Books for kids, teens, & those who are young at heart

Category: Art (Page 3 of 9)

What Is This Life Even?

I’ve got all these thoughtful blog posts simmering in my brain, ideas sketched out in my notebook. What I haven’t got is time to write them. Which is actually a good thing. I haven’t had the time because I’ve been lucky to have a bunch of writing events this fall, I’ve got three wonderful kiddos that keep me busy and laughing and loving, and some days the weather has been too beautiful not to get outside. Plus, I’ve been devoting as much of my writing time as I can to drafting ELIXIR SAVED, and that’s actually been going well (fingers crossed I can writeTHE END by the end of the year).

And while my personal life is in a good place, the larger country and world is more often than not a trash fire, so on days when I do sit down to write, it’s easy to get distracted by that. And then I feel guilty that I have the privilege to be able to call all the politics and stuff a distraction. Yet I also know that my work of writing books for kids is an important and political act (as is all art), so when I’m working, I’m not actually ignoring those things but contributing (hopefully) to the growth of the very people who will be running the country and the world one day.

I try to remember to pause and be in the moment and appreciate where I’m at. I have this writing life that is gaining a little bit of steam and maybe (maybe!?) one day will be a full-time career. And, of course, I have this beautiful family that is a joy and a pain and a million other things all at once.

I guess what I’m saying is life is complicated in a wonderfully messy way. I love my blog, but lately life has been moving too fast to stop and give it the attention it deserves. But that’s okay…it’ll be here when I have the time for it.

Keynote Conference Highlights and Writing Advice from #LA18SCBWI

I feel so lucky to have been able to attend the SCBWI Conference in L.A. earlier this month. A big thanks to the SCBWI for sending me out there (I won the trip through my participation in SCBWI BookStop program). For all of you who saw my worries about leaving The Gentleman when he was just barely 1, you’ll be happy to know that he was find while I was gone (and even took a bottle at times!).

There were so many amazing moments that I couldn’t possibly share them all here, so be sure to check out all the SCBWI blog coverage of the conference or #LA18SCBWI on Twitter. The keynotes in particular were amazing, so I’ve devoted this post to those. (I always like to note that I don’t use quotation marks for these snippets because these are from the notes that I’m often frantically taking during talks, so there’s not way to know for sure if it’s a direct quote or if I’m paraphrasing, but I always try to be true to the point the speaker was trying to get across.)

Daniel José Older (He’s super funny!):

  • Words are supposed to sound nice when you put them together, so read out loud before you sub.
  • Beginnings establish what your character wants; they establish their humanity.
  • Every story that we tell is the story of a crisis, where a crisis is a turning point, a moment that everything changes in some significant way.
  • Good books are made of bad decisions.

Ekua Holmes (I love her whole aesthetic…the colors, the flow, the emotions behind it…everything!):

  • Reach back and gather the best of what our past hast to teach us. Reclaim her history, legacy, and sovereignty through art.
  • Our art is always personal. My strategy is somehow to find myself in each of my stories.
  • Confinement in mind and body cannot stop our creativity and desire to be free.
  • Children innately respond to creativity.

Lynda Mullaly Hunt (Her talks are always so full of the passion she brings to her work and for caring about kids.):

  • It’s a very brave act to create something that has never been in the world until you put your hand to the page and share it with others.
  • Young readers need us to care more about them than we care about our careers and ourselves.
  • Children are hungry for optimism–just like the rest of us.
  • Wishes are passive longings. Change your wishes into goals and act on those goals.

Andrea Davis Pinkney & Brian Pinkney (Such an adorable, creative couple…with very different work styles. I’d love to be a fly on their wall.):

  • Every artist have to have a style – B.P.
  • You want the reader to not even know they are reading because they are having so much fun. – A.D.P.
  • Write your own letter to diversity and come back to it in a year to see how you’ve done. – A.D.P.

Libba Bray (She’s a badass–super funny, smart, and thoughtful. See my post about how her keynote inspired by author theme of “find your magic”.):

  • In writing a story, you have to want to know something. The question makes your story come alive, leading us from somewhere we know to something new. The question leads to change.
  • Branding is about answers, about selling stuff. Brands by there very nature are static. It puts writers in a position to view kids as consumers instead of growing young people.
  • Writers need safe places to be able to take risks.
  • We are facing the kind of monsters we read about in books. There has never been a more important time to write for the next generation.
  • If someone asks what your brand is, tell them it’s a commitment to craft and a deep respect for the audience.

