Katie L. Carroll

Books for kids, teens, & those who are young at heart

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Let’s Stop the Billionaires from Controlling Space Exploration

As yet another billionaire is set to head into “space” today (this time Jeff Bezos, founder and former CEO of Amazon…the first occurring earlier this month when Richard Branson, founder of Virgin Group, went 50 miles above sea level, technically falling short of the 62 miles that is the common scientific boundary of space), I want to say that it’s a bad idea to let these billionaires decide the future of space exploration.

Yes, it takes lots of money to explore space, and NASA has been doing it successfully on what is basically a shoe-string budget (the 2021 budget being $23.3 billion or 0.5% of the U.S. spending). And these billionaires (another one to be mentioned is Elon Musk, founder and CEO of SpaceX) certainly have the money to fund it.

Photo Source: NASA

SpaceX has already begun collaborating with NASA. Together they once again launched astronauts to space from U.S. soil in March 2020, breaking a dry spell of 9 years. SpaceX has also been contracted by NASA to bring astronauts to the moon as part of the Artemis program. These two events are noteworthy because the March 2020 launch was the first time NASA used a commercially built spacecraft and the Artemis program is a precursor to sending humans to Mars.

This is good financially because it means private companies are investing their own money in developing space technology and the financial burden isn’t solely on NASA (see “Why NASA pays SpaceX and Boeing to fly astronauts to the International Space Station”), which as I mentioned above is funded by the government.

So what’s so bad about that?

Well, the collaboration and the launching of billionaires to space can also be seen as the start of space exploration being turned into space tourism. And that’s where things get tricky.

Space tourism is basically when regular people go into space for recreation or business purposes rather than scientific ones (see “The Space Tourism Industry Is Stuck In Its Billionaire Phase”). So anyone with enough money, and right now we’re talking a lot of money (see “When Can I Buy a Ticket to Space? A Guide for Non-Billionaires”), would be able to take a trip to space.

Again, what’s so bad about that?

Well, while there are some international space laws and an Outer Space Treaty, space is still largely unchartered territory when it comes to governance. Largely, it’s been scientific missions to space that have been lead by organizations like NASA and the European Space Agency, which are meticulous and purposeful in their actions there, thinking deeply about how their missions impact Earth and whatever might be out there in space and on other planets.

I, for one, am very uncomfortable with guys like Bezos, Branson, and Musk being the ones to set space agendas, while I also recognize the contributions of a company like SpaceX as an important step in pushing the boundaries of space exploration.

I’ve read and listened to really smart people discuss the idea of billionaires making space their playground. There are a lot of reasons why it’s bad, including knowing why space exploration is important, the history of colonization, and what it actually means to terraform and colonize Mars. And all of that is far too much for one blog post.

So watch this space (see what I did there?) for more on this topic. In the meantime, you can check out “Could we really terraform Mars?” by Paul M. Sutter and “Mars Is a Hellhole: Colonizing the red planet is a ridiculous way to help humanity” by Shannon Stirone.

Highlights From the 2021 New England SCBWI Conference

Long-time followers of the blog might remember how I like to do conference round-ups where I share bits of wisdom from writing conferences I’ve attended. You can check out past conference highlights here.

The 2021 New England SCBWI Conference was unlike any other NESCBWI one because it was fully digital this year. I was keeping my expectations low because I didn’t think it could possibly include the same sense of community as the in-person event. In addition to all the amazing workshops and keynote always offered, this particular conference was always about catching up with writing friends I’d usually only see once a year.

But conference co-directors Juliana Spink Mills and Casey W. Robinson and the entire committee managed to bring that NESCBWI vibe to the digital space. The conference included social hours where you could pick what “room” you wanted to be in (broken up into categories like what state your from, what kind of things you write, or just fun things like a witch’s tea room). In one chat, we ended up talking about pirates and I went and put on one of my pirate hats!

Friday night started off with a “Conversation With Two Legends: Nikki Grimes and Jane Yolen” hosted by Heidi E. Y. Stemple. It was packed full of great stories and advice, and these two truly are legends.

The friendship between them was very evident, even through a screen. When speaking about doing a writing retreat at Jane’s house, Nikki said, they were “two friends, two equals, doing the work.” Jane chimed in that when you’re with someone at the same stage as you, you don’t have to explain. Total author friendship goals there!

Jane intro’d herself by talking about “resolved combustion” and having “a place to cradle the nascent flame.” She told us, the fire is set, breathe deep, steady passionate…then blow yourself apart.

Nikki reminded us that “novel” means “new.” She realized she didn’t have to write the way everyone thought she should and that she had to do it the way that was right for her.

Saturday was packed full of workshops. We got to pick four to attend live and all the others were available to to view for a month afterwards. Being able to watch all the workshops offered is a big perk of the digital format.

In her workshop about picture book revision, Charlesbridge editor Julie Bliven said to come back to that spark of what is working and what you like about a manuscript to remind you of why it’s worth the revision.

Author Heidi E. Y. Stemple included a ton of amazing mentor texts when talking about non-fiction voice, resulting in me getting a little out of control with my holds list at the local library. She encouraged us to experiment with telling the story different ways and play with tone and language, and to not be afraid to try and fail when trying something different with a non-fiction manuscript.

Margaret K. McElderry Books, an imprint of Simon & Schuster, editor Kate Prosswimmer editor gave us a bunch of different guides to approach plot and character together. She said that the heart of a story is in the intersection of plot and character.

