sketch that I submitted was really sketchy and fast and I had wanted to make a whole perfect ink drawing or graphic novel spread out of it, but procrastinating artist that I was, the deadline approached, and I had to decide if I thought my sketch was good enough to submit. In my heart of hearts I knew I could do better, but in my heart of hearts I knew I also really really wanted to participate so at 11:45 pm I uploaded what I had and I am so glad I did. I want to share that with any and all artists, writers and students, go ahead and try, please don’t wait til you feel like everything is perfect, you are good enough exactly as you are, right this minute!

About the Illustrator:

Beth Lovell is a Connecticut artist who has posted a daily drawing or painting online since 2009, a practice that began as a New Year’s Resolution. Beth has an MFA in Painting from Yale School of Art and a BFA from Indiana University, Bloomington. You can find her work at www.bethlovell.com and littlewolfpress.etsy.com.