Mike Curato (He’s as adorable as his elephant character Little Elliot):

  • Eat cake…but make sure it’s good cake.
  • Think about how happy you were as a kid making art. Create things that make you happy.
  • Think about how small your were as a kid and how things looked, and draw from that perspective.

Lois Lowry (Needs no introduction! This was set up as a chat between Lois and SCBWI co-founder, Lin Oliver.):

  • The reaction of kids to her first book kept her writing fiction for young people. Her sudden awareness of the passion of kids for a book they love.
  • When asked what unifies her as a writer, Lois said intimacy. It’s her one word for her voice. She feels an intimate connection to her reader. The element of human connection is the theme that runs through her books.
  • There are things that are too dark for children, but they’re there. We have to write about those thing, and do it in an intelligent way.

Unfortunately I missed Eliza Wheeler’s keynote because I had to take break to pump breast milk, but there’s a great overview on the SCBWI Conference Blog.

I also popped in and out of Bruce Coville’s keynote (and didn’t get a chance to take notes of what I did hear) because it ran late and I was rushing around getting books signed before I had to catch my flight home. I’ve listened to a keynote of his before, and it was sooo good. You can just tell how much he loves writing for kids and the impact reading can have on them. Again, check out the SCBWI Conference Blog. Him talking about ripples really resonated with me.

I’m hoping to pull some highlights from the panels and workshops I attended for another post, as well as just a fun post about some of the shenanigans that went on during the downtime (You do want to see me dressed up as Jane Austen for the party, right?). Stay tuned!

Defining My Author Theme Courtesy of #LA18SCBWI and Libba Bray

I purposefully didn’t title this piece with the words “author brand” because there are important distinctions between a brand and what I’m talking about here (and calling my “author theme”), and also because I don’t want to anger Libba Bray! But let me back up for a second and give you the all-important context.

I recently attended the SCBWI conference in L.A. where there were some amazing keynotes (and there were a whole lot of keynotes at this conference). The brilliant YA novelist Libba Bray gave her keynote on Saturday afternoon. As a conference attendee, I was buzzing with inspiration from the previous day and a half but not overloaded and exhausted like I was pretty much all of Sunday.

Libba discussed something that is on the mind of any writer who is tuned into the business and marketing side of publishing: author branding! I’ve been trying to come up with a snappy definition of an author brand, but it’s kind of making me woozy thinking about it, so I Googled it instead. Here are the links to the first couple of articles that pop up “How To Build Your Author Brand From Scratch (And Why You Need To)” and “7 Best Ways To Build An Authentic Author Brand.”

The bottom line is that most authors feel the pressure to have a brand, but it feels icky to figure out what that is and how to create one that is effective in selling ourselves. And selling yourself is all so counterintuitive to the creative process and to being authentic to an artistic goal rather than a monetary one. Blech!

Libba articulated this phenomenon so well when she framed it as a question vs. an answer. She said that writing is about wanting to know something. This question is what makes your story come alive. The question leads us from somewhere we know to something new. The question leads to change. On the other hand, branding is advertising, and it’s all about answers. Brands are static by nature, and it puts us in a position to view kids as consumers instead of as growing, learning young humans. (No direct quotes because I tend to not worry about getting direct quotes while taking notes during conferences. Check out the SCBWI Conference Blog for a great overview of not only Libba’s keynote but the whole conference.)

Libba ended with the thought that if anyone asks about your brand, say that it’s a commitment to craft and a deep respect for my audience. This thought–and the whole keynote really–sparked an idea of what I’m all about as an author of books for young people. I’m not calling it a brand because yuck, hence the term I use in the title of this post “author theme.” Where a brand would be about selling myself or my books, my author theme is about what I think I bring to the table as a creator, writer, teacher, and human being.

I know authors who essentially say all their writings–no matter what form, genre, or intended audience–come back to some central theme or idea. I’ve always struggled to come up with any one thing that ties all my work together, never mind one thing that ties together who I am with my work. The spark that came to me during this keynote pulled together my writing, my talks about writing and the creative process, and my philosophy on life in a way that I had never been able to do.

Now that I’ve thought of it, it seems painfully obvious that this is what I’ve been writing about and thinking about. It ties in the ubiquitousness of my sister’s death with my career. It’s the thing I’ve been inscribing in ELIXIR BOUND when I sign copies for readers. (Are you screaming at the screen yet for me to just tell you already?!) Alright, alright…here it is in all it’s simple glory:

Find Your Magic.