Saturday ended with a heart-tugging and joyful keynote from author/illustrator Mike Curato that tied so well into the conference’s theme of finding joy in the journey. His voice has such a soothing tone and I could have spent hours listening to him talk about his personal creative journey.

He talked about how his big break came when he realized he hadn’t made anything for himself in years and the joy was missing from his work. That’s when he created Little Elliot, who embodied so much of his childhood. Mike said that Elliot was his guide and would leave him through the darkness.

On Sunday, we got to pick two Ask-A-Mentor sessions to attend where faculty took questions directly from attendees. Then the conference ended with a keynote from Padma Venkatraman. If you ever get a chance to see Padma speak or teach a workshop, do it. She is so generous with her time and wisdom and is truly a gem to our New England SCBWI community.

Padma advised us to make a note of anytime someone says something kind or that they believe in you and to keep that in a book or somewhere to look at. In a sentiment that she constantly demonstrates, Padma said there is generosity in give away ideas and encouragement and that we should “lift other people.” I’m very much looking forward to her next book BORN BEHIND BARS, which is coming this fall.

And that was only some of the workshops and sessions I attended live. I spent the next month popping in to watch the recordings of the other sessions and filling up my notebook with inspiring advice and stories.

Getting Back to In-Person Author Events

I’m very excited, and also a little nervous, to announce that I will be attending my first in-person author event next month! It’s outdoors, everyone will be required to wear a mask, virus numbers are looking good in my state, and I’ll be fully vaccinated, so I think it’s the right time. Though socializing on this scale will definitely take some getting used to.

The event is on Saturday, June 5, 2021 from 10 a.m. – 12 p.m. at the Granby Public Library. I was pleased to see a couple of familiar names on the list, including Cindy L. Rodriguez and Steve Parlato. I did an event with them way back in 2015 at the Avon Public Library, so it’ll be a fun reunion of sorts.

From left, authors Katie L. Carroll, Steve Parlato, Cindy L. Rodriguez, and Anissa Zucker at the Avon Library YA/Teen Author Night

Getting back into in-person author events has me thinking about past events, so I’ll leave you with a few pictures from those.

Stuck In The Writing In-Between

I’m currently in between big writing projects, and I’m having trouble getting out of that space. Some of that is because there are things currently out of my control in regards to what happens next in my writing career, so it’s hard to look too far in the future. Which makes it hard to commit to anything big right now–mainly on deciding what novel I want to write next.

I did have a sort of break planned where I was going to read and catch up on some non-writerly stuff…and wait and see where my muse takes me next. I’ve definitely done this, and worked on some smaller projects in the meantime. All those small projects have turned out to be on the quirky side, so I’m not really sure what to do with them.

It’s not that I don’t have novel ideas (I literally have notebooks of ideas stashed away); it’s more that I can’t quite seem to figure out what one is calling to me the loudest. There’s also the consideration about what makes sense to work on next as far as my career goes, and that brings me back to having to wait to see where those things out of my control shake out.

The waiting is part of the business of writing. I’m growing impatient with the waiting, though. My fingers are itching to get to work. My dreams (like the sleeping kind, not goals and aspirations) have gotten even weirder than those small projects I’ve been working on, which is a sure sign that my brain is getting antsy to work on a big project.

I thought maybe writing this post out would help me have some insight into what to do next. But here I’ve reached the end and I still don’t know what to do.

White Noise Recommendations to Write Faster When You’re Feeling Unproductive

Writing during the pandemic has been really different. I know some writers who have felt productive because they’ve had more time to focus on writing (lucky them!), but many others, like parents, who haven’t been able to fit in writing time. Then there are the writers who may have the time but can’t find the focus.

This was from the days when I used to write at the cafe…the good old days!

I totally get it! At the beginning of the pandemic when the of five us were home all the time, I thought it would be a long time before I figured out a way to fit in writing.

But then I talked to a friend who had been getting up early to write and I (virtually) joined in on her sessions. Naturally, I blogged about this in “WIP Update: Witchy Middle Grade & a Fear of Asking for Help”.

This was back in June 2020, and since then I’ve basically written and revised an entire 59,000-word middle grade novel and worked on a few smaller pieces as well. It’s a level of productivity I couldn’t have imagined achieving this time last year, but I’m not here to brag about this (even if I am proud of it!).

I’m here to say that it’s okay to be unproductive, especially when facing a global pandemic. I basically did a whole webinar with tips on how to be more productive as a parent writer (which is good for any busy writer) where I also tried to help listeners feel okay about not writing. You can watch it for free or check out any of the other Indie Author Project Expert Sessions if you have the time. 😉

One thing that has really helped me to focus has been listening to some kind of white noise. I find music with lyrics can be distracting while I’m writing. But instrumental music that has the right mood to fit what I’m working on or white noise is perfect for keeping my internal editor in check and my mind on task.

So let’s get to those white noise recommendations already!

Spotify is my go-to app when I want thematic instrumental music. There are a ton of pre-made playlists that you can use search for. For my witchy middle grade, my favorite was “spooky instrumental”. When I write fantasy, I’m partial to this “Fantasy Board Gaming” one.

For something more like white noise, I turn to YouTube. For spring, I’ve been listening to this “Spring Rain Sounds” one. When I want to feel cozy, I enjoy fireplaces and thunderstorms, like this Royal Library one.

My most recent discovery is a site called I Miss My Cafe where I can channel those cafe writing sessions I used to have. You can choose which sounds to listen to, from the barista calling out orders to other customers chatting in the background to street ambiance, and pick your volume. There is also Coffitivity, which isn’t as customizable but good nonetheless.

What do you like to listen to while writing or working?

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