That’s it. It’s as simple as that. My sister’s death helped me see the thing I was supposed to be doing in this world, the magic of writing for kids and teens. It’s the thing I try to bring to kids when I talk to them at book events and school visits. I know they won’t all grow up aspiring to be writers (though I always emphasize the importance of having the skills of being an effective reader and writer), but I want them all to pursue, in some way, the thing that feels like magic to them. It’s the thing my characters are always trying to find as well, their magic. And it’s kind of been there all along, staring me in the face. I was finally able to see it and grasp on to it.

Find Your Magic.

As simple as it seems, it’s not always simple to do it, to live it. You have to first figure out what your magic is, which is no easy feat. It took me 20+ years of life and a major life event to figure it out myself. Then once you do know what your magic is, you have to figure out how to pursue it while also, ya know, feeding, clothing, housing yourself and any independents.

But when you can figure out a way to actually do it (even if it’s not the way you make your living), when you actually find your magic and live your magic. Wow, that’s some pretty amazing stuff.

ELIXIR BOUND Is Getting a Makeover

It’s finally time to reveal the big ELIXIR BOUND news that I’ve been teasing about for the past few weeks: it’s getting a makeover! Susan Tait Porcaro, the super talented illustrator behind the PIRATE ISLAND cover, created a brand-new cover for my YA fantasy ELIXIR BOUND! (Check out her website http://susantaitporcaro.com/ to fall in love with all her work.)

I truly loved the old cover, but this one with the bottle and vines and the forest is exactly what I wanted for the new cover (scroll down to see the full paperback cover below). It conveys the magic and atmosphere of ELIXIR BOUND perfectly. And when ELIXIR SAVED, a companion novel, comes out (I think I’m going to actually pull off having it ready for a 2019 release!), it will have a cover with a similar feel.

So what does it mean when a book gets a new cover? Well, for those of you who already have the old version, it’s still the same book inside, so that’s not gonna change. For anyone who decides to get the new version, it will include a map of the Great Peninsula and an expanded blurb.

Katora Kase isn’t the firstborn son nor does she possess the type of magic that can conjure spells or bewitch others.

In the land of the Great Peninsula—an epic fantasy world ruled by the Great Mother Nature and her offspring—those things aren’t a measure of one’s worth. And what Katora does possess is the subtle magic running through her blood that marks her as the next guardian of a secret healing Elixir that is her family’s legacy. It is such a highly guarded secret that Katora doesn’t know of its existence until a rare snowstorm blows through with a message for her father, the current guardian.

Katora sets off on a quest into the wilds of Faway Forest to find the flowers that give the Elixir its potency. Even though she is accompanied by her sister, her brother, an old family friend, and the handsome son of a mapmaker, she feels alone. For it is her decision alone whether or not to bind herself to the Elixir’s magic to serve and protect it until a new guardian is chosen. The forest hosts many dangers, including wicked beings that will stop at nothing to gain power, but the biggest danger Katora may face is whether or not to open up her heart to love.

The new cover also means that ELIXIR BOUND isn’t currently available for purchase, but I’ll update you all once it’s back up for sale. (FYI, I still have a few paperbacks of the old cover kicking around, so it you really wanted that version, email me at katielcarroll(at)yahoo(dot)com (replace the “(at)” with “@” and the “(dot)” with “.”) and we’ll work something out.

The best places to get the latest information about me and my books is to subscribe to the blog over on the sidebar there (mobile users, scroll all the way down and click on Desktop to view the sidebar) or follow me on Facebook and Twitter (@KatieLCarroll). Here’s the full paperback version of the cover!

Spring 2017 in Pictures

A quick bookish note first. Today I’m guest posting on the Middle Grade Minded blog about the cover for PIRATE ISLAND. It’s a fun inside look at the process that went into creating it.

Okay, now for the spring part. I’m inclined to say it’s been a weird spring, given that we had snow early on in the season and 90 degree weather last week. But when I think about it, that’s pretty typical for New England.

Some highlights of spring have included The Boy having a his artwork in the citywide show (a fire truck drawing of course!), riding on Thomas the Tank Engine, lots of park time, the New England SCBWI conference (I’ll be blogging some highlights soon), and moving into a room together and getting bunk beds (in preparation for The Gentleman’s arrival).

What have you all been up to this spring?

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